Awarded an Asian/Pacific American Award for Literature Picture Book Honor, this stunning picture book brings to life the imagination of Japanese American artist, Isamu Noguchi. (Cover image may vary.) If you are Isamu, stones are the most special of all. How can they be so heavy? Would they float if they had no weight? Winner of the Theordor Seuss Geisel Award in 2020 for Stop! Bot!, James Yang imagines a day in the boyhood of Japanese American artist, Isamu Noguchi. Wandering through an outdoor market, through the forest, and then by the ocean, Isamu sees things through the eyes of a young artist . . .but also in a way that many children will relate. Stones look like birds. And birds look like stones. Through colorful artwork and exquisite text, Yang translates the essence of Noguchi so that we can all begin to see as an artist sees.

Winner of the 2020 Theodor Seuss Geisel Award for most distinguished American book for beginning readers. In this very young picture book mystery, a little boy out for a walk with his family stops to show a building doorman his new "bot": "I have a bot!" Only he doesn't have it for long, because it floats up out of his hands like an escaped balloon. "Stop! Bot!" Springing to action, the kind doorman runs up to each floor of the building to try and catch it -- along with the help of each floor's resident. But while everything looks normal at first, every floor (and resident) is a little more wacky and unusual than the last! Musicians, baseball players, zoo animals, and finally a very large monkey all play a part -- but will they rescue the Bot before it's too late?! Children will love all the funny details and easy-to-read words in this very playful picture book!

This book explores five cases of monument and public commemorative space related to World War II (WWII) in contemporary China (Mainland), Hong Kong and Taiwan, all of which were built either prior to or right after the end of the War and their physical existence still remains. Through the study on the monuments, the project illustrates past and ongoing controversies and contestations over Chinese nation, sovereignty, modernism and identity. Despite their historical affinities, the three societies in question, namely, Mainland China, Hong Kong and Taiwan, vary in their own ways of telling, remembering and forgetting WWII. These divergences are not only rooted in their different political circumstances and social experiences, but also in their current competitions, confrontations and integrations. This book will be of great interest to historians, sinologists and analysts of new Asian nationalism.

Asian American voices and experiences are largely absent from elementary curricula. Asian Americans are an extraordinarily diverse group of people, yet are often viewed through stereotypical lenses: as Chinese or Japanese only, as recent immigrants who do not speak English, as exotic foreigners, or as a “model minority” who do well in school. This fundamental misperception of who Asian Americans are begins with young learners―often from what they learn, or do not learn, in school. This book sets out to amend the superficial treatment of Asian American histories in U.S. textbooks and curriculum by providing elementary teachers with a more nuanced, thematically driven account. In chapters focusing on the complexity of Asian American identity, major moments in Asian immigration, war and displacement, issues of citizenship, and Asian American activism, the authors include suggestions across content areas for guided class discussions, ideas for broader units, and recommendations for children’s literature as well as primary sources.

On December 7, 1941, Keiko Tanaka finds her whole world affected by the Pearl Harbor bombings. Normally friendly neighbors are suddenly suspicious of her Japanese ancestry, and her engagement to James Armstrong—a Caucasian—becomes a crisis rather than a celebration. Despite their parents' protests, Keiko and James decide to marry before she is sent to the internment camps and he to the war. Nearly sixty years later, Keiko's daughter, Kazuko—born in the camps—attends to Keiko on her deathbed. However, a chance incident makes her suspect that her mother is harboring a secret. The truths she is about to uncover might unravel the family . . . and change her very perception of abiding love.

Isamu Noguchi, born in Los Angeles as the illegitimate son of an American mother and a Japanese poet father, was one of the most prolific yet enigmatic figures in the history of twentieth-century American art. Throughout his life, Noguchi (1904-1988) grappled with the ambiguity of his identity as an artist caught up in two cultures. His personal struggles--as well as his many personal triumphs--are vividly chronicled in The Life of Isamu Noguchi, the first full-length biography of this remarkable artist. Published in connection with the centennial of the artist's birth, the book draws on Noguchi's letters, his reminiscences, and interviews with his friends and colleagues to cast new light on his youth, his creativity, and his relationships. During his sixty-year career, there was hardly a genre that Noguchi failed to explore. He produced more than 2,500 works of sculpture, designed furniture, lamps, and stage sets, created dramatic public gardens all over the world, and pioneered the development of environmental art. After studying in Paris, where he befriended Alexander Calder and worked as an assistant to Constantin Brancusi, he became an ardent advocate for abstract sculpture. Noguchi's private life was no less passionate than his artistic career. The book describes his romances with many women, among them the dancer Ruth Page, the painter Frida Kahlo, and the writer Anaïs Nin. Despite his fame, Noguchi always felt himself an outsider. "With my double nationality and my double upbringing, where was my home?" he once wrote. "Where were my affections? Where my identity?" Never entirely comfortable in the New York art world, he inevitably returned to his father's homeland, where he had spent a troubled childhood. This prize-winning biography, first published in Japanese, traces Isamu Noguchi's lifelong journey across these artistic and cultural borders in search of his personal identity.

A scholarly review of the prominent designers and designs from 1910-1960 covering the Organic Design Movement, methods and materials of construction and in-depth measurements with hundreds of archival photographs.

In September 1897 Yone Noguchi (1875–1947) contemplated crafting a poem to his new love, western writer Charles Warren Stoddard. Recently arrived in California, Noguchi was in awe of the established writer and the two had struck up a passionate correspondence. Still, he viewed their relationship as doomed—not by the scandal of their same-sex affections, but their introverted dispositions and differences in background. In a poem dedicated to his “dearest Charlie,” Noguchi wrote: “Thou and I, O Charles, sit alone like two shy stars, east and west!” While confessing his love to Stoddard, Noguchi had a child (future sculptor Isamu Noguchi) with his editor, Léonie Gilmour; became engaged to Washington Post reporter Ethel Armes; and upon his return to Japan married Matsu Takeda—all within a span of seven years. According to author Amy Sueyoshi, Noguchi was not a dedicated polyamorist: He deliberately deceived the three women, to whom he either pretended or promised marriage while already married. She argues further that Noguchi’s intimacies point to little-known realities of race and sexuality in turn-of-the-century America and illuminate how Asian immigrants negotiated America’s literary and arts community. As Noguchi maneuvered through cultural and linguistic differences, his affairs additionally assert how Japanese in America could forge romantic fulfillment during a period historians describe as one of extreme sexual deprivation and discrimination for Asians, particularly in California. Moreover, Noguchi’s relationships reveal how individuals who engaged in seemingly defiant behavior could exist peaceably within prevailing moral mandates. His unexpected intimacies in fact relied upon existing social hierarchies of race, sexuality, gender, and nation that dictated appropriate and inappropriate behavior. In fact, Noguchi, Stoddard, Gilmour, and Armes at various points contributed to the ideological forces that compelled their intimate lives. Through the romantic life of Yone Noguchi, Queer Compulsions narrates how even the queerest of intimacies can more provocatively serve as a reflection of rather than a revolt from existing social inequality. In unveiling Noguchi’s interracial and same-sex affairs, it attests to the complex interaction between lived sexualities and socio-legal mores as it traces how one man negotiated affection across cultural, linguistic, and moral divides to find fulfillment in unconventional yet acceptable ways. Queer Compulsions will be a welcome contribution to Asian American, gender, and sexuality studies and the literature on male and female romantic friendships. It will also forge a provocative link between these disciplines and Asian studies.

"From the author of Arshile Gorky, a major biography of the great American sculptor that redefines his legacy"--