A Box of Unsent Letters is a collection of poetry and prose revolving around one central theme: The things inside left unsaid will rot and weigh you down. This second book by writer, Quinn Zukowski (Zthepoet), explores the boundaries of love, hurt, encouragement, expression, and the curiosities of the day-to-day life; calling upon the reader to be open, let go, and be free.

Three women, united by love and kinship, struggle to conform to the social norms of the times in which they lived. In 1931, Katherine Henderson leaves behind her small town in Kansas and the marriage proposal of a local boy to live on her own and work at the Sears & Roebuck glove counter in Chicago. There she meets Annie--a bold, outspoken feminist who challenges Katherine's idea of who she thinks she is and what she thinks she wants in life. In 1997, Katherine's daughter, Joan, travels to Lawrence, Kansas, to clean out her estranged mother's house. Hidden away in an old suitcase, she finds a wooden box containing trinkets and a packet of sealed letters to a person identified only by a first initial. Joan reads the unsent letters and discovers a woman completely different from the aloof and unyielding mother of her youth-a woman who had loved deeply and lost that love to circumstances beyond her control. Now she just has to find the strength to use the healing power of empathy and forgiveness to live the life she's always wanted to live.

Before her death in 1985 at the age of fifty-one, Marian Engel had published seven novels, two collections of short stories, and numerous essays and articles. Despite this impressive output and various literary honours, including a Governor General's Award for her novel Bear, Engel's writing has not received the critical attention it deserves. A comprehensive study of Engel's body of work, Lifelines fills a major gap in Canadian literary criticism.

Poetry. Winner of the Snowbound Chapbook Award, chosen by Kathleen Jesme. "WESTON'S UNSENT LETTERS TO MODOTTI inhabits the fluid space between history and imagination," says Kathleen Jesme. "Parmenter's extended persona poem deftly investigates the named but uncommunicated, that which is unfinished, unsent, unlived. Weston exists only as an eye behind the photographic lens, and is unable to fully inhabit the rest of the world, or to send the letters he writes to his sometime model and lover."

Katerina inherits a scented, wooden spice box after her grandmother Mariam dies. It contains letters and a diary, written in Armenian. As she pieces together her family story, Katerina learns that Mariam's childhood was shattered by the Armenian tragedy of 1915. Mariam was exiled from her home in Turkey and separated from her beloved brother, Gabriel, her life marred by grief and the loss of her first love. Dissatisfied and restless, Katerina tries to find resolution in her own life as she completes Mariam's story – on a journey that takes her across Cyprus and then half a world away to New York. Miracles, it seems, can happen—for those trapped by the past, and for Katerina herself.

WINNER OF THE GILDER LEHRMAN PRIZE FOR MILITARY HISTORY An engrossing, epic history of the US Army in the Pacific War, from the acclaimed author of The Dead and Those About to Die “This eloquent and powerful narrative is military history written the way it should be.”—James M. McPherson, Pulitzer Prize-winning historian "Out here, mention is seldom seen of the achievements of the Army ground troops," wrote one officer in the fall of 1943, "whereas the Marines are blown up to the skies." Even today, the Marines are celebrated as the victors of the Pacific, a reflection of a well-deserved reputation for valor. Yet the majority of fighting and dying in the war against Japan was done not by Marines but by unsung Army soldiers. John C. McManus, one of our most highly acclaimed historians of World War II, takes readers from Pearl Harbor—a rude awakening for a military woefully unprepared for war—to Makin, a sliver of coral reef where the Army was tested against the increasingly desperate Japanese. In between were nearly two years of punishing combat as the Army transformed, at times unsteadily, from an undertrained garrison force into an unstoppable juggernaut, and America evolved from an inward-looking nation into a global superpower. At the pinnacle of this richly told story are the generals: Douglas MacArthur, a military autocrat driven by his dysfunctional lust for fame and power; Robert Eichelberger, perhaps the greatest commander in the theater yet consigned to obscurity by MacArthur's jealousy; "Vinegar Joe" Stillwell, a prickly soldier miscast in a diplomat's role; and Walter Krueger, a German-born officer who came to lead the largest American ground force in the Pacific. Enriching the narrative are the voices of men otherwise lost to history: the uncelebrated Army grunts who endured stifling temperatures, apocalyptic tropical storms, rampant malaria and other diseases, as well as a fanatical enemy bent on total destruction. This is an essential, ambitious book, the first of three volumes, a compellingly written and boldly revisionist account of a war that reshaped the American military and the globe and continues to resonate today. INCLUDES MAPS AND PHOTOS

This highly practical book reveals that there are many ways of being creative that will help us grow as Christians. As well as journaling, we can try: mind-mapping, composing a letter to God or from God to u, considering what we would like to appear in our obituary, dialoguing in prayer with Jesus, with particular obstacles in our lives, or with God's silence, addressing difficult issues through imaginary conversation, using poetic language to express emotions, to celebrate the wonder of an extraordinary moment or to articulate one of the great biblical truths

Max Crawford was one of Australia's pre-eminent historians. As both a participant in and observer of many decisive episodes of the era; Europe in the midst of the Depression, America and Russia at the height of World War II, post-war reconstruction and the Cold War in Australia, Crawford was regarded as a radicalandsbquo; and outspoken defender of intellectual autonomy. This biography considers Crawford as an historian and a public intellectual. It relates his experiences as a student at Sydney and Oxford, a struggling teacher during the Depression, as the head of the History School at the University of Melbourne, a diplomat in wartime Russia, and a Cold War victim and accuser. The study of Crawford's life provides insight into one man's experience in the midst of political turmoil and the limits of intellectual autonomy on Australian campuses, as well as the suspicion of liberal intellectuals in Australian public life, the repression of academic radicals and ASIO's attempts to stifle dissident voices. Spanning his life (1906 -1991), Crawford's political and intellectual journey suggests the changing nature of Australian progressive liberalism and the precarious state of academic freedom.

Promoting emotional healing and personal growth, Smith shows readers how to use the letter-writing form to resolve personal issues and renew the spirit. Sending these letters is optional, which enables the writer to express their issues more openly and honestly than they would otherwise.

In a pathbreaking new assessment of the shaping of black male identity in the early twentieth century, Martin Summers explores how middle-class African American and African Caribbean immigrant men constructed a gendered sense of self through organizational life, work, leisure, and cultural production. Examining both the public and private aspects of gender formation, Summers challenges the current trajectory of masculinity studies by treating black men as historical agents in their own identity formation, rather than as screens on which white men projected their own racial and gender anxieties and desires. Manliness and Its Discontents focuses on four distinct yet overlapping social milieus: the fraternal order of Prince Hall Freemasonry; the black nationalist Universal Negro Improvement Association, or the Garvey movement; the modernist circles of the Harlem Renaissance; and the campuses of historically black Howard and Fisk Universities. Between 1900 and 1930, Summers argues, dominant notions of what it meant to be a man within the black middle class changed from a Victorian ideal of manliness--characterized by the importance of producer values, respectability, and patriarchy--to a modern ethos of masculinity, which was shaped more by consumption, physicality, and sexuality. Summers evaluates the relationships between black men and black women as well as relationships among black men themselves, broadening our understanding of the way that gender works along with class, sexuality, and age to shape identities and produce relationships of power.