A PEOPLE BOOK OF THE WEEK WINNER OF THE JQ–WINGATE LITERARY PRIZE “A haunting tribute to survivors and those lost forever—and a reminder, in our own troubled era, never to forget.” —People An “exceptional” (The Wall Street Journal) and “poignant” (The New York Times) book in the tradition of rediscovered works like Suite Française and The Nazi Officer’s Wife, the powerful memoir of a fearless Jewish bookseller on a harrowing fight for survival across Nazi-occupied Europe. In 1921, Françoise Frenkel—a Jewish woman from Poland—fulfills a dream. She opens La Maison du Livre, Berlin’s first French bookshop, attracting artists and diplomats, celebrities and poets. The shop becomes a haven for intellectual exchange as Nazi ideology begins to poison the culturally rich city. In 1935, the scene continues to darken. First come the new bureaucratic hurdles, followed by frequent police visits and book confiscations. Françoise’s dream finally shatters on Kristallnacht in November 1938, as hundreds of Jewish shops and businesses are destroyed. La Maison du Livre is miraculously spared, but fear of persecution eventually forces Françoise on a desperate, lonely flight to Paris. When the city is bombed, she seeks refuge across southern France, witnessing countless horrors: children torn from their parents, mothers throwing themselves under buses. Secreted away from one safe house to the next, Françoise survives at the heroic hands of strangers risking their lives to protect her. Published quietly in 1945, then rediscovered nearly sixty years later in an attic, A Bookshop in Berlin is a remarkable story of survival and resilience, of human cruelty and human spirit. In the tradition of Suite Française and The Nazi Officer’s Wife, this book is the tale of a fearless woman whose lust for life and literature refuses to leave her, even in her darkest hours.

A fascinating historical novel about Hilde, an orphan who experiences Berlin on the cusp of World War II as she discovers her own voice and sexuality, ultimately finding a family when she gets a job at a gay cabaret, by award-winning author Kip Wilson. On her eighteenth birthday, Hilde leaves her orphanage in 1930s Berlin, and heads out into the world to discover her place in it. But finding a job is hard, at least until she stumbles into Café Lila, a vibrant cabaret full of expressive customers. Rosa, one of the club's waitresses and performers, immediately takes Hilde under her wing. As the café denizens slowly embrace Hilde, and she embraces them in turn, she discovers her voice and her own blossoming feelings for Rosa. But Berlin is in turmoil. Between the elections, protests in the streets, worsening antisemitism and anti-homosexual sentiment, and the beginning seeds of unrest in Café Lila itself, Hilde will have to decide what's best for her future . . . and what it means to love a place on the cusp of war.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I had a love of books as a child. I would spend hours leafing through a book, and I would spend my spare time browsing the bouquinistes’ old, damp cases of books. When I returned to Paris after the first war, everything had been taken away. #2 I began to see the importance of a book’s reader. I would place the book I thought was appropriate down close to a reader, discreetly, so they wouldn’t feel it had been suggested to them. I grew fond of my customers. #3 I attempted to open a French bookshop in Berlin, Germany. I was not unfamiliar with the country, having spent some time there as a girl to perfect my German and pursue music studies with Professor Xaver Scharwenka. I was able to get a bookshop open, but the German government was against it. #4 I opened a bookshop in Paris in 1921, and it was a big day for my female customers when the newspapers and fashion magazines arrived. They would swoop on them with exclamations of delight.

Every bookshop has a story We're not talking about rooms that are just full of books. We're talking about bookshops in barns, disused factories, converted churches and underground car parks. Bookshops on boats, on buses, and in old run-down train stations. Fold-out bookshops, undercover bookshops, this-is-the-best-place-I've-ever-been-to-bookshops. Meet Sarah and her Book Barge sailing across the sea to France; meet Sebastien, in Mongolia, who sells books to herders of the Altai mountains; meet the bookshop in Canada that's invented the world's first antiquarian book vending machine. And that's just the beginning. From the oldest bookshop in the world, to the smallest you could imagine, The Bookshop Book examines the history of books, talks to authors about their favourite places, and looks at over three hundred weirdly wonderful bookshops across six continents (sadly, we've yet to build a bookshop down in the South Pole). The Bookshop Book is a love letter to bookshops all around the world. 'A good bookshop is not just about selling books from shelves, but reaching out into the world and making a difference' David Almond (The Bookshop Book includes interviews and quotes from David Almond, Ian Rankin, Tracy Chevalier, Audrey Niffenegger, Jacqueline Wilson, Jeanette Winterson and many, many others.)

A rich exploration of the importance of books and libraries in the ancient world that highlights how humanity’s obsession with the printed word has echoed throughout the ages • “Accessible and entertaining.” —The Wall Street Journal Long before books were mass-produced, scrolls hand copied on reeds pulled from the Nile were the treasures of the ancient world. Emperors and Pharaohs were so determined to possess them that they dispatched emissaries to the edges of earth to bring them back. When Mark Antony wanted to impress Cleopatra, he knew that gold and priceless jewels would mean nothing to her. So, what did her give her? Books for her library—two hundred thousand, in fact. The long and eventful history of the written word shows that books have always been and will always be a precious—and precarious—vehicle for civilization. Papyrus is the story of the book’s journey from oral tradition to scrolls to codices, and how that transition laid the very foundation of Western culture. Award-winning author Irene Vallejo evokes the great mosaic of literature in the ancient world from Greece’s itinerant bards to Rome’s multimillionaire philosophers, from opportunistic forgers to cruel teachers, erudite librarians to defiant women, all the while illuminating how ancient ideas about education, censorship, authority, and identity still resonate today. Crucially, Vallejo also draws connections to our own time, from the library in war-torn Sarajevo to Oxford’s underground labyrinth, underscoring how words have persisted as our most valuable creations. Through nimble interpretations of the classics, playful and moving anecdotes about her own encounters with the written word, and fascinating stories from history, Vallejo weaves a marvelous tapestry of Western culture’s foundations and identifies the humanist values that helped make us who we are today. At its heart a spirited love letter to language itself, Papyrus takes readers on a journey across the centuries to discover how a simple reed grown along the banks of the Nile would give birth to a rich and cherished culture.

Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.

On this pleasant day in 1947, my dad and my mom were wed. Their mutual Love united with their parental agreement as well as all the good wishes of relatives and friends led their close relationship of seven annual anniversaries of friendship to share this secret openly. My mom was born during the last week of August 1922 and my dad during the first week of October 1914. They met a few weeks before my Dad attended the piano recital where my mom at the age of 18 years old played the Blue Danube.

A restless inquiry into the cultural and psychic sources of insomnia by one of contemporary French literature’s most elegant voices. Plagued by insomnia for twenty years, Marie Darrieussecq turns her attention to the causes, implications, and consequences of sleeplessness: a nocturnal suffering that culminates at 4 a.m. and then defines the next day. “Insomniac mornings are dead mornings,” she observes. Prevented from falling asleep by her dread of exhaustion the next day, Darrieussecq turns to hypnosis, psychoanalysis, alcohol, pills, and meditation. Her entrapment within this spiraling anguish prompts her inspired, ingenious search across literature, geopolitical history, psychoanalysis, and her own experience to better understand where insomnia comes from and what it might mean. There are those, she writes, in Rwanda, whose vivid memories of genocide leave them awake and transfixed by complete horror; there is the insomnia of the unhoused, who have nowhere to put their heads down. The hyperconnection of urban professional life transforms her bedroom from a haven to a dormant electrified node. Ranging between autobiography, clinical observation, and criticism, Sleepless is a graceful, inventive meditation by one of the most daring, inventive novelists writing today.

Diagnosed with schizophrenia in the 1950s, German writer and artist Unica Zürn produced a wealth of remarkable textual and visual material within psychiatric institutions across Germany and France. While Zürn is often discussed in relation to her partner, the controversial artist Hans Bellmer, this innovative book moves beyond the familiar model of the overlooked 'significant other' and re-introduces her as a member of the French Surrealist group. This is the first monograph on the life and work of the Unica Zürn in English. Esra Plumer presents Zürn's life and work in light of the artist's individual experiences with WWII, Post-war Surrealism and mental illness, at the same time revealing wider aspects of her artistic practice in relation to her contemporaries. She also reveals how the techniques of anagrams and automatism (writing and drawing methods designed to unlock the subconscious mind) form the pillars of Zürn's artistic creative output, which carry her work into the wider theoretical circles of psychoanalytic theory and post-structuralist thought.

In his popular book The Germans (1982), Stanford historian Gordon Craig remarked: "When German intellectuals at the end of the eighteenth century talked of living in a Frederican age, they were sometimes referring not to the monarch in Sans Souci, but to his namesake, the Berlin bookseller Friedrich Nicolai." Such was the importance attributed to Nicolai’s role in the intellectual life of his age by his own contemporaries. While long neglected by students of the period, who tended to accept the caricature of him as a philistine who failed to recognize Goethe’s genius, Nicolai has experienced a resurgence of interest among scholars reexploring the German Enlightenment and the literary marketplace of the eighteenth century. This book, drawing upon Nicolai’s large unpublished correspondence, rounds out the picture we have of Nicolai already as author and critic by focusing on his roles as bookseller and publisher and as an Aufkärer in the book trade.