Poetry. Art. A BOOK OF GLYPHS is a facsimile, color reproduction of legendary author, musician and Fugs founder Ed Sanders' first book-length work of glyphs, which he created in Florence, Italy in 2008, using colored pencils and a small sketchbook. Though each piece stands on its own, collectively the 72 glyphs convey, with characteristic humility and humor, many of the themes explored by Sanders over his long and diverse career, including history, myth, activism and pacifism. The glyph—"a drawing that is charged with literary, emotional, historical or mythic and poetic intensity"—has been a dimension of Sanders' poetry since 1962; he cites Zen rock gardens, the markings on Egyptian tombs and the typographic designs in John Cage's writings as influences in the development of the form. Sanders' name for the original notebook is "Smile-Book of Grace-Joy," which aptly describes the range of concerns explored in this important and joyful work.

The breaking of the Maya code has completely changed our knowledge of this ancient civilization, and has revealed the Maya people's long and vivid history. Decipherment of Maya hieroglyphic writing has progressed to the point where most Maya written texts—whether inscribed on monuments, written in the codices, or painted or incised on ceramics—can now be read with confidence. In this practical guide, first published in 2001, Michael D. Coe, the noted Mayanist, and Mark Van Stone, an accomplished calligrapher, have made the difficult, often mysterious script accessible to the nonspecialist. They decipher real Maya texts, and the transcriptions include a picture of the glyph, the pronunciation, the Maya words in Roman type, and the translation into English. For the second edition, the authors have taken the latest research and breakthroughs into account, adding glyphs, updating captions, and reinterpreting or expanding upon earlier decipherments. After an introductory discussion of Maya culture and history and the nature of the Maya script, the authors introduce the glyphs in a series of chapters that elaborate on topics such as the intricate calendar, warfare, royal lives and rituals, politics, dynastic names, ceramics, relationships, and the supernatural world. The book includes illustrations of historic texts, a syllabary, a lexicon, and translation exercises.

This collection of 15 month-by-month activities is designed to motivate kids to collect, display and use mathematical data while having fun learning. Each glyph-making activity connects with a holiday or seasonal theme and includes easy step-by-step directions. Illustrations.

From the ampersat and amerpsand, via smileys and runes to the ubiquitous presence of mathematical and other symbols in sciences and technology: both old and modern documents abound with many familiar as well as lesser known characters, symbols and other glyphs. Yet, who would be readily able to answer any question like: ‘who chose π to represent the ratio of a circle’s diameter to its circumference?’ or ‘what’s the reasoning behind having a ⌘ key on my computer keyboard?’ This book is precisely for those who have always asked themselves this sort of questions. So, here are the stories behind one hundred glyphs, the book being evenly divided into five parts, with each featuring 20 symbols. Part 1, called Character sketches, looks at some of the glyphs we use in writing. Part 2, called Signs of the times, discusses some glyphs used in politics, religion, and other areas of everyday life. Some of these symbols are common; others are used only rarely. Some are modern inventions; others, which seem contemporary, can be traced back many hundreds of years. Part 3, called Signs and wonders, explores some of the symbols people have developed for use in describing the heavens. These are some of the most visually striking glyphs in the book, and many of them date back to ancient times. Nevertheless their use — at least in professional arenas — is diminishing. Part 4, called It’s Greek to me, examines some symbols used in various branches of science. A number of these symbols are employed routinely by professional scientists and are also familiar to the general public; others are no longer applied in a serious fashion by anyone — but the reader might still meet them, from time to time, in older works. The final part of the book, Meaningless marks on paper, looks at some of the characters used in mathematics, the history of which one can easily appreciate with only a basic knowledge of mathematics. There are obviously countless others symbols. In recent years the computing industry has developed Unicode and it currently contains more than 135 000 entries. This book would like to encourage the curious reader to take a stroll through Unicode, to meet many characters that will delight the eye and, researching their history, to gain some fascinating insights. ​

After successfully deciphering the Rongorongo script of Easter Island, Steven Roger Fischer gained a unique place in the pantheon of glyphbreakers: he is the only person to have deciphered not one but two ancient scripts. Both of these scripts yield clues of great historical importance. Fischers previous decipherment, of a Cretan artefact called the Phaistos Disk, provided the key to the ancient Minoan language and showed it to be closely related to Mycenaean Greek. Fischer's decipherment of Rongorongo shows that it was not merely a mnemonic device for recalling memorised texts, but was actually read and used for creative composition. This is the exciting story of these two decipherments, by the man who now must rank as the greatest glyphbreaker of all time.

An visual exploration of punctuation marks and typographic symbols, looking at their history and at key graphic representations.

"A Life of Olson & a Sequence of Glyphs is equal parts oracular biography and ocular surfeit, as if Ed Sanders' lines of bios ("life") were translating from a dead language into life his hand-drawn graphia ("to record by lines drawn"). Olson has never ceased calling the poet to see for oneself-and Sanders lets us see Olson for ourselves, through his almost tactile trove of glyphs, documents, and data clusters. This is a method familiar to readers of Sanders' recent illustrated biography of RFK and admirers of classics like 1968"--