The relationship between the City of Brotherly Love and its Black residents has been complicated from the city’s founding through the present day. A Black Philadelphia Reader traces this complex history in the words of Black writers who were native to, lived in, or had significant connections to the city. Featuring the works of famous authors—including W. E. B. Du Bois, Harriet Jacobs, Sonia Sanchez and John Edgar Wideman—alongside lesser-known voices, this reader is an immersive and enriching composite portrait of the Black experience in Philadelphia. Through fiction and nonfiction, poetry and prose, readers witness episodes of racial prejudice and gender inequality in areas like public health, housing, education, policing, criminal justice, and public transportation. And yet amid these myriad challenges, the writers convey an enduring faith, a love of family and community, and a hope that Philadelphia will fulfill its promises to its Black citizens. Thoughtfully introduced and accompanied by notes that contextualize the works and aid readers’ comprehension, this book will appeal to a wide audience of Philadelphians and other readers interested in American, African American, and urban studies.

Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community.

W.E.B. DuBois immortalized Philadelphia's Black Seventh Ward neighborhood, one of America's oldest urban black communities, in his 1899 sociological study The Philadelphia Negro. In the century after DuBois's study, however, the district has been transformed into a largely white upper middle class neighborhood. Black Citymakers revisits the Black Seventh Ward, documenting a century of banking and tenement collapses, housing activism, black-led anti-urban renewal mobilization, and post-Civil Rights political change from the perspective of the Black Seventh Warders. Drawing on historical, political, and sociological research, Marcus Hunter argues that black Philadelphians were by no means mere casualties of the large scale social and political changes that altered urban dynamics across the nation after World War II. Instead, Hunter shows that black Americans framed their own understandings of urban social change, forging dynamic inter- and intra-racial alliances that allowed them to shape their own migration from the old Black Seventh Ward to emergent black urban enclaves throughout Philadelphia. These Philadelphians were not victims forced from their homes - they were citymakers and agents of urban change. Black Citymakers explores a century of socioeconomic, cultural, and political history in the Black Seventh Ward, creating a new understanding of the political agency of black residents, leaders and activists in twentieth century urban change.

Matthew Countryman traces the efforts of two generations of black Philadelphians to turn the City of Brotherly Love into a place of promise and opportunity for all. He explores the origins of civil rights liberalism, the failure to deliver on the promise of racial equality and the rise of the Black Power movement.

An ambitious and unflinching tale of colonialism, conquest, and revenge, Queen of the Conquered begins a powerful fantasy series set in a Caribbean-inspired world. *Named one of TIME's Top 100 Fantasy Books Of All Time * World Fantasy Award for Best Novel, winner On the islands of Hans Lollik, Sigourney Rose was the only survivor when her family was massacred by the colonizers. When the childless king of the islands declares he will choose his successor from amongst eligible noble families, Sigourney is ready to exact her revenge. But someone is killing off the ruling families to clear a path to the throne. And as the bodies pile up and all eyes regard her with suspicion, Sigourney must find allies among her prey and the murderer among her peers... lest she become the next victim. Praise for Queen of the Conquered: "A storm of a novel as epic as Alexandre Dumas's The Count of Monte Cristo." —Tochi Onyebuchi, author of Beasts Made of Night "The book's absorbing setting, captivating lead, and relevant themes of race and class complement each other with alternating delicacy and savagery."—NPR Books "Callender's first adult novel draws race relations, conquest, magic, and politics into an imaginative, layered story that will keep readers twisting until the end." —Library Journal Islands of Blood and Storm Queen of the Conquered King of the Rising

Meet some of Philadelphia's fiercest black women leaders. They range from the first black woman known to be born in Philadelphia (1694)--who ran a ferry business during colonial times--to the woman whose childhood experiences led her to become a surgeon and medical advisor to celebrities. All of the women "bring it" as activists-- in community and movement work, business and civic institutions, education, churches, medicine, government, journalism, sports and the arts. The authors document that many of them worked together directly. Others drew inspiration from those who came before. Their power came not just from what they did as individuals, but from how their efforts snowballed into a Philadelphia community of women that spanned geographies, sectors and time. The authors' experiences as activists, researchers and educators--and their own circumstances of frequently being "the only black women in the room"--fill the book not just with facts, but with genuine empathy. These are the inspiring stories of black women in one of the country's most important cities, who let no obstacle deter them from changing the game.--

In June 2005, a prominent and politically influential Muslim cleric, Imam Shamsud-din Ali, became the latest person convicted in a massive federal corruption probe in Philadelphia. As the revelations emanating from the probe continue, a critically acclaimed author and leading authority on organized crime exposes for the very first time the disturbing contemporary and historical ties between Ali, the city's notorious Black Mafia, and the sweeping federal probe. The Black Mafia was one of the bloodiest crime syndicates in modern US history. From its roots in Philadelphia's ghettos in the 1960's, it grew from a rabble of street toughs to a disciplined, ruthless organization based on fear and intimidation with links across the Eastern Seaboard. Known in its "legitimate" guise as Black Brothers, Inc., it held regular meetings, appointed investigators, treasurers and enforcers, and controlled drug dealing, loan-sharking, numbers rackets, armed robbery and extortion. Its ferocious crews of gunmen grew around burly founder Sam Christian, the most feared man on Philly's streets. They developed close ties with the influential Nation of Islam and soon were executing rivals, extorting bookies connected to the city's powerful Cosa Nostra crew, and cowing local gangs. The Black Mafia was responsible for over forty killings, the most chilling being the 1973 massacre of two adults and five children in Washington, D.C. Despite the arrests that followed, they continued their rampage, exploiting their ties to prominent lawyers and civil rights leaders. A heavy round of convictions and sentences in the 1980's shattered their strength â" only for the crack-dealing Junior Black Mafia to emerge in their wake. Researched with scores of interviews and unique access to informant logs, witness statements, wiretaps and secret FBI files, Black Brothers, Inc. is the most detailed account ever of an African-American organized crime mob, and a landmark investigation into the modern urban underworld. "Griffin did extensive research and backs up his claims carefully...If you're a crime buff, a history lover, or if you just want something fascinating to read, it's a book you can't refuse."---Terri Schlichenmeyer, syndicated reviewer and host of "The BookWormSez" "A gripping story...Griffin richly documents the Black Mafia's organization, outreach and over-the-top badness." --Joseph N. DiStefano, Philadelphia Inquirer

"If You Don't Know Me By Now," "The Love I Lost," "The Soul Train Theme," "Then Came You," "Ain't No Stoppin' Us Now"--the distinctive music that became known as Philly Soul dominated the pop music charts in the 1970s. In A House on Fire, John A. Jackson takes us inside the musical empire created by Kenny Gamble, Leon Huff, and Thom Bell, the three men who put Philadelphia Soul on the map. Here is the eye-opening story of three of the most influential and successful music producers of the seventies. Jackson shows how Gamble, Huff, and Bell developed a black recording empire second only to Berry Gordy's Motown, pumping out a string of chart-toppers from Harold Melvin & the Blue Notes, the Spinners, the O'Jays, the Stylistics, and many others. The author underscores the endemic racism of the music business at that time, revealing how the three men were blocked from the major record companies and outlets in Philadelphia because they were black, forcing them to create their own label, sign their own artists, and create their own sound. The sound they created--a sophisticated and glossy form of rhythm and blues, characterized by crisp, melodious harmonies backed by lush, string-laden orchestration and a hard-driving rhythm section--was a glorious success, producing at least twenty-eight gold or platinum albums and thirty-one gold or platinum singles. But after their meteoric rise and years of unstoppable success, their production company finally failed, brought down by payola, competition, a tough economy, and changing popular tastes. Funky, groovy, soulful--Philly Soul was the classic seventies sound. A House on Fire tells the inside story of this remarkable musical phenomenon.

Traces the personalities and the policies of two generations of leaders in one of the largest and most influential free black communities in antebellum America. Moving beyond their commitment to antislavery, this work examines the range of other causes to which they devoted themselves, from moral reform and civil rights to Caribbean emigration.

Black studies emerged from the tumultuous social and civil rights movements of the 1960s and empowered African Americans to look at themselves in new ways and pass on a dignified version of Black history. However, it also enriched traditional disciplines in profound and significant ways. Proponents of Black and ethnic studies confronted the false notion that scholarly investigations were objective and unbiased explorations of the range of human knowledge, history, creativity, artistry, and scientific discovery. As they protested against hegemonic notions like universal psychology and re-evaluated canonical texts in literature, a new model of academic inquiry evolved: one committed to serving a range of populations, that critiqued traditional politics, culture, and social affairs, and worked with activist energy for the transformation of the existing social order. With an all-star cast of contributors, The Black Studies Reader takes on the history and future of this multi-faceted academic field. Topics include Black feminism, cultural politics, Black activism, lesbian and gay issues, African American literature and film, education, and religion. This authoritative collection takes a critical look at the current state of Black studies and speculates on where it may go from here.