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In From the Steel City to the White City, Zachary Brodt explores Western Pennsylvania’s representation at Chicago’s Columbian Exposition, the first major step in demonstrating that Pittsburgh was more than simply America’s crucible—it was also a region of developing culture and innovation. The 1893 Columbian Exposition presented a chance for the United States to prove to the world that it was an industrial giant ready to become a global superpower. At the same time, Pittsburgh, a commercial center that formerly served as a starting point for western expansion, found itself serving as a major transportation, and increasingly industrial, hub during this period of extensive growth. Natural resources like petroleum and coal allowed Western Pennsylvania to become one of the largest iron- and steel-producing regions in the world. The Chicago fairgrounds provided a lucrative opportunity for area companies not only to provide construction materials but to display the region’s many products. While Pittsburgh’s most famous contributions to the 1893 World’s Fair—alternating current electricity and the Ferris wheel—had a lasting impact on the United States and the world, other exhibits provided a snapshot of the area’s industries, natural resources, and inventions. The success of these exhibits, Brodt reveals, launched local companies into the twentieth century, ensuring a steady flow of work, money, and prestige.

Dominating the Windy City for decades, the Chicago Democratic Machine has become a fixture in American political history. Under Mayor Richard J. Daley, it acquired almost mythical (perhaps notorious) status. Yet its origins have remained murky--some say is began as a shady enterprise during the ethnic upheaval of the late 1920s. Based upon new research, this book offers a fresh perspective. Formed through factional warfare and consolidated with methods borrowed from the business world, the Machine grew out of the unfettered capitalism of the late 19th century. Its principal founder and first "boss," Roger C. Sullivan, represented a generation of businessmen-politicians who emerged in the 1880s. Sullivan and his allies created an informal public power structure that, while serving their own interests, also made government more functional. The Machine is a product of America's Gilded Age and the Progressive Era and offers a lesson in the advantages and limitations of representative government.