William Carleton epitomised the search by nineteenth century Irish writers for a national identity. He spoke in the voice of the Irish peasant and was heard all over the literary world. His books, from the early collection Traits and Stories of the Irish Peasantry (1830) to the late novel Willy Reilly (1855), were tremendously popular, running into many editions in Ireland, England and America. He revised, retitled, and regrouped his works frequently, producing a rich yet confusing body of work, which is fully explored and identified in the first part of this work, the first complete bibliography to have been compiled of the works of William Carleton. Carleton's work has long awaited a bibliographer, and Dr. Hayley gives it the full, detailed and illuminating treatment it deserves. It is absolutely essential for everyone studying or collecting his works.

Complaining that 18th-century Irish novelist William Carleton has been unfairly denigrated by academic critics, the author attempts to explain why he believes that six (possibly seven) of Carleton's novels are major works that present a wide range of significant comic and tragicomic fictional accomplishments. Each of the seven novels (including Fardorougha the Miser, Valentine M'Clutchy, The Black Prophet, and The Tithe-Proctor) is accorded a separate chapter and later works and novellas are also given, albeit somewhat shorter, treatment. The work of literary critic Bakhtin is a common analytical tool used throughout the text. Annotation copyrighted by Book News, Inc., Portland, OR

The William Carleton Summer School is one of the most important literary festivals on the island in that there are very few that make a point of studying an aspect of Ireland before the Great Famine. William Carleton (1794-1869) is the greatest author to have written about the Irish peasant and the Ireland of the period immediately preceding it: he enables the reader to think back past the Famine into the culture - particularly the peasant culture - of that time, confused, rich, tortured, bilingual, that made him as a writer. Enjoying immense popularity during his lifetime, his popularity dwindled but a century after his death it began to revive, not least because of the influence of the Summer School. The lectures given at the School and revised for publication in William Carleton, The Authentic Voice provide ample evidence that he was one of the greatest entertainers of Irish literature in English.

The impact of the Irish famine of 1845-1852 was unparalleled in both political and psychological terms. The effects of famine-related mortality and emigration were devastating, in the field of literature no less than in other areas. In this incisive new study, Melissa Fegan explores the famine's legacy to literature, tracing it in the work of contemporary writers and their successors, down to 1919. Dr Fegan examines both fiction and non-fiction, including journalism, travel-narratives and the Irish novels of Anthony Trollope. She argues that an examination of famine literature that simply categorizes it as 'minor' or views it only as a silence or an absence misses the very real contribution that it makes to our understanding of the period. This is an important contribution to the study of Irish history and literature, sharply illuminating contemporary Irish mentalities.

Developed at Carleton University, Ottawa, this is a comprehensive workbook -- now in its second, revised edition -- designed primarily for use with introductory courses in linguistics. With 334 graded excercises and problems from more than 60 languages and dialects.