With some 6,000 entries, A Bibliography of Tennessee History will prove to be an invaluable resource for anyone--students, historians, librarians, genealogists--engaged in researching Tennessee's rich and colorful past. A sequel to Sam B. Smith's invaluable 1973 work, Tennessee History: A Bibliography, this book follows a similar format and includes published books and essays, as well as many unpublished theses and dissertations, that have become available during the intervening years. The volume begins with sections on Reference, Natural History, and Native Americans. Its divisions then follow the major periods of the state's history: Before Statehood, State Development, Civil War, Late Nineteenth Century, Early Twentieth Century, and Late Twentieth Century. Sections on Literature and County Histories round out the book. Included is a helpful subject index that points the reader to particular persons, places, incidents, or topics. Substantial sections in this index highlight women's history and African American history, two areas in which scholarship has proliferated during the past two decades. The history of entertainment in Tennessee is also well represented in this volume, including, for example, hundreds of citations for writings about Elvis Presley and for works that treat Nashville and Memphis as major show business centers. The Literature section, meanwhile, includes citations for fiction and poetry relating to Tennessee history as well as for critical works about Tennessee writers. Throughout, the editors have strived to achieve a balance between comprehensive coverage and the need to be selective. The result is a volume that will benefit researchers for years to come. The Editors: W. Calvin Dickinson is professor of history at Tennessee Technological University. Eloise R. Hitchcock is head reference librarian at the University of the South.

"Both a page-turning drama and an inspiration for every reader" -- Hillary Rodham Clinton The nail-biting climax of one of the greatest political battles in American history: the ratification of the constitutional amendment that granted women the right to vote. Nashville, August 1920. Thirty-five states have approved the Nineteenth Amendment, granting women the right to vote; one last state--Tennessee--is needed for women's voting rights to be the law of the land. The suffragists face vicious opposition from politicians, clergy, corporations, and racists who don't want black women voting. And then there are the "Antis"--women who oppose their own enfranchisement, fearing suffrage will bring about the nation's moral collapse. And in one hot summer, they all converge for a confrontation, replete with booze and blackmail, betrayal and courage. Following a handful of remarkable women who led their respective forces into battle, The Woman's Hour is the gripping story of how America's women won their own freedom, and the opening campaign in the great twentieth-century battles for civil rights.

The fifteenth and sixteenth states to join the United States of America, Kentucky and Tennessee were cut from a common cloth—the rich region of the Ohio River Valley. Abounding with mountainous regions and fertile farmlands, these two slaveholding states were as closely tied to one another, both culturally and economically, as they were to the rest of the South. Yet when the Civil War erupted, Tennessee chose to secede while Kentucky remained part of the Union. The residents of Kentucky and Tennessee felt the full impact of the fighting as warring armies crossed back and forth across their borders. Due to Kentucky’s strategic location, both the Union and the Confederacy sought to control it throughout the war, while Tennessee was second only to Virginia in the number of battles fought on its soil. Additionally, loyalties in each state were closely divided between the Union and the Confederacy, making wartime governance—and personal relationships—complex. In Sister States, Enemy States: The Civil War in Kentucky and Tennessee, editors Kent T. Dollar, Larry H. Whiteaker, and W. Calvin Dickinson explore how the war affected these two crucial states, and how they helped change the course of the war. Essays by prominent Civil War historians, including Benjamin Franklin Cooling, Marion Lucas, Tracy McKenzie, and Kenneth Noe, add new depth to aspects of the war not addressed elsewhere. The collection opens by recounting each state’s debate over secession, detailing the divided loyalties in each as well as the overt conflict that simmered in East Tennessee. The editors also spotlight the war’s overlooked participants, including common soldiers, women, refugees, African American soldiers, and guerrilla combatants. The book concludes by analyzing the difficulties these states experienced in putting the war behind them. The stories of Kentucky and Tennessee are a vital part of the larger narrative of the Civil War. Sister States, Enemy States offers fresh insights into the struggle that left a lasting mark on Kentuckians and Tennesseans, just as it left its mark on the nation.

Seventeen original essays by prominent scholars uncover fascinating stories and personalities from the Upper Cumberland region of Kentucky and Tennessee, often regarded as isolated and out of pace with the rest of the country, but seen here as having a far richer history and culture than previously thought.

Offering a panoramic view of the history and culture of food and drink in America with fascinating entries on everything from the smell of asparagus to the history of White Castle, and the origin of Bloody Marys to jambalaya, the Oxford Companion to American Food and Drink provides a concise, authoritative, and exuberant look at this modern American obsession. Ideal for the food scholar and food enthusiast alike, it is equally appetizing for anyone fascinated by Americana, capturing our culture and history through what we love most--food! Building on the highly praised and deliciously browseable two-volume compendium the Oxford Encyclopedia of Food and Drink in America, this new work serves up everything you could ever want to know about American consumables and their impact on popular culture and the culinary world. Within its pages for example, we learn that Lifesavers candy owes its success to the canny marketing idea of placing the original flavor, mint, next to cash registers at bars. Patrons who bought them to mask the smell of alcohol on their breath before heading home soon found they were just as tasty sober and the company began producing other flavors. Edited by Andrew Smith, a writer and lecturer on culinary history, the Companion serves up more than just trivia however, including hundreds of entries on fast food, celebrity chefs, fish, sandwiches, regional and ethnic cuisine, food science, and historical food traditions. It also dispels a few commonly held myths. Veganism, isn't simply the practice of a few "hippies," but is in fact wide-spread among elite athletic circles. Many of the top competitors in the Ironman and Ultramarathon events go even further, avoiding all animal products by following a strictly vegan diet. Anyone hungering to know what our nation has been cooking and eating for the last three centuries should own the Oxford Companion to American Food and Drink.

A biography of the legendary frontiersman, soldier, and martyr examines his life--from hunting bears in the unspoiled countryside to helping defend the Alamo--and aims to dispel long-held myths.

In the fall of 1865, the United States Army executed Confederate guerrilla Champ Ferguson for his role in murdering fifty-three loyal citizens of Kentucky and Tennessee during the Civil War. Long remembered as the most unforgiving and inglorious warrior of the Confederacy, Ferguson has often been dismissed by historians as a cold-blooded killer. In Confederate Outlaw: Champ Ferguson and the Civil War in Appalachia, biographer Brian D. McKnight demonstrates how such a simple judgment ignores the complexity of this legendary character. In his analysis, McKnight maintains that Ferguson fought the war on personal terms and with an Old Testament mentality regarding the righteousness of his cause. He believed that friends were friends and enemies were enemies -- no middle ground existed. As a result, he killed prewar comrades as well as longtime adversaries without regret, all the while knowing that he might one day face his own brother, who served as a Union scout. Ferguson's continued popularity demonstrates that his bloody legend did not die on the gallows. Widespread rumors endured of his last-minute escape from justice, and over time, the borderland terrorist emerged as a folk hero for many southerners. Numerous authors resurrected and romanticized his story for popular audiences, and even Hollywood used Ferguson's life to create the composite role played by Clint Eastwood in The Outlaw Josey Wales. McKnight's study deftly separates the myths from reality and weaves a thoughtful, captivating, and accurate portrait of the Confederacy's most celebrated guerrilla. An impeccably researched biography, Confederate Outlaw offers an abundance of insight into Ferguson's wartime motivations, actions, and tactics, and also describes borderland loyalties, guerrilla operations, and military retribution. McKnight concludes that Ferguson, and other irregular warriors operating during the Civil War, saw the conflict as far more of a personal battle than a political one.