9 Short Plays Written by Me. Other the course of six months. Some created by my Drama class.

THE STORIES: AMATEURS by David Auburn. Politics and ethics collide when a young woman confronts an older politico about an attack ad he ran against her father years earlier that destroyed the father's career. (1 man, 1 woman.) BOLERO by David Ives. A woman's world threatens to come apart in the middle of the night, when she and her husband hear strange sounds and voices coming through their bedroom wall. (1 man, 1 woman.) BREAKFAST AND BED by Amy Fox. Lex wakes up hungover on the couch in her lover's apartment and wonders where Chris has gone. Chris' roommate, Eloise, is chatty and offers coffee but also asks a lot of probing questions. Is Eloise jealous? Protective? Or is there something else going on? (2 women.) CELL by Cassandra Medley. The only jobs left in Flint, Michigan are at a detention center for illegal immigrants waiting to be deported. Rene has taken in her sister Cerise and niece Gwen, who were homeless, and gotten them jobs with her at the facility. But Gwen's soft heart puts her at odds with the detention center's rules against fraternization, and Rene will not let Gwen threaten her job. (3 women.) DIVERSIONS by Christopher Durang. A man is about to jump off a building when a nun tries to stop him. Aloysius thinks the nun is trying to push the man off and tries to stop the nun. A policeman tries to stop all of them, but he falls off the roof. The whole thing winds up in court, where a game of bridge breaks out and more bodies start to pile up. (7 men, 3 women.) THE GREEN HILL by David Ives. Jake has a vision of a lovely green hill, where he feels free and at peace. He knows the hill is real, and he has to go there. He sees a poster of the hill in a travel agent's window, but the hill's real location proves to be elusive. But Jake is relentless in his search. (1 man, 1 woman, extras.) HAPPY by Alan Zweibel. Donald travels to Boca Raton to find "Happy" Haliday, a favorite baseball player from his youth, and to get his signature on a baseball. The ball has been signed by every member of the 1962 Mets except for Happy, whose career was cut short. But when Happy learns the ball will be worth $28,000 after he signs, and that it's already been sold, will he still sign? (2 men.) A SECOND OF PLEASURE by Neil LaBute. Kurt and Jess are waiting to board a train at Grand Central, when Jess says she doesn't really want to go away for the weekend. Kurt is annoyed. Jess agreed to the trip weeks ago. Why did she wait until now to say something? Finally, Jess admits that it has something to do with her husband. (1 man, 1 woman.) AN UPSET by David Auburn. Two pro tennis players, a younger, polite Romanian on his way up and an older, argumentative American on his way out, are pitted against each other, on and off the court. But they may be more alike than they know, and, like a tennis match, the balance of power keeps shifting. (2 men.) WEIRD WATER by Robert Lewis Vaughan. Sinking further into depression after the death of his son Tommy in Iraq, Hal resists his wife Libby's attempts to help him heal. When Tommy's lifelong best friend Jeff pays a surprise visit he brings a sense of hope with him, and the family finds a way to move forward.

A collection of plays with natural dialogue and believable situations for two to six actors.

(Best American Short Plays). Applause is proud to continue the series that for over 60 years has been the standard of excellence for one-act plays in America. Our editor Barbara Parisi has selected the following 16 plays: DEBOOM: WHO GIVES THIS WOMAN? , by Mark Medoff; And Then , by Amelia Arenas; The Cleaning , by Zilvinas Jonusas; Breakfast and Bed , by Amy Fox; The News from St. Petersburg , by Rich Orloff; Double Murder , by Scott Klavan; Running in Circles Screaming , by Jeni Mahoney; Witness , by Peter Maloney; Asteroid Belt , by Lauren Feldman; Glass Knives , by Liliana Almendarez; Hearts and Minds , by Adam Kraar; In Conclusive Woman , by Julie (Pratt) Mollenkamp; Mixed MeSSages , by Mike Pasternack; Amoureque and Arabesque , by Victor Gluck; and The Birth of Theater , by Jules Tasca.

Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. As previous series editor Ramon Delgado wrote in his introduction to The Best American Short Plays of 1989, the choice of entries for each edition has been based on the same goal: “to include a balance among three categories of playwrights: 1) established playwrights who continue to practice the art and craft of the short play, 2) emerging playwrights whose record of productions indicate both initial achievement and continuing artistic productivity, and 3) talented new playwrights whose work may not have had much exposure but evidences promise for the future.” From its inception, The Best American Short Plays has identified new, cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, Wendy Wasserstein, David Mamet, and Horton Foote. This volume, Bill Demastes' first edition as series editor, illustrates how well the short story play can grapple with the many dimensions of love. The selected plays present unique perspectives on the wide range of love's impact on our lives, each giving a thoroughly modern twist to the idea that life would be so much easier (but also much less interesting) if we could only avoid love's mercurial influence.

THE STORIES: CAMBERWELL HOUSE by Amelia Roper. Elderly neighbors Annie and Olive have been friends since they were children. At twenty, they agreed to "knock each other off" if they were still alive at seventy-five. Now they are seventy-five and one of them has changed her mind. A tale of old age, murder, and ginger nut biscuits. (1 woman.) THE CLOSET by Aoise Stratford. Kevin's dad has thrown his favorite toy, Bart Sponge, into the back of a closet. There, Bart meets a toy dinosaur and another toy he can't even begin to identify. Does a supposedly gay toy have a chance of making it out of the closet? (2 men, 1 woman or man.) CLOSING COSTS by Arlene Hutton. After viewing four hundred apartments, has Harris finally found the right co-op, or simply the right real estate agent—Alice? Harris must decide if it's time to trade in his artificial fish—and finally grow up. (1 man, 1 woman.) FREEFALLING by Aurin Squire. Two passengers and a stewardess on a falling plane give their moment-by-moment account of what happens when tomorrow is no longer certain. (2 men, 1 woman.) POISON by John Patrick Shanley. Kenny has seen the depths of Kelly's self-hatred, and he'll never date her again—unless he drinks a fortune-teller's mysterious potion, which will kill his soul as dead as Kelly's. Can Kelly convince him to drink the potion? Can she convince herself? (1 man, 2 women.) SELF-TORTURE AND STRENUOUS EXERCISE by Harry Kondoleon. Carl tells Alvin that he's in love with another woman. "Good for you," says Alvin, who refuses to accept that Carl's, Adel, wife only attempted suicide—she's still alive. The woman Carl loves is Alvin's wife, Beth. But right now, Beth is so drunk she can't get up off the floor, much less run off with Carl, and Adel comes in with bandaged wrists saying Carl has been trying to kill her. These four have some issues to work out. (2 men, 2 women.) A SINGULAR KINDA GUY by David Ives. Mitch is a young guy talking to a girl in a bar. She's nice, but he's got this sort of confession, see. There's something she ought to know—on the inside, he isn't really a guy at all. He's an Olivetti electric self-correcting typewriter. (1 man.) SOMETHING FROM NOTHING by David Riedy. A stranger's intimate gesture on a New York subway causes a couple to reexamine their relationship, and it causes one person to get punched in the face. Told from all three characters' wildly different perspectives. (2 men, 1 woman.) THERE'S NO HERE HERE by Craig Pospisil. Lance moves to Paris to follow his dream of becoming a writer, but his work goes badly. As does his relationship with Juliette, a beautiful Parisian. But a strangely familiar woman at their local bistro forces Lance to dig deeper into himself. (2 men, 2 women.) YOU HAVE ARRIVED by Rob Ackerman. Dan and Kristin are navigating their first date, and fortunately, the other woman with them knows the way through the confusion into Brooklyn. That would be Cyndi, the GPS system in Dan's car. (1 man, 2 women.)

(Best American Short Plays). "Sticks and stones may break my bones, but words will never hurt me." Really? Words can break spirits, destroy confidence. They can also build hope and incite great acts of heroism. Playwrights know this, and so do theater audiences. Otherwise, why go? Words matter and carry clout every bit as dangerous as a hammer or crowbar. This, too, playwrights know. The monologues in this volume are full of such blows, striking at our imaginations and our memories, generating responses such as joyful laughter or chilling surprise. Others squeeze us into worlds we've never experienced, or perhaps experienced at the furthest edges of memory and recollection. Still others may help us alter the way we see certain things, people, or beliefs. Best Monologues from The Best American Short Plays, Volume Three is a collection of monologues drawn from the popular Best American Short Plays series, an archive of works from many of the best playwrights active today. Long or short, serious or not, excerpts or entireties, this collection abounds in speech acts that may trigger physical reactions and almost certainly will transform an attitude or two, drawing out lost memories, creating new ones, and definitely entertaining, engaging, amusing us all along the way.

(Applause Books). A collection of eleven short plays from 1989. Includes: "The Author's Voice," "San Antonio Sunset," "There is No John Garfield," "The Mask of Hiroshima," "Penguin Blues," "Haiku," "Chemical Reactions," "Dolores," "April Snow," "Trout" and "A Poster of the Cosmos."

A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.