Explore over 30 years of recording history all in one detailed collection. From the hits to the deep cuts, the big albums to one-off projects, immerse yourself in the stories of how the music of Dave Grohl and Foo Fighters was created. Make no mistake, '7 Corners' is not just another Dave Grohl and Foo Fighters biography. It's not a book exploring their personal stories, how many records they've sold or the general timeline of the band that you've heard many times before. This is a unique book focused solely on the music.Documenting over 75 different recording sessions spanning 30+ years this book aims to place you in the recording studios and experience what it is like for Dave Grohl, the rest of Foo Fighters and various other musicians to record some of their biggest hits. The recording of all nine studio Foo Fighters albums, demo recording, side projects, Dave's early pre-Nirvana bands, it is all here.Hundreds of hours of research has been conducted in putting together the book including talking to many of the people who were at the sessions. Band members, producers, studio owners, engineers, photographers, they've all been approached and have helped contribute first hand information to what is undoubtedly the ultimate collection of information on the recording history of an extraordinary musician and his world beating band.Presented in a chronological order, you'll be able to live through each session and pass through time with Dave and the band as they record around the world - it's all documented In this exhaustive collection.

Originally published: London: HarperCollins, 2011.

As the assistant editor of Melody Maker, Everett True was the first journalist to cover the Seattle music scene in early 1989 and interview Nirvana. He is responsible for bringing Hole, Pavement, Soundgarden, and a host of other bands to international attention. He introduced Kurt Cobain to Courtney Love, performed on stage with Nirvana on numerous occasions, and famously pushed Kurt onto the stage of the Reading Festival in 1992 in a wheelchair. Nirvana: The Biography is an honest, moving, incisive, and heartfelt re-evaluation of a band that has been misrepresented time and time again since its tragic demise in April 1994 following Kurt Cobain's suicide. True captures what the band was really like. He also discusses the music scene of the time -- the fellow bands, the scenes, the seminars, the countless live dates, the friends and allies and drug dealers. Drawn from hundreds of original interviews, Nirvana: The Biography is the final word on Nirvana, Cobain, and Seattle grunge.

Written by Virginia Grohl, the mother of Dave Grohl—former Nirvana drummer and current frontman for the Foo Fighters—From Cradle to Stage shares stories and exclusive photos featuring mothers of rock icons, the icons themselves, and their Behind the Music-style relationships While the Grohl family had always been musical-the family sang together on long car trips, harmonizing to Motown and David Bowie-Virginia never expected her son to become a musician, let alone a rock star. But when she saw him perform in front of thousands of screaming fans for the first time, she knew that rock stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised sons and daughters who became rock stars. Were they as surprised as she was about their children's fame? Did they worry about their children's livelihood and wellbeing in an industry fraught with drugs and other dangers? Did they encourage their children's passions despite the odds against success, or attempt to dissuade them from their grandiose dreams? Do they remind their kids to pack a warm coat when they go on tour? Virginia decided to seek out other rock star mothers to ask these questions, and so began a two-year odyssey in which she interviewed such women as Verna Griffin, Dr. Dre's mother; Marianne Stipe, Michael Stipe of REM's mother; Janis Winehouse, Amy Winehouse's mother; Patsy Noah, Adam Levine's mother; Donna Haim, mother of the Haim sisters; Hester Diamond, Mike D of The Beastie Boys' mother. With exclusive family photographs and a foreword by Dave Grohl, From Cradle to Stage will appeal to mothers and rock fans everywhere.

Last Shop Standing: Whatever Happened To Record Shops? documents the sad disappearance of a cultural icon from our high streets. Once a thriving industry, the UK has gone from having over 2000 independent record shops in the 1980s to just 269 in 2009. Written by Graham Jones, who has worked in the distribution industry for over 25 years as a record company salesman, this book presents a snapshot of a business that is under threat of going the same way as the stamp shop, the coin shop and the candlestick maker. Jones’ speaks to 50 record shop owners to see why they have survived while nearly two thousand others have closed. These interviews form the basis of the book, which celebrates the rich social history in which the record shop is steeped. In 2012 Last Shop Standing was made into an award winning 50 minute film, featuring interviews with Johnny Marr, Norman Cook, Richard Hawley, Paul Weller and Billy Bragg, alongside many of the record shop owners featured in the book. Given a new tagline – ‘the rise, fall and rebirth of the independent record shop’, the film has been screened around the globe and was an official selection at the Chicago International Movies & Music Festival in 2013.

A DAILY TELEGRAPH and IRISH TIMES BOOK OF THE YEAR The must-read music book of the year, now with a brand new chapter covering the death of Taylor Hawkins and his massive Wembley memorial concert. In Bodies, author Ian Winwood explores the music industry's many failures, from addiction and mental health issues to its ongoing exploitation of artists. Much more than a touchline reporter, Winwood also tells the story of his own mental health collapse, following the shocking death of his father, in which extinction-level behaviour was given perfect cover by a reckless industry. 'This is such a shrewd, funny, psychologically perceptive, frank, well-written, jawdropping book . Absolutely buy and read the hell out of this.' DAVID STUBBS 'Winwood makes a compelling argument and overturns some long-held notions about "rock and roll excess" by deftly tying together a vast amount of information . . . and liberally lacing it with dark, self-deprecating humour.' ALEXIS PETRIDIS EditBuild

The #1 New York Times Bestseller * Named one of Variety's Best Music Books of 2021 * Included in Audible's Best of The Year list * A Business Insider Best Memoirs of 2021 * One of NME's Best Music Books of 2021 So, I've written a book. Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

Teenage punk, self-taught musician, bandleader, session man, smoker, drinker, multi-millionaire, David Grohl has achieved a rare feat, a rock ‘n’ roll double crown having been a member of two hugely successful and influential bands – Nirvana and The Foo Fighters. Loaded with candid interviews and hard truths about Grohl’s life in music, this is the first comprehensive biography of an icon whose career charts rock and roll’s rise and fall over the past two decades. Detailing his drumming and touring with Queens of the Stone Age and Nine Inch Nails and his battle over Nirvana’s legacy with Courtney Love, this is a no-holds-barred account of a career and life at the very top. Grohl's powerhouse drumming, anthemic riffing and melodic brilliance have proved both thrilling and enduring, and he remains one of rock's most respected figures.

SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.