Sherwood Anderson in his public introduction to Stein's 1922 publication of Geography and Plays wrote: "For me the work of Gertrude Stein consists in a rebuilding, an entirely new recasting of life, in the city of words. Here is one artist who has been able to accept ridicule, who has even forgone the privilege of writing the great American novel, uplifting our English speaking stage, and wearing the bays of the great poets to go live among the little housekeeping words, the swaggering bullying street-corner words, the honest working, money saving words and all the other forgotten and neglected citizens of the sacred and half forgotten city." Check out this seven short stories by this author carefully selected by critic August Nemo: - Ada. - Miss furr and Miss Skeen. - France. - Americans. - Italians. - A Sweet Tail. - In the Grass.

The first of Gertrude Stein's publications, this accessible 1909 volume was an experiemntal work for its time and established the author's reputation as a master of language and a voice for women. In three separate tales, Stein invests the lives of three working class women with extraordinary insights into race, sex, gender, and other feminist issues.

Welcome to the book series 7 best short stories specials, selection dedicated to a special subject, featuring works by noteworthy authors. The texts were chosen based on their relevance, renown and interest. This edition is dedicated to Feminist Fiction. This book contains the following texts: - The Yellow Wallpaper by Charlotte Perkins Gilman; - The Story of an Hour by Kate Chopin; - The Gentle Lena by Gertrude Stein; - The Fullness of Life by Edith Wharton; - The Marble Child by Edith Nesbit; - A Jury of Her Peers by Susan Glaspell; - Bliss by Katherine Mansfield. If you appreciate good literature, be sure to check out the other Tacet Books titles!

Welcome to the book series 7 best short stories specials, selection dedicated to a special subject, featuring works by noteworthy authors. The texts were chosen based on their relevance, renown and interest. This edition is dedicated to Feminist Fiction. Feminist literature is fiction, nonfiction, drama, or poetry, which supports the feminist goals of defining, establishing, and defending equal civil, political, economic, and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regarding status, privilege, and power – and generally portrays the consequences to societies as undesirable. This book contains the following texts: The Yellow Wallpaper by Charlotte Perkins Gilman; The Story of an Hour by Kate Chopin; The Gentle Lena by Gertrude Stein; The Fullness of Life by Edith Wharton; The Marble Child by Edith Nesbit; A Jury of Her Peers by Susan Glaspell; Bliss by Katherine Mansfield.

In 1906, Harriet Levy was talked into moving to Paris by her friend Alice B. Toklas and suddenly found herself immersed in a strange world peopled by artists who spoke a language she could not understand--a colorful world that she could only remotely observe in black and white. Paris Portraits is a short masterpiece. This sparkling manuscript, long hidden in the archives of the University of California's Bancroft Library, brings to life a vibrant and mythic time and place. Through Harriet's eyes, we circulate among the artists and patrons in the salons of Gertrude and Sarah Stein, overhear conversations between the up-and-coming Matisse and his students, and see Gertrude Stein's reaction when she learns of Picasso putting his hand on Toklas's knee. We're present when, while reading the poetry of Tagore, Harriet looks up and for the first time, sees--really sees and understands with the heart--what Matisse is doing.

This book contains 70 short stories from 10 classic, prize-winning and noteworthy authors. The stories were carefully selected by the critic August Nemo, in a collection that will please the literature lovers. For more exciting titles, be sure to check out our 7 Best Short Stories and Essential Novelists collections. This book contains: - Mór Jókai:Thirteen at Table. The Celestial Slingers. The Bad Old Times. The Hostile Skulls. Love And The Little Dog. The Justice Of Soliman – A Turkish Story. The Compulsory Diversion—An Old Baron's Yarn. - Andy Adams:Drifting North. Siegerman's Per Cent. "Bad Medicine". A Winter Round-Up. A College Vagabond. The Double Trail. Rangering. - B. M. Bower:The Lonesome Trail. First Aid To Cupid. When The Cook Fell Ill. The Lamb. The Spirit of the Range. The Reveler. The Unheavenly Twins - Richard Middleton:The Ghost Ship. A Drama of Youth. The New Boy. On the Brighton Road. A Tragedy in Little. Sheperd's Boy. The Passing of Edward. - Pierre Louÿs:Woman and Puppy. The New Pleasure. Byblis. Leda. Immortal Love. The Artist Triumphant. The Hill Of Horsel. - Hugh Walpole:The Whistle. The Silver Mask The Staircase. A carnation for an old man. Tarnhelm Mr. Oddy. Seashore Macabre. - Henry Handel Richardson:The End of a Childhood. The Bathe. Succedaneum. Mary Christina. "And Women Must Weep". Sister Ann. The Coat. - Gertrude Stein:Ada. Miss furr and Miss Skeen. France. Americans. Italians. A Sweet Tail. In the Grass. - E. Phillips Oppenheim:The Noxious Gift. Traske and the Bracelet. The Atruscan Silver mine. The Defeat of Rundermere. The End of John Dykes—Burglar. A Woman Intervenes. The Regeneration of Jacobs. - Arthur Wuiller-Couch:I Saw Three Ships. The Haunted Dragoon. A Blue Pantomime. The Two Householders. The Disenchantment of 'Lizabeth. The Laird's Luck. Captain Dick and Captain Jacka.

Three early experimental pieces involving such stylistic devices as repeated variations on a limited set of sentences and phrases, and "word portraits." Also includes "A Long Gay Book" and "Many, Many Women."

"Previously published as The decameron project."

This book is a cultural history of Stein’s rise to fame and the function of literary celebrity in America from 1910 to 1935. By examining not the ways that Stein portrayed the popular in her work, but the ways the popular portrayed her, this study shows that there was an intimate relationship between literary modernism and mainstream culture and that modernist writers and texts were much more well-known than has been previously acknowledged. Specifically, Leick reveals through the case study of Stein that the relationship between mass culture and modernism in America was less antagonistic, more productive and integrated than previous studies have suggested.

First published in 1931, this volume offers Gertrude Stein's reflections on the art and craft of writing. Although written in her distinctive experimental style, the book is remarkably accessible and easy to read. The modernist author's characteristic humor is borne out by some of the chapter titles, "Saving the Sentence," "Arthur a Grammar," "Regular Regularly in Narrative," and "Finally George a Vocabulary." Stein's experimental style features elements such as disconnectedness, a love of refrain and rhyme, a search for rhythm and balance, a dislike of punctuation (especially the comma), and a repetition of words and phrases. Those who are unfamiliar with her Stein's work or have found it difficult to understand will discover in How to Write an excellent entrée to a unique literary voice and an imaginative approach to language that continues to inspire writers and readers.