Intensively researched and lavishly illustrated, this book provides a comprehensive history of Chinese clothing design. "This beautifully designed and printed volume is one of the best".--The New York Times.

Intensively researched and lavishly illustrated, this book provides a comprehensive history of Chinese clothing design. "This beautifully designed and printed volume is one of the best".--The New York Times.

Historians have long regarded fashion as something peculiarly Western. In this surprising, sumptuously illustrated book, Antonia Finnane challenges this view, which she argues is based on nineteenth- and twentieth-century representations of Chinese dress as traditional and unchanging. Fashions, she shows, were part of Chinese life in the late imperial era, even if a fashion industry was not then apparent. In the early twentieth century the key features of modern fashion became evident, particularly in Shanghai, and rapidly changing dress styles showed the effects. The volatility of Chinese dress throughout the twentieth century matched vicissitudes in national politics. Finnane describes in detail how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution gave way finally to the variegated, globalized wardrobe of today. She brilliantly connects China’s modernization and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs.

A definitive and detailed pictorial guide to the beautifully embroidered dress accessories used every day by the imperial family and the middle classes in China during the Qing dynasty and early twentieth century. A first of its kind!

A collection of photographs from museums, collectors and private dealers that documents five centuries of Native American artistry.

Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.

Việt Nam is the home of more than fifty ethnic minorities--such as the Cham and Thai--many of which have distinctive clothing and weaving traditions linked to antiquity. The tight-fitting tunic called ao dai, widely recognized as a national symbol, has its roots in the country's 2,000-year history of textiles. Beginning with silk production in the Bronze Age cultures of the Red River, this book covers textiles in Việt Nam--including bark-cloth, kapok and hemp--through the centuries of Chinese rule in the north, a number of independent feudal societies and the brief period of French colonial rule.