An illustrated novel of intrigue set in modern Japan for bookworms, computer geeks, & art lovers alike.

The essays in this book, written by poets, novelists, mountain-climbers and academics from all over the world, evoke the representation of mountains in the English-speaking world as artists, writers, philosophers or mountain-climbers have represented them from the sixteenth to the twenty-first centuries. From the Alps to the Pyrenees, from Mount Fuji to Mount Shasta, from the Himalayas to the Scottish Highlands, from Ikere in Nigeria to Devil's Tower in the United States, from Uluru in Australia to the most northern mountain of the Arctic, the shapes of the world speak the same language and tell the world its own story. This interdisciplinary book, weaving together mountaineering, literature, philosophy, painting, cinema, ecology, history, palaeontology, geography, geopolitics, toponymy, law, religion and myth, invites people to an innovative reading of mountains: it reveals the close relationship existing between the shapes of the world and all forms of writing and, at the same time, it shows how the representations of the imagination may be instrumental in protecting the natural world. The story told by the landscape inscribes a broken line in the shapes of the world, tearing the landscape like a fragile page whenever historical and political events (wars, mining or deforestation) leave scars in the landscape; but writers' and artists' representations of mountains constitute a path to awareness as they are not only a painting of beauty, but an image of our link to nature and a warning as well. For centuries the image of the mountain has conveyed a symbolism telling the story of human thought, and this book shows to what extent literature and art play an essential part in our awareness of nature.

Illustrated throughout with beautiful calligraphy, The Fourth Treasure is an original, surprising novel that weaves a suspenseful love story across and through two very different countries, cultures, and generations. Tina Suzuki has just begun her first year of graduate study at the UC Berkeley Institute for Brain and Behavior Studies. Born and raised in San Francisco by her Japanese immigrant mother, Tina knows nothing about the rest of her family, and very little about her cultural heritage. But when her boyfriend’s Japanese calligraphy teacher suffers a stroke and loses his ability to communicate but continues to create magnificent calligraphic art, Tina knows she has stumbled across an ideal research subject. However, getting the sensei to participate in her study poses a series of uncomfortable obstacles for Tina: the jealous opposition of her boyfriend, the political and (romantic) minefield of dealing with her professors and fellow students, and the willful reticence of her ailing mother. It seems that the blank personal history her mother had always presented is in fact a tightly wound scroll full of scandalous secrets. In ways she could have never expected, Tina’s studies will inevitably lead to revelations about her own family. Juxtaposed with Tina’s story is that of the stricken sensei as a younger man, in Kyoto, and the history of the ancient inkstone he carries with him. The inkstone’s history, and the sensei’s art, reach back hundreds of years into a Japanese culture that no longer exists but that continues to reverberate on both sides of the Pacific. As the dual narratives unfold, they are enhanced by intriguing marginalia that illuminate both the sensei’s Japanese calligraphy and Tina’s studies of the brain. The result is a unique, unusually satisfying literary experience.

Whether kept on a nightstand or tucked in a backpack, this volume of daily travel gems will inspire readers who dream of faraway places. Illustrations.

Caitlin Ober, an American English instructor in Japan, tries to deal with the loss of her childhood best friend, Mei, fifteen years earlier, while developing a friendship with fourteen-year-old Naomi.

"As a young, dissolute man, Ray Brooks set off from his native England and embarked on a path of self discovery. Through a series of serendipitous and often humorous events while living in Tokyo, Ray stumbled upon and began to study the ancient art of shakuhachi, and extremely difficult Japanese bamboo flute. With intuition as his guide, he found the heart of Zen through focused shakuhachi practice."--P. [4] of cover.

Art and narrative collide in this psychological thriller set around mysterious earthquakes off Japan's coast.

A fortuneteller hires a detective to find her missing son in this existential noir mystery. A startling clue leads the detective into the underground worlds of fortunetelling and "pleasure" tours. The missing son reminds him of an old case which ended badly, one he is compelled to reopen. As he investigates both, he finds his life becoming more ghostlike. Todd Shimoda has published four novels on Japanese themes. The books have been translated into six languages with over one hundred thousand copies printed worldwide. Todd was also the recipient of the Hawaii Literary Arts Council's 2010 Elliot Cades Award for Literature.

Asian American literature is one of the most recent forms of ethnic literature and is already becoming one of the most prominent, given the large number of writers, the growing ethnic population from the region, the general receptivity of this body of work, and the quality of the authors. In recent decades, there has been an exponential growth in their output and much Asian American literature has now achieved new levels of popular success and critical acclaim. Nurtured by rich and long literary traditions from the vast continent of Asia, this literature is poised between the ancient and the modern, between the East and West, and between the oral and the written. The Historical Dictionary of Asian American Literature and Theater covers the activities in this burgeoning field. First, its history is traced year by year from 1887 to the present, in a chronology, and the introduction provides a good overview. The most important section is the dictionary, with over 600 substantial and cross-referenced entries on authors, books, and genres as well as more general ones describing the historical background, cultural features, techniques and major theatres and clubs. More reading can be found through an extensive bibliography with general works and those on specific authors. The book is thus a good place to get started, or to expanded one’s horizons, about a branch of American literature that can only grow in importance.