42 big swinging hits arranged in our famous E-Z Play Today notation. Includes: Bandstand Boogie * Christopher Columbus * In the Mood * It Don't Mean a Thing (If It Ain't Got That Swing) * Java Jive * Jump, Jive an' Wail * Lazy River * Marie * Opus One * Steppin' Out with My Baby * Take the "A" Train * more.

(Piano/Vocal/Guitar Songbook). This second edition features a new mix of 46 swingin' favorites! Includes: Boogie Woogie Bugle Boy * In the Mood * It Don't Mean a Thing (If It Ain't Got That Swing) * Java Jive * Jump, Jive an' Wail * King Porter Stomp * Rag Mop * Satin Doll * Steppin' Out with My Baby * Stompin' at the Savoy * Take the "A" Train * That Old Black Magic * Woodchopper's Ball * Zoot Suit Riot * more!

This collection of seven intermediate solos are written in traditional styles such as swing, boogie, jive, tango, and the samba. This collection will inspire you to get up and dance! Perfect for the teenage or adult student!

14 swingin' solos, including: Boogie Woogie Bugle Boy * Go Daddy-O * In the Mood * It Don't Mean a Thing (If It Ain't Got That Swing) * Jump, Jive An' Wail * Jumpin' Jack * Leap Frog * Puttin' on the Ritz * Stompin' at the Savoy * When I Change Your Mind * Woodchopper's Ball * You and Me * You're the Boss * Zoot Suit Riot.

"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.

Describes the history of social dancing in the United States from the complicated early set dances to modern breakdancing and the recent revival of swing, discussing how, why, and with whom Americans have danced.

An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.