Songwriter's Market is packed with insider information about the music industry that can spell the difference between success and failure. You'll find support and encouragement through listings for support organizations, online resources, as well as articles and interviews with industry insiders. With completely updated listings for music publishers, record companies, managers, booking agents, and record producers, as well as information about how the music industry works and how to protect yourself from the scam artists of the industry, this helpful guide is every musician's best friend.

Songwriter's Market is packed with insider information about the music industry that can spell the difference between success and failure. You'll find support and encouragement through listings for support organizations, online resources, as well as articles and interviews with industry insiders. With completely updated listings for music publishers, record companies, managers, booking agents, and record producers, as well as information about how the music industry works and how to protect yourself from the scam artists of the industry, this helpful guide is every musician's best friend.

Take Charge of Your Songwriting Career &break;&break;No matter the genre - from rock and hip hop to classical and country - Songwriter's Market is the reliable reference that beginners and professionals alike have turned to for more than three decades for the most accurate information on running a songwriting career. &break;&break;In the 2010 Songwriter's Market, you'll find all the contacts you need to get your career going, find out exactly what publishers and producers are looking for and learn how to approach them. This edition includes: &break;&break; Interviews with successful songwriters Gretchen Peters and Cathie Ryan; industrial musician Joe Ashley; producer Gene Shay; and promoter Richard Flohil. &break; Informative articles on innovative marketing strategies, breaking into movies and television, using poetic techniques to enhance your craft, getting the most out of workshops, and more.&break; Updated listings of numerous music companies - music publishers, record companies, record producers - as well as resource listings for networking and support-professional organizations, conferences, music websites, and online communities.

The Most Trusted Guide to Songwriting Success For 35 years, Songwriter’s Market has provided the most complete and up-to-date information songwriters need to place their songs with music publishers, record companies, record producers, managers, booking agents, music firms and more. In the 2012 edition you also gain access to: • Hundreds of songwriting placement opportunities • Power-packed articles on taking charge of your career—including how to navigate the constantly evolving world of social media and discover alternative routes to songwriting success • Listings for songwriting organizations, conferences, workshops, retreats, colonies, contests, and venues (a brand new addition to the listings; a helpful tool for indie artists booking their own tours) Take charge of your songwriting career today with the 2012 Songwriter’s Market. Includes an exclusive 60-minute FREE WEBINAR with music licensing expert Sarah Gavigan that will teach you how to find new placements for your music "Songwriter’s Market is a valuable resource for songwriters, especially those living away from traditional music centers. It’s stuffed full of useful information." —Pat Pattison, author of Songwriting Without Boundaries and Writing Better Lyrics "Learn how to create buzz as an artist. This is an excellent resource to determine the kind of entrance you want to make into the world of singer-songwriters." —Amy Stroup, indie artist, The Other Side of Love Sessions

THE MOST TRUSTED GUIDE TO SONGWRITING SUCCESS For 34 years, Songwriter's Market has provided the most complete and up-to-date information songwriters need to place their songs with music publishers, record companies, record producers, managers & booking agents, music firms, and more.In the 2011 Songwriter's Market, you'll find: • Hundreds of songwriting placement opportunities, including how each market is different from the next and how to find success. • Interviews with songwriting legends, such as Mark Mothersbaugh (Devo) and Even Stevens, who's written for everyone from Kenny Rogers to Martina McBride. • Power-packed articles on taking charge of your career, including how to navigate social media sites and find alternative routes to songwriting success. • Plus, the basic nuts and bolts of the songwriting business are explained, including how to submit songs, the proper way to handle Copyright, how to identify scams, negotiating contracts, what royalties are (and how to get them), and more. • Listings for songwriting organizations, conferences, workshops, retreats, colonies, and contests. Take charge of your songwriting career today with the 2011 Songwriter's Market.

Tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge.

Music is a universal language, and John Braheny speaks it eloquently as he helps prepare us for our big musical break--by teaching us the craft of songwriting and revealing secrets of the music business. Includes anecdotes, exercises, and examples from dozens of songwriters, such as Harry Chapin, Paul McCartney, and many others.

"An utterly satisfying examination of the business of popular music." —Nathaniel Rich, The Atlantic There’s a reason today’s ubiquitous pop hits are so hard to ignore—they’re designed that way. The Song Machine goes behind the scenes to offer an insider’s look at the global hit factories manufacturing the songs that have everyone hooked. Full of vivid, unexpected characters—alongside industry heavy-hitters like Katy Perry, Rihanna, Max Martin, and Ester Dean—this fascinating journey into the strange world of pop music reveals how a new approach to crafting smash hits is transforming marketing, technology, and even listeners’ brains. You’ll never think about music the same way again. A Wall Street Journal Best Business Book

Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry’s impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins’s introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background.

K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: African American Popular Music and K-pop, Crystal S. Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary K-pop references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references. K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip-hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans who function as part of K-pop’s music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary.