(Book). Clay Aiken and Ruben Studdard. Elvis Presley. 50 Cent. Toby Keith. Uncle Kracker. Audioslave. Linkin Park. Staind. Just a small sampling of the names you'll find in Joel Whitburn's 2003 Billboard Music Yearbook the only annual recap of all the artists and all the action on Billboard 's major music charts! Eleven complete music sections: The Billboard Hot 100 * Bubbling Under the Hot 100 * Hot Country Singles & Tracks * Hot R&B/Hip-Hop Singles & Tracks * Adult Contemporary * Hot Dance Club Play * Mainstream Rock Tracks * Modern Rock Tracks * The Billboard 200 (Albums) * Top Country Albums * Top R&B/Hip-Hop Albums * plus a complete pop and country annual ranking section!

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Desire. Ruthless aggression. Attitude. Respect. New blood. Returning legends. Departing heroes. Icon vs. Icon. The Draft. Separate camps. Unified titles. An Undisputed Championship. Same-sex weddings. Broken vows. Three minutes. One last run. World Wrestling Entertainment™ entered 2002 with a Royal Rumble,® and left it with the Armageddon™-like force of an F-5 hurricane. This is your ringside seat to the defining moments of the past twelve months. Relive the greatest matches of every Raw,® SmackDown!® and WWE™ Pay-Per-View in 2002, including WrestleMania™ X8, SummerSlam® and Survivor Series, as well as U.K. exclusives Insurrextion™; and Rebellion™. Submit to the finishing moves of WWE Superstars like The Rock,® Hollywood Hulk Hogan,™ Undertaker,® Triple H,™ Kurt Angle,™ Ric Flair,™ Rob Van Dam,™ and Brock Lesnar.™ This is your premier backstage pass, recapping events beyond the confines of the squared circle in 2002. Witness the corporate machinations of Mr. Vince McMahon,™ Ric Flair, Eric Bischoff™ and Stephanie McMahon™ as they wrestled for WWE dominance. Stripped down to the bare essentials are the Divas Trish Stratus,™ Torrie Wilson,™ and Stacy Keibler.™ Review the WWE owner's Confidential™ words over Stone Cold Steve Austin™'s sudden exit from the organization. You travel first class all the way as The World Wrestling Entertainment Yearbook 2003 Edition jets to the best venues across the United States, Canada, Europe, and the rest of the world. Get the celluloid facts from Tinseltown behind The Rock's blockbuster film The Scorpion King. Avoid a beatdown from Chris Jericho® while getting the music lowdown on his band Fozzy, last summer's Ozzyfest tour and numerous WWE CD compilations. Take part in the "SmackDown! Your Vote™" campaign trail, along with last year's other fundraisers and events that established the WWE as more than the undisputed leader in sports entertainment. It's time to put on the T-shirt of a favorite WWE Superstar, grab some snacks, pull up a steel chair and wooden table, and experience The WWE Yearbook 2003 Edition. Just don't read it under a ladder.

This title lists over 12,000 significant songs and essential hits of the past half century, from 1955 to 2005, in an easy-to-use A-Z artist listing. There's also a song title cross-reference section and playlists of each half-decade's biggest hits.

Conglomerate Rock argues that while it is becoming easier to see and hear artists from a handful of transnational corporations, access to music is becoming more dispersed, expensive, and difficult to acquire. The music industry is creating a new distribution infrastructure by dividing access to exclusive releases through different subscription services, hardware, and new media like audio DVDs in order to maximize profits.

(Book). A colorful pictorial look at the top 1,000 hits of the past 50 years! Each and every hit of the rock era is shown in this beautiful book, in full color with complete Billboard chart data. Each entry includes the original 45 RPM picture sleeve, cassette single box, CD single insert, sheet music, and/or full-page Billboard ad along with: overall Top 1,000 rank, peak position, weeks at peak position, and the year it charted. The book also includes: an Artist Section listing all Top 1,000 titles by the artist's name; an A-to-Z Title Section listing all Top 1000 titles in alphabetical order; a Yearly Section listing the Top 40 hits, year by year from 1955-2005. Over 100 pages of color images pictorially represent every top hit of the rock era. An intriguing, one-of-a-kind book!

During the Jazz Age and Great Depression, radio broadcasters did not conjure their listening public with a throw of a switch; the public had a hand in its own making. The Listener's Voice describes how a diverse array of Americans—boxing fans, radio amateurs, down-and-out laborers, small-town housewives, black government clerks, and Mexican farmers—participated in the formation of American radio, its genres, and its operations. Before the advent of sophisticated marketing research, radio producers largely relied on listeners' phone calls, telegrams, and letters to understand their audiences. Mining this rich archive, historian Elena Razlogova meticulously recreates the world of fans who undermined centralized broadcasting at each creative turn in radio history. Radio outlaws, from the earliest squatter stations and radio tube bootleggers to postwar "payola-hungry" rhythm and blues DJs, provided a crucial source of innovation for the medium. Engineers bent patent regulations. Network writers negotiated with devotees. Program managers invited high school students to spin records. Taken together, these and other practices embodied a participatory ethic that listeners articulated when they confronted national corporate networks and the formulaic ratings system that developed. Using radio as a lens to examine a moral economy that Americans have imagined for their nation, The Listener's Voice demonstrates that tenets of cooperation and reciprocity embedded in today's free software, open access, and filesharing activities apply to earlier instances of cultural production in American history, especially at times when new media have emerged.

The Music Business and Recording Industry is a comprehensive music business textbook focused on the three income streams in the music industry: music publishing, live entertainment, and recordings. The book provides a sound foundation for understanding key issues, while presenting the latest research in the field. It covers the changes in the industry brought about by the digital age, such as changing methods of distributing and accessing music and new approaches in marketing with the Internet and mobile applications. New developments in copyright law are also examined, along with the global and regional differences in the music business.