This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. And of course, because it is always a pleasure to have a book in print. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents: Castle Sinister directed by Widgey R. Newman, Doctor X directed by Michael Curtiz, Freaks directed by Tod Browning, Island of Lost Souls directed by Erle C. Kenton, Kongo directed by William J. Cowen, The Mask of Fu Manchu directed by Charles J. Brabin, Charles Vidor, King Vidor, The Monster Walks directed by Frank Strayer, The Most Dangerous Game directed by Ernest B. Schoedsack, The Mummy directed by Karl Freund, Murders in the Rue Morgue directed by Robert Florey, The Old Dark House directed by James Whale, Unheimliche Geschichten directed by Richard Oswald, Vampyr directed by Carl Theodor Dreyer and White Zombie directed by Victor Halperin. A lot of illustrations. For each film: Credits, Plot summary, Cast, Production, Release, Critical response, Box office and The best reviews on the web.

Can you tell your Dagobah from your Delos and your Ming from your Morlock? Do you need help understanding 2001: A SPACE ODYSSEY? From the classic low-budget Flash Gordon tales to the slick CGI-realised world of THE MATRIX, science-fiction films have long pushed the boundaries of the visually and dramatically fantastic. 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE is your perfect one-stop guide to them all. Science fiction allows every other movie genre to leap - quite literally - into another dimension. Take a classic police chase and set it on Mars. Create a haunted house story, then add the robots. Take the classic boy-meets-girl story, then make them mutants. Great sci-fi movies turn the known world onto its head, play with the laws of physics and all the while hold the viewer spellbound with a gripping vision of future worlds. With insight from critics, film historians, and academics, 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE, applies knowledge and passion to a century of close encounters, distant planets, time travel, black holes, strange outfits, futuristic technology, inexplicable forces, fantastic spaceships, fluorescent drinks and subterranean societies. Strap yourself in: you′re set for a rocket ride to sci-fi heaven.

The Creature X team travels to Papua New Guinea to investigate sightings of a surviving pterosaur. Laura Reagan, host of Creature X, wants to leave North America behind and step out from the shadow of her father’s cryptozoological research. She leads her team to Umboi Island, off the coast of Papua New Guinea, to shoot a cryptozoological documentary about the mysterious Ropen, a bioluminescent pterosaur-like creature that has somehow survived extinction. In a stroke of luck, Laura and her team see a mysterious purple light above the trees. Could it actually be what they’re searching for? But the hunt for the Ropen takes a drastic turn when a body turns up in the Creature X camp. With satellite phones down, Laura and her team are stuck on the island with a murderer — and no chance of help.

The 1932 horror film White Zombie starring Bela Lugosi has received controversial attention from film reviewers and scholars--but it is unarguably a cult classic worthy of study. This book analyzes the film text from nearly every possible viewpoint, using both academic and popular film theories. Also supplied is an extensive intellectual history of the predecessor works to White Zombie, as well as information on the significance it carried for subsequent books and films, its theatrical release around the country, its modern cultural influence, and the attempts to restore the film to its original state. Other noteworthy features of this work include an in-depth biography of White Zombie director Victor Halperin, the first complete study of his life and career, and 244 images and photographs.

Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.

One of the most original and unsettling filmmakers of all time, Browning is also one of the most enigmatic directors who ever worked in Hollywood. Illustrated throughout with rare photos, Dark Carnival is both an artful and shocking portrait of a singular film pioneer and an illuminating study of the evolution of horror, essential to an understanding of our continuing fascination with the macabre.

Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".

After he was gone, the only things left behind were secrets Annie has fallen out of the habit of listening to her husband. She and Paul have been married for a long time; it's easy to nod as he drones on, responding to his voice while completely ignoring every word he says. That becomes a problem, of course, when Paul disappears and the police have questions. Was Paul having issues at work? Is there any reason to think he might harm himself? Annie doesn't know. But someone does. An unsettling photo found amongst Paul's things turns the investigation toward his job as a middle school teacher and a troubled girl who is hiding secrets of her own. But what exactly happened to Paul on the day he left for work and never made it to the classroom? Is his disappearance related to a local heroin trafficking operation? As Eddie Mahler and the members of the Santa Rosa Violent Crime Investigations Team rush to find the teacher, they discover the members of his family have hidden lives of their own, and that Paul may not have been running away but toward something that could ruin his career and marriage—and even cost his life.

Christianity has had a powerful influence on every sphere of Western art, even art which on the surface might seem antithetical to the faith. This book argues that point with an analysis of the horror film genre, examining nine classics which illustrate the evolution of horror and reveal a culture haunted by fear of the unspeakable. The history and literary roots of the horror genre are also discussed. The author concludes that our innate dread of evil and the imperative of warding it off are the key mechanics of the horror experience. Films covered include Vampyr (1932), The Mummy (1932), The Thing (1951), Night of the Demon (1957), The Wicker Man (1973), The Exorcist (1973), Halloween (1978), Ringu (1998) and Pan's Labyrinth (2006).

This 1929 volume offers firsthand accounts of Haitian voodoo and witchcraft rituals. Author William Seabrook introduced the concept of the walking dead to the West with this illustrated travelogue.