30s Hollywood has been covered in great detail over the decades. In spite of this, 1930s- Hollywood The Good, The Bad, And The Ugly Vol. 1 provides a concentrated review of what made the decade stand out as a winner. Vol. 1 focuses on Tinseltown's highs and lows throughout a turbulent period in America's history. On the backdrop that was the Great Depression, Hollywood was able to deliver the goods to a society that had just about given up. The movies were the only form of cheap entertainment that provided escapism for the millions of distressed and temporarily displaced people across the country. The volume also delves into the lives of two charismatic individuals whose talents, smarts, and overall appeal changed the history of the cinema forever. Plus the book compatibly covers a topic that remains as omnipresent as it was back then, Gossip Inside, readers will get a quick case study on the origins of the fan magazine and how it evolved into the conglomerate of entertainment based publications, via on-line media outlets that we all are fortunate to have with us today. In modern times, many are still interested in showbiz and celebrities. It's the reason Hollywood is a billion dollar industry. Nonetheless, fascination with celebs began long ago during Hollywood's silent days. Vols. 2 and 3 completes the trilogy. Demand will bring these volumes to the marketplace expediently in the near future.

1930s Hollywood The Good, The Bad, And The Ugly. Vol. 1 provides a concentrated review of what made the decade stand out as a winner. Vol. 1 focuses on Tinseltown's highs and lows throughout a turbulent period in America's history.

Although five-time Academy-Award nominee Ennio Morricone has scored numerous films in various genres, his westerns will undoubtedly remain his most memorable cinematographic accomplishments. This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Leinberger begins his study with a brief discussion of Morricone's musical background through his experience in the Italian music business, his earliest Italian film scores, and his accomplishments in Hollywood. The second chapter is a discussion of the many compositional techniques that distinguish Morricone's music from that of other film composers. Subsequent chapters examine the historical and cultural context of the film and attempt to place the style of Morricone's score for The Good, the Bad and the Ugly in relation to his scores for other well-known Westerns. The book's final chapter is an analysis of compositional techniques presented in chronological order from the film's opening credits to its climactic ending. Although this guide focuses on Morricone and his music from a theoretical perspective, other non-musical issues that are relevant to the audience's ultimate experience of the film are also discussed.

Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University

Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.

The landmark biography of one of the twentieth century's most recognizable directors--now back in print

This work combines a history of Hollywood with an analysis of how and why the entertainment capital of the world has consistently survived its own limitations to meet changing public tastes with its own brand of vigour and renewal for over 60 years.

Abstract:

For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.

The Good, the Bad, & the Ugly includes the best and worst teams and players of all time, the most clutch performances and performers, the biggest choke jobs and chokers, great comebacks and blown leads, plus overrated and underrated players and coaches.