Martin Buber and friends successfully lobbied the congress for inclusion of cultural Zionism into the official agenda of the Zionist organization, resulting in the establishment of the Bezalel Art Institute in Jerusalem in 1905. In the first book of its kind, Gilya Gerda Schmidt places this art exhibition in the context of political Zionism as well as anti-Semitism. Jews had been denied the opportunity to be creative, and religious Zionists feared that Jewish culture would usurp religion within the Zionist movement. Hermann Struck, an artist and Orthodox Jew, became a founding member of the religious Zionist Party, further supporting Buber's assertion that culture and religion were not at odds. The forty-eight works of art in the exhibition were created by eleven artists, all but two of whom were famous in their lifetime. Until now, their works had been largely forgotten. In the last decade, contributing artists—Ephraim Lilien, Lesser Ury, Jozef Israels, Struck, and Maurycy Gottlieb—have enjoyed a revival of their work.

Alexander Bogdanov (1873–1928) wrote the articles in this volume in the years before and during the Revolution of 1905 when he was co-leader, with V.I. Lenin, of the Bolshevik faction of the Russian Social-Democratic Labour Party, and was active in the revolution and the struggle against Marxist revisionism. In these pieces, Bogdanov defends the principles of revolutionary Social-Democracy on the basis of a neutral monist philosophy (empiriomonism), the idea of the invariable regularity of nature, and the use of the principle of selection to explain social development. The articles in On the Psychology of Society (1904/06) discredit the neo-Kantian philosophy of Russia’s Marxist revisionists, rebut their critique of historical materialism, and develop the idea that labour technology determines social consciousness. New World (1905) envisions how humankind will develop under socialism, and Bogdanov’s contributions to Studies in the Realist Worldview (1904/05) defend the labour theory of value and criticise neo-Kantian sociology.

The year is 1901. Germany’s navy is the second largest in the world; their army, the most powerful. But with the exception of a small piece of Africa and a few minor islands in the Pacific, Germany is without an empire. Kaiser Wilhelm II demands that the United States surrender its newly acquired territories: Guam, Puerto Rico, Cuba, and the Philippines. President McKinley indignantly refuses, so with the honor and economic future of the Reich at stake, the Kaiser launches an invasion of the United States, striking first on Long Island. Now the Americans, with their army largely disbanded, must defend the homeland. When McKinley suffers a fatal heart attack, the new commander in chief, Theodore Roosevelt, rallies to the cause, along with Confederate general James Longstreet. From the burning of Manhattan to the climactic Battle of Danbury, American forces face Europe’s most potent war machine in a blazing contest of will against strength.

An intimate portrait of the first president of the 20th century The American century opened with the election of that quintessentially American adventurer, Theodore Roosevelt. Louis Auchincloss's warm and knowing biography introduces us to the man behind the many myths of Theodore Roosevelt. From his early involvement in the politics of New York City and then New York State, we trace his celebrated military career and finally his ascent to the national political stage. Caricatured through history as the "bull moose," Roosevelt was in fact a man of extraordinary discipline whose refined and literate tastes actually helped spawn his fascination with the rough-and-ready worlds of war and wilderness. Bringing all his novelist's skills to the task, Auchincloss briskly recounts the significant contributions of Roosevelt's career and administration. This biography is as thorough as it is readable, as clear-eyed as it is touching and personal.

In 1901, the Northern Pacific was an unlikely prize: a twice-bankrupt construction of the federal government, it was a two-bit railroad (literally—five years back, its stock traded for twenty-five cents a share). But it was also a key to connecting eastern markets through Chicago to the rising West. Two titans of American railroads set their sights on it: James J. Hill, head of the Great Northern and largest individual shareholder of the Northern Pacific, and Edward Harriman, head of the Union Pacific and the Southern Pacific. The subsequent contest was unprecedented in the history of American enterprise, pitting not only Hill against Harriman but also Big Oil against Big Steel and J. P. Morgan against the Rockefellers, with a supporting cast of enough wealthy investors to fill the ballroom of the Waldorf Astoria. The story, told here in full for the first time, transports us to the New York Stock Exchange during the unfolding of the earliest modern-day stock market panic. Harriman vs. Hill re-creates the drama of four tumultuous days in May 1901, when the common stock of the Northern Pacific rocketed from one hundred ten dollars a share to one thousand in a mere seventeen hours of trading—the result of an inadvertent “corner” caused by the opposing forces. Panic followed and then, in short order, a calamity for the “shorts,” a compromise, the near-collapse of Wall Street brokerages and banks, the most precipitous decline ever in American stock values, and the fastest recovery. Larry Haeg brings to life the ensuing stalemate and truce, which led to the forming of a holding company, briefly the biggest railroad combine in American history, and the U.S. Supreme Court ruling against the deal, launching the reputation of Justice Oliver Wendell Holmes as the “great dissenter” and President Theodore Roosevelt as the “trust buster.” The forces of competition and combination, unfettered growth, government regulation, and corporate ambition—all the elements of American business at its best and worst—come into play in the account of this epic battle, whose effects echo through our economy to this day.