A century after the Cuban war for independence was fought, Louis Pérez examines the meaning of the war of 1898 as represented in one hundred years of American historical writing. Offering both a critique of the conventional historiography and an alternate

In 1898: The Birth of the American Century, David Traxel tells the story of a watershed year, a year of foreign conflict, extravagant adventure, and breakneck social change that forged a new America—a sudden empire with many far-flung possessions, a dynamic new player upon the global stage. At the heart of this vivid, anecdotal history is a masterly account of the Spanish-American War, the "splendid little war" that garnered the nation Guam, Puerto Rico, and the Philippines. From the sinking of the Maine in waters off Havana to Teddy Roosevelt's rough riders and the triumph of Admiral Dewey, here is the lightning-swift military episode that transformed America into a world power. Here too are many stories not so often told—the bloody first successes of the new United Mine Workers, the tentative beginnings of the Ford Motor Company, the million-dollar launch of the Uneeda Biscuit—each in its way as important as the harbinger of the American century. Compulsively readable, frequently humorous, utterly fascinating in its every detail, 1898 is popular history at its finest.

These 13 short stories by 5 authors of the era include 4 tales by Miguel de Unamuno along with the works of Valle-Inclán, Blasco Ibánez, Baroja, and "Azorín" (José Martínez Ruiz).

A compact volume on a key, early battle in US American history. Labelled a 'splendid little war' by Senator John Hay, the Spanish American War was a peculiar event in America's history, provoked as much by the press as by political pressures. Here, aided by superbly detailed maps and artwork, Angus Konstam deals with the clashes at Las Guasimas and El Caney, the capture of San Juan Hill, and the naval battle and siege of Santiago. The war was to mark the end of Spanish sovereignty in her 'New World', and the establishment of the United States of America as a world power.

From 1895 to 1898, Cuban insurgents fought to free their homeland from Spanish rule. Though often overshadowed by the "Splendid Little War" of the Americans in 1898, according to John Tone, the longer Spanish-Cuban conflict was in fact more remarkable, foreshadowing the wars of decolonization in the twentieth century. Employing newly released evidence--including hospital records, intercepted Cuban letters, battle diaries from both sides, and Spanish administrative records--Tone offers new answers to old questions concerning the war. He examines the origin of Spain's genocidal policy of "reconcentration"; the causes of Spain's military difficulties; the condition, effectiveness, and popularity of the Cuban insurgency; the necessity of American intervention; and Spain's supposed foreknowledge of defeat. The Spanish-Cuban-American war proved pivotal in the histories of all three countries involved. Tone's fresh analysis will provoke new discussions and debates among historians and human rights scholars as they reexamine the war in which the concentration camp was invented, Cuba was born, Spain lost its empire, and America gained an overseas empire.

In this cultural history of Cuba during the United States' brief but influential occupation from 1898 to 1902--a key transitional period following the Spanish-American War--Marial Iglesias Utset sheds light on the complex set of pressures that guided the formation and production of a burgeoning Cuban nationalism. Drawing on archival and published sources, Iglesias illustrates the process by which Cubans maintained and created their own culturally relevant national symbols in the face of the U.S. occupation. Tracing Cuba's efforts to modernize in conjunction with plans by U.S. officials to shape the process, Iglesias analyzes, among other things, the influence of the English language on Spanish usage; the imposition of North American holidays, such as Thanksgiving, in place of traditional Cuban celebrations; the transformation of Havana into a new metropolis; and the development of patriotic symbols, including the Cuban flag, songs, monuments, and ceremonies. Iglesias argues that the Cuban response to U.S. imperialism, though largely critical, indeed involved elements of reliance, accommodation, and welcome. Above all, Iglesias argues, Cubans engaged the Americans on multiple levels, and her work demonstrates how their ambiguous responses to the U.S. occupation shaped the cultural transformation that gave rise to a new Cuban nationalism.

“Remember the Maine!” The war cry spread throughout the United States after the American battleship was blown up in Havana harbor on February 15, 1898. Americans, already sympathetic with Cuba’s struggle for independence from Spain, demanded action. Brief and decisive, not too costly, the Spanish-American War made the United States a world power. David F. Trask’s War with Spain in 1898 is a cogent political and military history of that “splendid little war.” It describes the failure of diplomacy; the state of preparedness of both sides; the battles, including those of Theodore Roosevelt and his Rough Riders; the enlargement of conflict to rout the Spanish from Puerto Rico and the Philippines; and the misconceptions surrounding the war.

To European explorers, it was Eden, a paradise of waist-high grasses, towering stands of walnut, maple, chestnut, and oak, and forests that teemed with bears, wolves, raccoons, beavers, otters, and foxes. Today, it is the site of Broadway and Wall Street, the Empire State Building and the Statue of Liberty, and the home of millions of people, who have come from every corner of the nation and the globe. In Gotham, Edwin G. Burrows and Mike Wallace have produced a monumental work of history, one that ranges from the Indian tribes that settled in and around the island of Manna-hata, to the consolidation of the five boroughs into Greater New York in 1898. It is an epic narrative, a story as vast and as varied as the city it chronicles, and it underscores that the history of New York is the story of our nation. Readers will relive the tumultuous early years of New Amsterdam under the Dutch West India Company, Peter Stuyvesant's despotic regime, Indian wars, slave resistance and revolt, the Revolutionary War and the defeat of Washington's army on Brooklyn Heights, the destructive seven years of British occupation, New York as the nation's first capital, the duel between Aaron Burr and Alexander Hamilton, the Erie Canal and the coming of the railroads, the growth of the city as a port and financial center, the infamous draft riots of the Civil War, the great flood of immigrants, the rise of mass entertainment such as vaudeville and Coney Island, the building of the Brooklyn Bridge and the birth of the skyscraper. Here too is a cast of thousands--the rebel Jacob Leisler and the reformer Joanna Bethune; Clement Moore, who saved Greenwich Village from the city's street-grid plan; Herman Melville, who painted disillusioned portraits of city life; and Walt Whitman, who happily celebrated that same life. We meet the rebel Jacob Leisler and the reformer Joanna Bethune; Boss Tweed and his nemesis, cartoonist Thomas Nast; Emma Goldman and Nellie Bly; Jacob Riis and Horace Greeley; police commissioner Theodore Roosevelt; Colonel Waring and his "white angels" (who revolutionized the sanitation department); millionaires John Jacob Astor, Cornelius Vanderbilt, August Belmont, and William Randolph Hearst; and hundreds more who left their mark on this great city. The events and people who crowd these pages guarantee that this is no mere local history. It is in fact a portrait of the heart and soul of America, and a book that will mesmerize everyone interested in the peaks and valleys of American life as found in the greatest city on earth. Gotham is a dazzling read, a fast-paced, brilliant narrative that carries the reader along as it threads hundreds of stories into one great blockbuster of a book.

The Spanish American War of 1898 is often viewed as a disjointed series of colorful episodes; young Americans who would later become famous, fighting a Spanish colonial army putting up a token resistance. Military commentator and historian Albert A. Nofi presents the war as a coherent military narrative, showing the confluence of the American command's Civil War experience and recent developments in technology. Serious attention is also given to the Spanish forces, the army of an empire in decline, but well-equipped and tactically sophisticated.Detailed coverage is given of both American and Spanish aims, assumptions and strategy. The author's colorful narrative is supplemented by 50 illustrations, most of which have not appeared in print since the era of the war.Specially commissioned maps highlight the most tactically significant land and naval engagements, such as the Spanish defense of El Caney and the Spanish fleet's dramatic but futile attempt to break out of Santiago harbor.Military operations are placed in the context of a growing American nation in a wider world, 35 years after the Civil War. The Spanish American War features a detailed treatment of the war in Puerto Rico. This theater was under the command of Indian fighter Nelson A. Miles and included some of the best tactical maneuvering of the war. The Puerto Rican aspect has not been covered in detail in modern works.Albert Nofi has made use of works covering the Spanish that have not been widely used in English-language works, as well as American eyewitness accounts that have not been examined in nearly a century.

From 1898 onward, the expansion of American militarism and empire abroad increasingly relied on black labor, even as policy remained inflected both by scientific racism and by fears of contagion. Black men and women were mobilized for service in the Spanish-Cuban-American War under the War Department's belief that southern blacks carried an immunity against tropical diseases. Later, in World Wars I and II, black troops were stigmatized as members of a contagious "venereal race" and were subjected to experimental medical treatments meant to curtail their sexual desires. By turns feared as contagious and at other times valued for their immunity, black men and women played an important part in the U.S. military's conscription of racial, gender, and sexual difference, even as they exercised their embattled agency at home and abroad. By following the scientific, medical, and cultural history of African American enlistment through the archive of American militarism, this book traces the black subjects and agents of empire as they came into contact with a world globalized by warfare.