Titles: No. 1 in E Major * No. 2 in G Minor * No. 3 in G Major * No. 4 in C Major * No. 5 in C Major * No. 6 in F Major * No. 7 in E-Flat Major * No. 8 in C Major * No. 9 in D Minor * No. 10 in C Major * No. 11 in A-Flat Major * No. 12 in D-Flat Major * No. 13 in A-Flat Major * No. 14 in C Minor * No. 15 in B Major.

Polish composer Moritz Moszkowski (1854-1925) wrote brilliant piano music similar to the early-Romantic style of Chopin, Mendelssohn and Schumann. Written for advancing pianists, each etude is a study in drama, mood and expression as well as finger technique. Hinson's edition contains a biographical sketch of the composer, a discussion of his style, and a helpful performance analysis of each etude.

Titles: * No. 1 in E Major * No. 2 in G Minor * No. 3 in G Major * No. 4 in C Major * No. 5 in C Major * No. 6 in F Major * No. 7 in E-Flat Major * No. 8 in C Major * No. 9 in D Minor * No. 10 in C Major * No. 11 in A-Flat Major * No. 12 in D-Flat Major * No. 13 in A-Flat Major * No. 14 in C Minor * No. 15 in B Major

Polish composer Moritz Moszkowski (1854-1925) wrote brilliant piano music similar to the early-Romantic style of Chopin, Mendelssohn and Schumann. Written for advancing pianists, each etude is a study in drama, mood and expression as well as finger technique. Hinson's edition contains a biographical sketch of the composer, a discussion of his style, and a helpful performance analysis of each etude.

This Masterwork collection, edited by Maurice Hinson, contains performance analysis for each of the 20 studies. Biographical and historical information are also included.

School of Scales & Double Notes for the Pianoforte by M. MoszkowskiWork TitleStudies in Double NotesAlternative TitleSchule des DoppelgriffÉcole des doubles-notesComposerMoszkowski, MoritzOpus/Catalogue NumberOp.64I-Catalogue NumberIMM 85Movements/Sections4 booksFirst Publication1901 - Paris: Enoch et Cie. (rev. 1907)Composer Time PeriodRomanticPiece StyleRomanticInstrumentationpiano

This Masterwork collection, edited by Maurice Hinson, contains performance analysis for each of the 20 studies. Biographical and historical information are also included. 56 pages.

Compiled by Alwin Schroeder, a former cellist with the Boston Symphony Orchestra and an experienced teacher, this collection of 80 exercises constitutes the first book of a three-volume set. Schroeder drew upon his extensive experience to create original études for instructing students, and in this work he combines them with several others by his distinguished nineteenth-century European colleagues: Karl Schröder. Ferdinand Büchler, Friedrich Dotzauer, Auguste Franchomme, Friedrich Grützmacher, and Sebastian Lee. The carefully selected studies are arranged in order of increasing complexity, and Schroeder provides suggestions for fingering, bowing, and dynamics. Cello students and teachers will find these exercises a splendid resource for the improvement of technique and performance.

Carl Czerny (1791 – 1857) was an Austrian composer whose books of studies are still widely used in piano teaching.