"My old assisstent wrote a book. Preorder it cuz I fired her so now shes poor & I like doing charity 4 peple cuz I a good person" -Miranda Sings Most people might not get angry at someone for going the speed limit. Or for liking coleslaw or cantaloupe. Or for someone not responding to a ridiculously hilarious text message. Or reality show recaps. But lucky for you, Rachel Ballinger is not most people. She will yell at people and inanimate objects. Why? Because that person or thing Pissed. Her. Off. 101 Things That Piss Me Off is a quick-witted and comical collection based on Rachel's hit Youtube series "You Know What Pisses Me Off", featuring never-before-heard rants, along with photographs and illustrations to help demonstrate. Using light-hearted anger, Rachel aims to show that being heated, passionate and expressive about things we care for is important. And fun.

Complaining, psychologists assert, is good for your health. It acts as a relief valve to help dispel the pent up energy generated by our daily frustrations, personal peeves, and life-long vexations. Now curmudgeons, gripers, grousers, and complainers have their own place to discard their tension! 101 Things That Piss Me Off is the manifesto guaranteed to help even the crabbiest soul let loose. Here is just a sample list of items guaranteed to piss anyone off: •Aggressive drivers who give the finger •People who graduated from assertiveness courses •Elevator music •Having the best senators money can buy •Appliances that fail the day after the warranty expires •Nineteen-year-old tech millionaires •People who are more inept than we give them credit for

Politically Incorrect, Satirical, Wildly Funny and Truthful "101 Things That Piss Me Off, expletives from behind closed doors" says what you want to say but don't. No one is spared from Tailgating Drivers and Lazy Workers to Corporate Greed and Friends you want to Un-Friend. There are also "helpful' Memos, Hot Flashes and Suggestions for all!

From the #1 New York Times bestselling author of Selp-Helf comes the “leaked” diary of YouTube comedic personality Miranda Sings. Taped together so the world can read all about her life through her eyes, My Diarrhe includes pages from Miranda’s baby book, poems from her years as an emotional teen, secrets from her dating life, and stories from her rise to fame. As Miranda herself says, “It has every single secret about my life in it. My first kiss, my first period, stories about secret family members, secret photos of other celebrities, etc... so don’t read it!”

#1 New York Times Bestseller In this decidedly unhelpful, candid, hilarious “how-to” guide, YouTube personality Miranda Sings offers life lessons and tutorials with her signature sassy attitude. Over six million social media fans can’t be wrong: Miranda Sings is one of the funniest faces on YouTube. As a bumbling, ironically talentless, self-absorbed personality (a young Gilda Radner, if you will), she offers up a vlog of helpful advice every week on her widely popular YouTube channel. For the first time ever, Miranda is putting her advice to paper in this easy-to-follow guide, illustrated by Miranda herself. In it, you’ll find instructions on everything: how to get a boyfriend (wear all black and carry a fishing net), to dressing for a date (sequins and an orange tutu), to performing magic (“Magic is Lying”), and much, much more! Miranda-isms abound in these self-declared lifesaving pages, and if you don’t like it…well, as Miranda would say…“Haters, back off!”

Two years before the events of Stranger Things: Season 4, Eddie Munson—Hellfire Club leader, metalhead, and Hawkins outcast—has one shot to make it big. Hawkins, Indiana: For most, it’s simply another idyllic, manicured all-American town. But for Eddie Munson, it’s like living in a perpetual Tomb of Horrors. Luckily, he has only a few more months to survive at Hawkins High. And what is senior year, really, but killing time between Dungeons & Dragons sessions with the Hellfire Club and gigs with his band, Corroded Coffin? At the worst dive bar in town, Eddie meets Paige, someone who has pulled off a freaking miracle. She escaped Hawkins and built a wickedly cool life for herself working for a record producer in Los Angeles. Not only is she the definition of a badass—with killer taste in music—but she might also be the only person who actually appreciates Eddie as the bard he is instead of as the devil incarnate. But the best thing? She’s offering him a chance to make something of himself, and all he needs to do is get her a demo tape of Corroded Coffin’s best songs. Just one problem: Recording costs money. Money Eddie doesn’t have. But he’s willing to do whatever it takes, even if that means relying on his dad. Al Munson has just stumbled back into Eddie’s life with another dubious scheme up his sleeve, and yet Eddie knows this is his only option to make enough dough in enough time. It’s a risk, but if it pays off he will finally have a one-way ticket out of Hawkins. Eddie can feel it: 1984 is going to be his year.

This novel and important book brings together insights from cultural studies and critical discourse analysis to examine the fruitful links between the two. Cultural Studies and Discourse Analysis shows that critical discourse analysis is able to provide the analytic context, skills and tools by which we can study how language constructs, constitutes and shapes the social world and demonstrates in detail how the methodological approach of critical discourse analysis can enhance cultural studies. In a richly argued discussion, the authors show how marrying the methodology of critical discourse analysis with cultural studies enlarges our understanding of gender and ethnicity.

When hitman Marcel and Sabrina, a bookkeeper for the Mob, fall in love and try to walk the straight and narrow, they are targeted by an unknown killer and the couple races to discover which of their criminal associates wants them dead.

Two isolated teens struggle against their complicated lives to find a true connection in this “timely and timeless” (Kirkus Reviews, starred review) debut novel about first love and the wreckage of growing up. Lily is returning to her privileged Manhattan high school after a harrowing end to her sophomore year and it’s not pretty. She hates chemistry and her spiteful lab partner, her friends are either not speaking to her or suffocating her with concerned glances, and nothing seems to give her joy anymore. Worst of all, she can’t escape her own thoughts about what drove her away from everyone in the first place. Enter Dari (short for Dariomauritius), the artistic and mysterious transfer student, adept at cutting class. Not that he’d rather be at home with his domineering Trinidadian father. Dari is everything that Lily needs: bright, creative, honest, and unpredictable. And in a school where no one really stands out, Dari finds Lily’s sensitivity and openness magnetic. Their attraction ignites immediately, and for the first time in what feels like forever, Lily and Dari find happiness in each other. In twenty-first-century New York City, the fact that Lily is white and Dari is black shouldn’t matter that much, but nothing’s as simple as it seems. When tragedy becomes reality, can friendship survive even if romance cannot?

Now a major motion picture starring Cole Sprouse and Haley Lu Richardson! Goodreads Choice Winner, Best Young Adult Fiction of 2019 In this #1 New York Times bestselling novel that’s perfect for fans of John Green’s The Fault in Our Stars, two teens fall in love with just one minor complication—they can’t get within a few feet of each other without risking their lives. Can you love someone you can never touch? Stella Grant likes to be in control—even though her totally out of control lungs have sent her in and out of the hospital most of her life. At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions. The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals. Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment. What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?