100 Years On Revisiting The First Russian Art Exhibition Of 1922
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Author |
: Isabel Wünsche |
Publisher |
: Vandenhoeck & Ruprecht |
Total Pages |
: 0 |
Release |
: 2022 |
ISBN-10 |
: 3412525642 |
ISBN-13 |
: 9783412525644 |
Rating |
: 4/5 (42 Downloads) |
Synopsis 100 Years on by : Isabel Wünsche
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show - more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain - was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states - the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
Author |
: Isabel Wünsche |
Publisher |
: Böhlau Köln |
Total Pages |
: 277 |
Release |
: 2022-12-12 |
ISBN-10 |
: 9783412525651 |
ISBN-13 |
: 3412525650 |
Rating |
: 4/5 (51 Downloads) |
Synopsis 100 Years On: Revisiting the First Russian Art Exhibition of 1922 by : Isabel Wünsche
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
Author |
: K. Andrea Rusnock |
Publisher |
: |
Total Pages |
: 136 |
Release |
: 1989 |
ISBN-10 |
: OCLC:20395079 |
ISBN-13 |
: |
Rating |
: 4/5 (79 Downloads) |
Synopsis The "First Russian Art Exhibition" by : K. Andrea Rusnock
Author |
: Ludmila Piters-Hofmann |
Publisher |
: Logos Verlag Berlin GmbH |
Total Pages |
: 210 |
Release |
: 2024-09-28 |
ISBN-10 |
: 9783832582234 |
ISBN-13 |
: 3832582231 |
Rating |
: 4/5 (34 Downloads) |
Synopsis What Is to Be Done? by : Ludmila Piters-Hofmann
Addressing a century of change from late nineteenth-century realism to late 1970s Sots Art, this volume presents new research on how art making, criticism, and promotion responded dynamically to the fast-moving social, cultural, and political contexts of the Russian Empire and Soviet Union. Case studies of artists reveal how figures such as Viktor Vasnetsov and Kazimir Malevich [Kazymyr Malevych] incorporated contemporary debates into their artworks and expanded their visual expressiveness. Analyses of writings by Wassily Kandinsky and Nikolai Punin illustrate the central role played by critics, theorists, and artists' societies in catalyzing new approaches. Lastly, essays focusing on the Society of Art Exhibitions (1874-83), the diverse displays at exhibitions in the Soviet era, and national themes in Ballets Russes productions rethink binaries between collaboration and enmity, between nationalism and internationalism, and between east and west in art presentation and promotion. This analytical triad is complemented by an epilogue by Russian émigré artist Pavel Otdelnov, who shares how his personal history and identity shape his art, especially since Russia's war of aggression against Ukraine.
Author |
: Richard Anderson |
Publisher |
: MIT Press |
Total Pages |
: 381 |
Release |
: 2024-04-09 |
ISBN-10 |
: 9780262048781 |
ISBN-13 |
: 0262048787 |
Rating |
: 4/5 (81 Downloads) |
Synopsis Wolkenbügel by : Richard Anderson
How a visionary, never-realized architectural project, devised by one of the twentieth century’s greatest artists, shaped architectural culture in Europe between the world wars. After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a “horizontal skyscraper,” which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow’s Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In Wolkenbügel, Richard Anderson explores Lissitzky’s translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky’s singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Author |
: |
Publisher |
: |
Total Pages |
: 104 |
Release |
: 1924 |
ISBN-10 |
: STANFORD:36105020551961 |
ISBN-13 |
: |
Rating |
: 4/5 (61 Downloads) |
Synopsis The Russian Art Exhibition by :
Author |
: Andrei B. Nakov |
Publisher |
: |
Total Pages |
: 194 |
Release |
: 1983 |
ISBN-10 |
: NYPL:33433090222344 |
ISBN-13 |
: |
Rating |
: 4/5 (44 Downloads) |
Synopsis The 1st Russian Show by : Andrei B. Nakov
Author |
: John E. Bowlt |
Publisher |
: |
Total Pages |
: 466 |
Release |
: 1979 |
ISBN-10 |
: UOM:39015001536500 |
ISBN-13 |
: |
Rating |
: 4/5 (00 Downloads) |
Synopsis The Silver Age, Russian Art of the Early Twentieth Century and the "World of Art" Group by : John E. Bowlt
Author |
: |
Publisher |
: |
Total Pages |
: 179 |
Release |
: 1972 |
ISBN-10 |
: OCLC:66190107 |
ISBN-13 |
: |
Rating |
: 4/5 (07 Downloads) |
Synopsis Laporan ke-44 tentang pelaksanaan pembangunan lima tahun; tahun keempat 1972-1973; Desember 1972 by :
Author |
: Grand Central Palace (New York, N.Y.) |
Publisher |
: |
Total Pages |
: 32 |
Release |
: 1924 |
ISBN-10 |
: OCLC:423985675 |
ISBN-13 |
: |
Rating |
: 4/5 (75 Downloads) |
Synopsis Russian Art Exhibition [catalogue] by : Grand Central Palace (New York, N.Y.)