This book is written to share some experiences of a person who has survived being born as colored, graduating from high school as a Negro, working half his life in corporate America as a Black, and finally arriving at old age as an African-American. Whew! The paths through those personas have led through many precious persons lives. Their interaction with me may have seemed insignificant to them. But, I cherished each experience as part of the learning-howto-live-and-get-along-with-others life course. Even the places and spaces, the landmarks, the neighborhood haunts, the nooks and the crannies of a wonderful community mentioned in this collection of stories are highly significant in my development as a man, and a husband, a father, a grandfather. All these are cherished in my heart... in my life. I respectfully salute the West Endies. That is the area in Cincinnati bounded on the south by the Ohio River, on the north and east by the curving Central Parkway and on the west by the Western Hills Viaduct to State Avenue. Thanks for the memories. So, as you readand I feel privileged that you doplease reminisce along with me. Thanks.

Born into a storied but impoverished family on the reservation of the Eastern Band of Cherokee Indians, Leonard Carson Lambert Jr.’s candid memoir is a remarkable story and an equally remarkable flouting of the stereotypes that so many tales of American Indian life have engendered. Up from These Hills provides a grounded, yet poignant, description of what it was like to grow up during the 1930s and 1940s in the mountains of western North Carolina and on a sharecropper’s farm in eastern Tennessee. Lambert straightforwardly describes his independent, hardworking, and stubborn parents; his colorful extended family; his eighth-grade teacher, who recognized his potential and first planted the idea that he might attend college; as well as siblings, schoolmates, and others who shaped his life. He paints a vivid picture of life on the reservation and off, documenting work, family life, education, religion, and more. Up from These Hills also tells the true story of how this family rose from depression-era poverty, a story rarely told about Indian families. With its utterly unique voice, this vivid memoir evokes an unknown yet important part of the American experience, even as it reveals the realities behind Indian experience and rural poverty in the first half of the twentieth century.

Classic memoir of life, experience, and education of a Lakota child in the late 1800s.

A Loving Tribute To A Unique Upbringing When Stephen Alter Is Asked The Simple Question Where Are You From, Originally? He Hesitates. Although He Is In Almost Every Way An American-Granted With A Trace Of British Accent-He Has An Unexpected Reply: My Real Home Was In India, A Hill Station Called Mussoorie, Seven And A Half Thousand Feet Up The Himalayas. That Was Where I Was Born And Raised, In A Section Known As Landour... It Is A Landscape, And A Time, That Haunts Him Still: I Miss The Place Itself; The Mountains, The View Of The High Himalayas Beyond Mussoorie, Stretching All The Way To Heaven. The Son And Grandson Of Presbytarian Missionaries Living In India For More Than Half A Century, Every Day Alter Straddled The Profound Boundary Between Utterly Different Peoples, Cultures, Languages And Religions. He And His Brothers Spoke A Pidgin Dialect Of Hindustani And English As Young Boys, Fished In The Rivers Song, Ganga And The Jumna, And Later Hunted For Barking Deer And Ghoral In The Steep Foothills Of The Mountains Always Looming Behind Them. They Studied American History But Knew More About India'S Recent Independence From England. In All The Way To Heaven, Alter Writes Affectionately Of His Family, His Indian Friends And His Memories Exotic And Mundane.

In 2002, director Richard Linklater and a crew began filming the “Untitled 12-Year Project.” He cast four actors (Patricia Arquette, Ethan Hawke, Ellar Coltrane, and Lorelei Linklater) in the role of a family and filmed them each year over the next dozen years. Supported by IFC Productions, Linklater, cast, and crew began the commitment of a lifetime that became the film, Boyhood. Seen through the eyes of a young boy in Texas, Boyhood unfolds as the characters—and actors—age and evolve, the boy growing from a soft-faced child into a young man on the brink of his adult life, finding himself as an artist. Photographer Matt Lankes captured the progression of the film and the actors through the lens of a 4x5 camera, creating a series of arresting portraits and behind-the-scenes photographs. His work documents Linklater’s unprecedented narrative that used the real-life passage of years as a key element to the storytelling. Just as Boyhood the film calls forth memories of childhood and lures one into a place of self-reflection, Boyhood: Twelve Years on Film presents an honest collection of faces, placed side-by-side, that chronicles the passage of time as the camera connects with the cast and crew on an intimate level. Revealing, personal recollections by the actors and filmmakers accompany the photographs.

“[Umrigar] communicates her childhood longing for a cohesive family in deeply felt portraits of those she loves. . . . It is this combination of personal revelation and empathetic observation that makes Umrigar’s memoir so appealing.”— Washington Post Book World From the bestselling author of The Space Between Us and If Today Be Sweet comes a sensitive, beautifully written memoir of Thrity Umrigar’s youth in India, told with the honesty and guilelessness that only a child’s point of view could provide. In a series of incredibly poignant stories, Thrity Umrigar traces the arc of her Bombay childhood and adolescence—from her earliest memories growing up in a middle-class Parsi household to her eventual departure for the U.S. at age 21. Her emotionally charged scenes take an unflinching look at family issues once considered unspeakable—including intimate secrets, controversial political beliefs, and the consequences of child abuse. Punishments and tempered hopes, struggles and small successes all weave together in this evocative, unforgettable coming-of-age tale. First Darling of the Morning also offers readers a fascinating glimpse at the 1960s and 70s Bombay of Umrigar’s memories. Two coming-of-age stories collide in this memoir—one of a small child, and one of a nation.

Allowing each person's story to stand with its own color, texture, and pattern, Olga Jenkins has created a people's history of The Bahamas. Those interviewed were born between 1900 and 1942, and their voices are as varied as the populations of the eight islands the author visited, including black, white, mixed, and working- and middle-class individuals.