First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

These are the proceedings of the Zoo and Wildlife Health Conference organised by the European Association of Zoo and Wildlife Veterinarians and held online on 6th, 14th, 22nd and 30th of July 2020

Our Gigantic Zoo tells the story of Bernhard Grzimek, the most important European wildlife conservationist, and his role in creating a permanent sanctuary for innocent animals in Serengeti National Park.

In the context of the transformations that Europe is undergoing, Zoom in, Zoom out: Crossing Borders in Contemporary European Cinema attempts to serve as a testimony to the multiple ways in which European filmmakers are questioning the many borders of the continent. European films have become a vital cultural space where the relationship between borders and identity is being renegotiated. The films discussed here self-consciously address the question of European identity while overtly crossing geographic, cultural, linguistic and aesthetic borders. While all the articles explore the crossing of borders in Contemporary European films, the volume maintains diverse themes and perspectives as subtopics. It includes articles not only about films that deal thematically with border-crossings, but also articles that examine movies that cross borders in genres and techniques. The articles have different theoretical approaches (Film theory, Cultural Studies, History, Sociology, Philosophy, and Psychoanalysis) and cover films from well-known cinematic traditions (French, Spanish, German, and Italian) as well as lesser-known cinematic traditions (Yugoslavian, Greek, and Irish). As a whole, the essays frame the self-conscious gesture by European filmmakers to define European cinema as a work-in-progress, or at the very least, as a project that, like Europe itself, raises as many questions as it answers. "This volume is a welcome addition to the growing critical literature on the evolution of the conception and practice of national cinema in Europe over the last two decades. Sandra Barriales-Bouche and Marjorie Attignol Salvodon have chosen a solid selection of representative case studies that reflects different critical approaches to the problem of maintaining local or national cinema production in Europe during a period of intense globalization. Their insightful introduction formulates the theme of “unsettled borders” and “renegotiated identities” that will resonate in the nine essays that follow. With a focus on the critical concept of these unsettled borders, the various authors explore the ways that the traditional mark of national space has been transformed through political and economic realignments as well as new technologies and the emergence of a new generation of filmmakers for whom national cinema no longer means what it did even twenty years ago. The volume provides a good balance of critical approaches that includes auteur studies, descriptions of state policies and the particular practices of filmmakers and producers in different parts of the continent (Spain, Germany, Ireland, the Balkans) and, finally, useful appendices that provide a close-up view of the complex nature of international co-productions." —Marvin D’Lugo, Professor of Spanish, Clark University "This is an interesting collection of essays that has been well conceived and organised. The standard of writing is high and I recommend publication. I particularly commend the conceptual framework underpinning the volume. This marries a cultural studies approach, which still dominates the study of film in Area Studies and language departments across Europe and the US (where filmic texts are increasingly used as teaching tools), with the more industry-based focus one tends to find adopted by Media and Screen Studies departments. Thus this collection will appeal to a wide range of students and academics. The introduction sets out the volume’s overarching framework cogently and clearly, giving a nuanced exploration of the way that the notion of the border can be used as a dynamic prism to help define and explore the limits of our understanding of Europe, European identity and European culture, within which cinema has long played a key role. The editors give a good account, for example, of the way film has been employed as a space to explore the possibilities of European integration by EU politicians as well as highlighting the flaws inherent within this project. They do, however, perhaps suggest a certain Western European/North American-centric view in their suggestion that the cinema of Yugoslavia, Greece or Ireland is somehow less well known than other national and transnational cinemas explored here. Less well known to whom? ... However, from the broad range of cinemas explored in the rest of the volume clearly this is not the case. Particular high points for me are the chapters on the work of Fatih Akin by Janis Little Solomon and John Davidson’s discussion of Schulze gets the Blues, as well as Olivier Asselin’s fascinating account of Database Cinema. This will be a good addition to scholarship on European film and I look forward to receiving my copy." —Professor Paul Cooke (University of Leeds)

Macs in the Ministry - Your ministry demands your time, energy, creativity, passion and commitment. But you've got a Mac, so you have a tool that can save you time and energy, spark your creativity, and enable you to keep your commitments without losing your passion. Find out how to harness the programs you already have, along with additional resources you may want to consider, to help you in nearly every aspect of your ministry. Part One of this book is about Inspiration: about discovering what's possible. Learn how to use online resources or Bible software to prepare a lesson or sermon. Discover the variety of ways you can present your message to a congregation or audience: using video created in iMovie, photo slide shows prepared in iPhoto, original music recorded in GarageBand, and more elaborate presentations using Keynote or specialized worship software. Learn how you can publish your message to a wider audience: through flyers, handouts, and other print publications; by creating podcasts and vodcasts (video podcasts) and distributing them through iTunes; by creating your own professional-quality CDs and DVDs; by making your videos available through websites like YouTube; or by developing your own great-looking websites using iWeb and Apple's MobileMe service. Once you're pumped about all the exciting ways you can present and publish your message, you'll probably need to enlist some help from others. Use the Mac to get members of your congregation or church youth group participating in your ministry. With so many different ways to use Macs in ministry, there are countless opportunities to get people using their gifts in service to the kingdom. Going one step further, you'll even see how the Mac can be used to meet practical needs. Forget car washes to raise money for youth retreats and mission trips! Why not develop and sell personalized greeting cards, calendars, audio CDs, or video DVDs? How about starting a ministry to train people in the community to do basic video editing, page layout, or web design? With a little creativity, you can use your Mac to minister to people's practical needs as well as to present a polished message. Part Two of this book is about perspiration: about actually making these things happen. Here you'll find a series of projects that will show you how to do all the things you're now inspired to do. Get step-by-step instructions for creating an iMovie, developing slide shows and print projects in iPhoto, recording and publishing podcasts, producing a DVD, and developing a web-site in iWeb. See what you can do using other applications like Pages, Keynote, Bible study software, and worship presentation software. Where Part One will get your wheels turning, Part Two will actually get you moving!

As one of the world's most popular cultural activities, wild animal collections have been attracting visitors for 5,000 years. Under the direction of Vernon N. Kisling, an expert in zoo history, an international team of authors has compiled the first comprehensive, global history of animal collections, menageries, zoos, and aquariums. Zoo and Aquar

"Themed spaces have, at their foundation, an overarching narrative, symbolic complex, or story that drives the overall context of their spaces. Theming, in some very unique ways, has expanded beyond previous stereotypes and oversimplifications of culture and place to now consider new and often controversial topics, themes, and storylines."--Publisher's website.

WAFL is an international scientific conference on the assessment of animal welfare at farm or group level. Issues addressed during a WAFL conference can be: welfare criteria; welfare indicators and methods to analyse them; automation of measures; ways to deal with a large amount of data from various welfare measures in order to assess the overall welfare of animals; rationales underlying epidemiological studies and risk models; consultation processes; implementation in practice; communication of animal welfare assessment results; and other topics related to animal welfare assessment in practice.

The global agenda of Nature conservation has led to the creation of the Masoala National Park in Madagascar and to an exhibit in its support at a Swiss zoo, the centerpiece of which is a mini-rainforest replica. Does such a cooperation also trigger a connection between ordinary people in these two far-flung places? The study investigates how the Malagasy farmers living at the edge of the park perceive the conservation enterprise and what people in Switzerland see when looking towards Madagascar through the lens of the zoo exhibit. It crystallizes that the stories told in either place have almost nothing in common: one focuses on power and history, the other on morality and progress. Thus, instead of building a bridge, Nature conservation widens the gap between people in the North and the South.