"Legends of the Old West, plus characters both real and fictional, enliven the shenanigans, commencing with Buffalo Bill Cody, a head in a jar atop a mechanical body, escorting his Wild West Show by zeppelin to Japan."--Amazon.com.

What do the disembodied head of Buffalo Bill Cody, Annie Oakley, Frankenstein, the Tin Man, Captain Nemo, the Flying Dutchman, and the inestimable Ned the Seal have in common? Find out as they embark upon a spectacular set of nonstop steampunk adventures. For the first time, two epic chronicles, Zeppelins West and Flaming London, inscribed by a courageous young seal on his trusty notepad, are collected together in one volume. Leap from a flaming zeppelin with the stars of the Wild West Show in a desperate escape from an imperial Japanese enclave. Wash up upon the island of Doctor Moreau, in mortal danger from his unnatural experiments (and ignorant that Dracula approaches by sea). Unite with Jules Verne, Passpartout, and Mark Twain on a desperate voyage to the burning streets of London, which are infested with killer squid from outer space courtesy of H. G. Wells’s time machine. It’s a raucous steam-powered locomotive of shoot-’em-up Westerns, dime novels, comic books, and pulp fiction, as only Lansdale, the high-priest of Texan weirdness, could tell.

The undead are back! In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper assembled a collection of essays that explored the unique intersection of two seemingly distinct genres in cinema: the western and the horror film. In this new volume, Undead in the West II: They Just Keep Coming, Miller and Van Riper expand their examination of undead Westerns to include not only film, but literature, sequential art, gaming, and fan culture (fan fiction, blogging, fan editing, and zombie walks). These essays run the gamut from comics and graphic novels such as American Vampire, Preacher, and Priest, and games like Darkwatch and Red Dead Redemption, to novels and short stories by celebrated writers including Robert E. Howard, Joe R. Lansdale, and Stephen King. Featuring a foreword by renowned science fiction author William F. Nolan (Logan’s Run) and an afterword by acclaimed game designer Paul O’Connor (Darkwatch), this collection will appeal to scholars of literature, gaming, and popular culture, as well as to fans of this unique hybrid.

Arguably (and who doesn’t like to argue?) the world’s bestselling cult author, Joe R. Lansdale is celebrated across several continents for his dark humor, his grimly gleeful horror, and his outlaw politics. Welcome to Texas. With hits like Bubba Ho-Tep and The Drive-In the Lansdale secret was always endangered, and the spectacular new Hap and Leonard Sundance TV series is busily blowing whatever cover Joe had left. Backwoods noir some call it; others call it redneck surrealism. Joe’s signature style is on display here in all its grit, grime, and glory, beginning with two (maybe three) previously unpublished Hap and Leonard tales revealing the roots of their unlikely partnership. Plus… A hatful and a half of Joe’s notorious Texas Observer pieces that helped catapult him from obscurity into controversy; and “Miracles Ain’t What They Used to Be,” Lansdale’s passionately personal take on the eternal tussles between God and Man, Texas and America, racism and reason—and religion and common sense. And Featuring: Our Outspoken Interview, in which piney woods dialect, Bible thumpery, martial arts, crime classics and Hollywood protocols are finally awarded the attention they deserve. Or don’t.

"Weird Westerns is an exploration of the hybrid genre of the weird western, analyzing movies, TV shows, and comic books such as Django Unchained, The Walking Dead, and Wynonna Earp"--

At the beginning of 1916, as the world entered the second full year of global conflict, the cities, towns and villages of Britain continued to lay vulnerable to aerial bombardment. Throughout that period German Zeppelin airships and seaplanes had come and gone at will, their most testing opposition provided by the British weather as the country’s embryonic defences struggled to come to terms with this first ever assault from the air. Britain’s civilians were now standing on the frontline — the Home Front — like the soldiers who had marched off to war. But early in 1916 responsibility for Britain’s aerial defence passed from the Admiralty to the War Office and, as German air attacks intensified, new ideas and plans made dramatic improvements to Britain’s aerial defence capability. While this new system could give early warning of approaching raiders, there was a lack of effective weaponry with which to engage them when they arrived. Behind the scenes, however, three individuals, each working independently, were striving for a solution. The results of their work were spectacular; it lifted the mood of the nation and dramatically changed the way this campaign was fought over Britain. The German air campaign against Britain in the First World War was the first sustained strategic aerial bombing campaign in history. Despite this, it has become forgotten against the enormity of the Blitz of the Second World War, although for those caught up in the tragedy of these raids, the impact was every bit as devastating. In Zeppelin Inferno Ian Castle tells the full story of the 1916 raids in unprecedented detail in what is the second book in a trilogy that will reveal the complete story of Britain’s ‘Forgotten Blitz’.

Re-Locating the Sounds of the Western examines the use and function of musical tropes and gestures traditionally associated with the American Western in new and different contexts ranging from Elizabethan theater, contemporary drama, space opera and science fiction, Cold War era European filmmaking, and advertising. Each chapter focuses on a notable use of Western musical tropes, textures, instrumentation, form, and harmonic language, delving into the resonance of the music of the Western to cite bravura, machismo, colonisation, violence, gender roles and essentialism, exploration, and other concepts.

This collection of essays explores the social and cultural aspects of steampunk, examining the various manifestations of this multi-faceted genre, in order to better understand the steampunk sub-culture and its effect on--and interrelationship with--popular culture and the wider society.

In 1907, H.G. Wells published a science fiction novel called The War in the Air. It proved to be portentous. In the early years of the First World War, German lighter-than-air flying machines, Zeppelins, undertook a series of attacks on the British mainland. German military strategy was to subdue Britain, both by the damage these raids caused and by the terrifying nature of the craft that carried them out. This strategy proved successful. The early raids caused significant damage, many civilian casualties and provoked terror and anger in equal measure. But the British rapidly learnt how to deal with these futuristic monsters. A variety of defence mechanisms were developed: searchlights, guns and fighter aircraft were deployed, the British learnt to pick up the airships' radio messages and a central communications headquarters was set up. Within months aerial strategy and its impact on the lives of civilians and the course of conflict became part of human warfare. As the Chief of the Imperial German Naval Airship Division, Peter Strasser, crisply put it: 'There is no such thing as a non-combatant any more. Modern war is total war.' Zeppelin Blitz is the first full, raid-by-raid, year-by-year account of the Zeppelin air raids on Britain during the First World War, based on contemporary official reports and documents.