Waki has been infatuated with Magane ever since laying eyes on him. Even after sleeping with Magane, Waki can't help but feel conflicted whenever he sees Rikiichi. Between Rikiichi, the man whom he decided to follow and support or Magane whom he loves, Waki starts to hesitate. Will Waki ever be able to truly have Magane's heart? Or will their love disappear into an illusion of petals before fruition? It was then that two brothers appear, forever changing the paradise on Earth... The final volume and conclusion to Yuki Shimizu's popular supernatural series, ZE a story about loyalty, fate, and bonds.

At long last, Hanako-kun reveals his plan to save Nene from her inevitable, swiftly approaching death. But even knowing his intentions, Nene is determined to return to reality-and to do that, she'll need the help of School Mystery No. 4, Mei Shijima. Can Nene overcome this ghost's regrets and self-loathing to find her way home?!

Haru confirms his love for Shizuku after a talk with the class rep, Chizuru Oshima (who also has feelings for Haru!). Meanwhile, confused and unsure, Shizuku decides to eliminate her feelings towards Haru in order to focus on her studies. Will Haru be able to change her mind? The school fesival brings chaos and rivalries as personalities clash! From the Trade Paperback edition.

"Elegant Moriya is supposed to return to 'hakushi' after his master dies, but he demands another shot at servitude! Reckless Ryuusei lives apart from the family and refuses to use kotodama ... but he's inexplicably drawn in by Moriya's seductive power. Can a flawless kami and a twisted human find a way to come together?"--Page 4 of cover

Since 1967, the main scientific events of the General Assemblies of the International Astronomical Union have been published in the separate series, Highlights of Astronomy. The present Volume 11 presents the major scientific presentations made at the XXIIIrd General Assembly, August 18-30, 1997, in Kyoto, Japan. The two volumes (11A+B) contain the texts of the three Invited Discourses as well as the proceedings or extended summaries of the 21 Joint Discussions and two Special Sessions held during the General Assembly.

The Armed Detective Agency receives an anonymous request-and it's asking for Kyouka's help by name. But during her investigation with Atsushi, ex-Guild member Montgomery keeps mysteriously getting in their way! And as another old for defies death while seeking a triumphant return, a newer enemy-the sinister Dostoyevsky-bares his fangs against both the Armed Detective Agency and the Port Mafia. As he threatens to slowly but surely swallow the dark underbelly of Yokohama, how will this devil of a man alter the playing field...?!--EndFragment--

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.

Youji, whom Ryuusei loves like a brother, is seriously injured in an accident. He can't stop blaming himself, thinking, had he walked him all the way to his house, this may not have happened. Refusing to use Kotodama, Kami-sama can't help him either, but there is one last option left...

Poincare's famous memoir on the three body problem arose from his entry in the competition celebrating the 60th birthday of King Oscar of Sweden and Norway. His essay won the prize and was set up in print as a paper in Acta Mathematica when it was found to contain a deep and critical error. In correcting this error Poincare discovered mathematical chaos, as is now clear from June Barrow-Green's pioneering study of a copy of the original memoir annotated by Poincare himself, recently discovered in the Institut Mittag-Leffler in Stockholm. Poincare and the Three Body Problem opens with a discussion of the development of the three body problem itself and Poincare's related earlier work. The book also contains intriguing insights into the contemporary European mathematical community revealed by the workings of the competition. After an account of the discovery of the error and a detailed comparative study of both the original memoir and its rewritten version, the book concludes with an account of the final memoir's reception, influence and impact, and an examination of Poincare's subsequent highly influential work in celestial mechanics.

Shmuel Katz’s detailed and comprehensive biography of Vladimir Jabotinsky (1880–1940) is an unabashedly partisan defense of one of the most complex Zionists of the early 20th century. Jabotinsky was a Russian poet, playwright, journalist, and novelist as well as the founder of Revisionist Zionism and of Betar. His oratory in many languages was legendary. Katz first heard him speak in South Africa in the early part of the 20th century and was so impressed that he dropped out of university to work for Revisionist Zionism. Katz recounts Jabotinsky’s efforts to create the Jewish Legion during World War I, traces the history of Jewish relations with the British during the time of the Palestine Mandate, describes Jabotinsky’s role in the defense of the Jewish Yishuv and in organizing the Af-Al-Pi “illegal” Jewish immigration to Palestine before World War II. He paints a vivid mural of competing Jewish personalities, factions and ideologies in the decades before the establishment of Israel. “Shmuel Katz has written an intelligent, journalistic account of Jabotinsky’s life […] and was able to use a substantial amount of previously unavailable material, particularly British archival documents. Although Katz clearly has tremendous respect and affection for Jabotinsky, he does not hesitate to criticize him, for example, for his ineffectiveness as a fundraiser [...] Lone Wolf’s greatest strength is its comprehensive breadth. Every major event and many minor incidents are extensively covered. Furthermore, Katz has taken the rather unorthodox move of including verbatim large sections of Jabotinsky’s original speeches and writings.” — Paul Radensky, H-Net “[S]cholarly and yet totally gripping... we must be everlastingly grateful [...] to Shmuel Katz for so masterfully giving [Jabotinsky’s] memory fresh life... this [book] — quiet, calm, and, while certainly partisan, without a single shrill note — may one day help to direct the course of Israel’s seemingly endless argument with itself.” — Midge Decter, Commentary Magazine “Dr. Katz's monumental and superb biography is a balanced, detailed story of a lion and not a wolf. (Ze'ev in Hebrew means a wolf and this is the reason why the title isLone Wolf)” — Jewish Post