A collection of essays on the novelist María de Zayas and other seventeenth century Spanish women writers.

"Fourteen short novelas (cortas or cortesanas) in one convenient, readable volume, the work of four women of the Spanish Golden Age: Maria de Zayas y Sotomayor, Mariana de Carvajal y Saavedra, Leonor de Meneses, and Ana Abarca de Boles y Mur. The stories were immensely popular; now they are easily available. Introductions and notes address a wide audience of scholars, teachers, students, and the general reader."

Zayas's prose through a gynocentric lens. María de Zayas y Sotomayor published two volumes of novellas, Novelas amorosas y ejemplares [1637] and Desengaños amorosos [1647], which enjoyed immense popularity in her day. She has recently been reinstated as a major figure of the Spanish Golden Age. This study examines Zayas's prose through a gynocentric lens. Drawing on an extensive array of primary and secondary sources, and referring to the ideas of Irigaray, Kristeva, Cixous, Raymond and Genette, O'Brien reflects on the interactions of Zayas's women in such relationships as friendship, sisterhood, and motherhood, analyzing these interactions through the collections as a whole, and connecting the novellas with the frame stories, an aspect of Zayas's writing which has often been overlooked by critics. EAVAN O'BRIEN is a Lecturer in Hispanic Studies at Trinity College Dublin.

María de Zayas y Sotomayor (1590–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desengaños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her “scandalous” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the “desire for readers” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas’s own cultural context in shaping her work. She discusses Zayas’s biography and the reception of her publications; her advocacy of women’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.

This is a bilingual edition of the only extant play, a comedy, written by the seventeenth-century Spanish writer, Maria de Zayas. This edition makes the play available to a wide audience of specialists and nonspecialists in the field of Spanish Golden Age theater.

'Who doubts, my reader, that you will be amazed that a woman has the audacity not only to write a book, but to send it for printing, which is the crucible in which the purity of genius is tested?' A pioneer of early modern feminism, María de Zayas y Sotomayor wrote poetry, drama and prose but is best known for two page-turning collections of short stories: Exemplary Tales of Love (1637) and Tales of Disillusion (1647). This book provides an engaging introduction to Zayas and her work. It begins by relating what we know of her life, placing her in her socio-political and economic context and addressing the issue of women's literacy. Following chapters examine her use of sexual desire, violence and humour in her tales; her narrative structures; and her oral style. The book then turns to identity construction in her tales and in society, analysing questions of gender, class, family and 'race', and to her treatment of religion, magic and the supernatural. The final chapters explore Zayas's status as a proto-feminist; her early modern reception in Spain and elsewhere; and various critical readings of her work.

Five men and five women entertain their hostess with stories exploring some aspect of enchantment or love between a handsome gallant and a lovely lady. The sharp contrast between the women's and men's stories transmits a subtle, often ironic, feminism.

This collection comprises 14 essays by eminent feminist scholars of the Spanish early modern period.

This book examines psychoanalysis, feminism, philosophy, and semiotics to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting, and to larger questions of art theory and literary history.