After finding out she is to be forced into an marriage of convenience as soon as she graduates high school, Kokoro sees her life ending before her eyes at her father's wishes. And so in her final year of high school, she decides to indulge in her love of other women, and create an incredible sketchbook of lesbian romance to leave behind as her legacy. As she observes the young women of her town, she learns more about their desires, their struggles, and the unpredictable whims of love.

Betrothed to Prince Asbert of the great kingdom of Noston, Claire is shocked when the engagement is suddenly annulled. More than that, the new consort to the throne is none other than her sister, Charlotte! As the daughter of the now disgraced duke and scorned as a villainess, Claire leaves everything she knows and sets out on a journey to find her true self. But wait, isn't that's the plot of the game "Upstart ♡ ETERNAL LOVE" on its hardest difficult setting...?

After finding out she is to be forced into an marriage of convenience as soon as she graduates high school, Kokoro sees her life ending before her eyes at her father's wishes. And so in her final year of high school, she decides to indulge in her love of other women, and create an incredible sketchbook of lesbian romance to leave behind as her legacy. As she observes the young women of her town, she learns more about their desires, their struggles, and the unpredictable whims of love.

After finding out she is to be forced into an marriage of convenience as soon as she graduates high school, Kokoro sees her life ending before her eyes at her father's wishes. And so in her final year of high school, she decides to indulge in her love of other women, and create an incredible sketchbook of lesbian romance to leave behind as her legacy. As she observes the young women of her town, she learns more about their desires, their struggles, and the unpredictable whims of love.

After finding out she is to be forced into an marriage of convenience as soon as she graduates high school, Kokoro sees her life ending before her eyes at her father's wishes. And so in her final year of high school, she decides to indulge in her love of other women, and create an incredible sketchbook of lesbian romance to leave behind as her legacy. As she observes the young women of her town, she learns more about their desires, their struggles, and the unpredictable whims of love.

Every night, 16-year-old Kureha has a strange dream involving lilies, storms, and... her classmate Ginko as a bear?! At school, Kureha's unassuming personality and looks render her practically invisible. Sometimes, it feels like no one notices her at all... until cute and energetic Ginko asks Kureha to talk privately one day during lunch. Maybe she really is a bear... or maybe she's just got a crush on Kureha!

THE FIRST NIGHT That special night when bodies and hearts are joined for the first time... In the third volume of this yuri anthology, Syrup draws back the veil on the first night of women’s love—whether it’s unexpected, long-anticipated, bittersweet, or joyful.

Makoto Shimizu is just an ordinary office worker, blending in seamlessly with her colleagues on the job... That is, until her coworker Akane Maekawa discovers her well-hidden secret: in her spare time, she draws and sells girls' love comics! Akane is the last person Makoto would think of as a nerd, but as the two grow closer, it starts to seem like Akane may have a secret of her own...

In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous 'Peoples of the North' in Soviet cinema and television evolved between 1920 and 1980. Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (1961 & 1975), Tymancha's Friend (1969) and The Most Beautiful Ships (1972), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasises the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikunova, and Iurii Rytkheu. In doing so, Damiens emphasises the multifaceted nature of film, where interpretations differ based on the perspectives of those involved. Using a decolonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centring indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema.

The new, hilarious yuri comedy! Hime gets roped into working at a weird café where the waitresses pretend to be students at an all-girl boarding school. She’s strangely taken with her partner Mitsuki, who’s so kind to her in front of the customers. There’s just one problem… Mitsuki really can’t stand her! Hime is a picture-perfect high school princess–she’s admired by all and never trips up! So when she accidentally injures a café manager named Mai, she’s willing to cover some shifts to keep her facade intact. To Hime’s surprise, the café is themed after a private school where the all-female staff always puts on their best act for their loyal customers. However, under the guidance of the most graceful girl there, Hime can’t help but blush and blunder! Beneath all the frills and laughter, Hime feels tension brewing as she finds out more about her new job and her budding feelings…