Discover the rich philosophy of Ruth Langmore, everyone’s favorite foul-mouthed criminal, in this irreverent, playful, and profanity laden “guide to life” inspired by the hit Netflix television series Ozark. Toughened by both her criminal ties and her dedication to her family, Ruth Langmore is guided by one principal: She doesn’t know sh*t about f*ck. Far from being willfully ignorant, Ruth admits that she has much to learn, forming a personal philosophy based on a positive attitude toward lifelong learning. A born survivor, Ruth knows a thing or two about persevering through life’s most difficult situations. In this blunt but profound guide to life, Ruth herself shows you how to navigate your own personal blind sides, while simultaneously learning the skills you need to thrive. So, listen motherfu*kers, and forget everything you think you know.

There's a mantra that real writers know but wannabe writers don’t. And the secret phrase is this: NOBODY WANTS TO READ YOUR SH*T. Recognizing this painful truth is the first step in the writer's transformation from amateur to professional. From Chapter Four: “When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with ev­ery sentence and every phrase: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is she bored? Is she following where I want to lead her?

A brilliant miscellany of all things scatalogical "You Don't Know Sh*t glides from the sublime heights of human ingenuity to the lowest of the lower depths. It's the ultimate human journey."—Frederick Kaufman, author of Wasteland It's part of all of our lives. But how much do you really know about poop, scat, sh*t, excrement? From the historical to the scientific, the cultural to the gross, You Don't Know Sh*t packs a load of solid information into one tidy volume: --how great civilizations have pooped through the ages --why some poop floats and other poop sinks --the final word on whether people have individual brands of bathroom smells --what your sh*t (and sh*tting style) says about you --how astronauts poop in space --a complete glossary of terms and euphemisms for man's most fundamental function --fun facts about everything from the first flush, the famous Thomas Crapper, and the differences in bathroom basics around the world --a cloud's worth of information about farts, too!

This is volume two of my Diverse Manic Freeways of Thoughts, a variety of topics out of my prison diary journalized songs, emotions, poems and stories from my soul. Its me extending myself out of these concrete walls an over these steel gates. In hopes to inspire and reveal a known obvious fact that, a star will always shine so everlastingly bright in its darkest nights. Standing on faith persevering through every storm you can accomplish whatever you set your mind to do.

MFKZ is a NETFLIX distributed movie seen in millions of household by Studio 4C (Batman: Gotham Knight, The Animatrix) and a best selling French series with over 300,000 copies sold. The comic is taking the English market with the first issue reaching the top 35 in sales by dollar amount. Jump into the unique world created by the legendary artist RUN, and follow Angelino and his flaming-skull pal Vinz, who live in a gang and cockroach infested dystopian metropolis called DMC, a city that hides secrets even weirder than its inhabitants. Our hero had a strange scooter accident that changed his life in a fraction of a second. He is now the most wanted person on Earth with some crazy new fighting skills. Secret services, aliens, weirdos they all want him DEAD… or ALIVE?

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a taut, expansively imagined drama about four generations of an American family. The setting is Louisville, Kentucky, in the 1970s. The Telfairs are stonemasons and have been for generations. Ben Telfair has given up his education to apprentice himself to his grandfather, Papaw, a man who knows that "true masonry is not held together by cement but...by the warp of the world." Out of the love that binds these two men and the gulf that separates them from the Telfairs who have forsaken—or dishonored—the family trade, Cormac McCarthy has crafted a drama that bears all the hallmarks of his great fiction: precise observation of the physical world; language that has the bite of common speech and the force of Biblical prose; and a breathtaking command of the art of storytelling. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

This book was written to venture beyond interpretations of Cormac McCarthy's characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy's descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy's latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy's stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.

Teenage Shooters is about Freddy Louche's world. Who is Freddy Louche? If you asked him he would tell you that he is an all-American teenage loser who lives in a neighborhood populated by gangbangers and bullies. He hates school because the classes are boring and many of the students are intimidators. But there are three things Freddy loves: his skateboard, his video games, and his father.His skateboard is a Serial Killer which sports an image of Charles Manson. In a strange way Freddy never feels alone when he is riding Manson, who is also his protector, at least until that fateful night when Freddy's life begins to rapidly unravel.Resident Evil is Freddy's favorite video games because in the world of survival horror he can defend himself against the zombies and other monsters that remind him of the cretin bullies who hang out in the corridors of his school and the thugs that roam the streets of his city, a city that is in many ways like Raccoon City, which was also an all-American city until the walking dead and other beasties took control of its streets.Freddy's father is the one adult Freddy can always depend upon. Unfortunately, Mr. Louche, like the school authorities and the police, cannot protect his son from the thugs and bullies who constantly harass him. Thus, a time finally comes when Freddy and his loser friends must take on their tormentors.

The Man Who is an epic collection of tales of morality, love, violence and depravity set against beautifully evoked landscapes of 19th-century America’s virgin plains; tombs and sacred temples of Egypt and Nubia; and the internal machinations of British Intelligence.