This is the tale of Melena, five times married, mother of three, burlesque dancer, and "the toughest, hardest-assed woman to ever eat wood and bite nails." Located in history and memory, her life cracks open questions of identity at the heart of an American immigrant woman's experience and becomes an argument that no existence is ever truly marginal. Eleni Sikelianos is the author of six books of poetry, most recently The Loving Detail of the Living and the Dead, as well as a hybrid memoir, The Book of Jon. Sikelianos directs the creative writing program at the University of Denver.

Cancer has long been cured in mice but not in people. Why? Successful laboratory treatments and cures for one species don't necessarily result in cures for humans. But, because practice has become economically entrenched within medical industry, animal experimentation -against all medical evidence- continues.The human benefits of animal experimentation- a bedrock of the scientific age- is a myth perpetuated by an amorphous but insidious network of multibillion-dollar special interests: research facilities, drug companies, universities, scientisits, and even cage manufacturers.C.Ray Greek, MD, and veterniary dermatologist, Jean Swingle Gree, DMV, show how the public has been deliberately misled and blow the lid off the vested-interest groups whose hidden agendas put human health at risk.

This book of poetry in four parts explores a dark world of sleep, dreams and evil. But there is also joy in Sikelianos's work. Amidst the fears and despair for the children she imagines throughout the book, the author recognises the beauty of nature in the fleetingness of the natural world. This award-winning collection of American poetry has been highly esteemed by critics through the United States and Canada.

With a seamless weave of letters, reminiscences, poems and journal entries, Sikelianos creates a loving portrait-and an unblinking indictment-of her father. Jon, a multitalented, eccentric visionary, emerges as a brilliant, charming, irresponsible, frustrating, and ultimately tragic hero. This is a saga of the rise and fall of family lines-a tale marked by bohemia, Greek poets, intellectuals, drugs and homelessness. It is the story of eccentrics and survivors, the strength of personal vision and the nature of addiction, and what it does to families. An exquisitely rendered exploration of the harrowing and motivating forces of family, history, and individual choices. Eleni Sikelianos' previous books include Earliest Worlds and the National Poetry Series winner The Monster Lives of Boys & Girls. She lives in Boulder, CO.

Glorious, expansive, and urgent, this is the first significant epic poem of the new millennium.

Beautifully crafted poems that investigate the intersections of the living and the dead in stunningly simple language.

Promotes the understanding of Italian Americans and Greek Americans through the study of their interactions and juxtapositions. Redirecting Ethnic Singularity: Italian Americans and Greek Americans in Conversation contributes to U.S. ethnic and immigration studies by bringing into conversation scholars working in the fields of Italian American and Greek American studies in the United States, Europe, and Australia. The work moves beyond the “single group” approach—an approach that privileges the study of ethnic singularity––to explore instead two ethnic groups in relation to each other in the broader context of the United States. The chapters bring into focus transcultural interfaces and inquire comparatively about similarities and differences in cultural representations associated with these two groups. This co-edited volume contributes to the fields of transcultural and comparative studies. The book is multi-disciplinary. It features scholarship from the perspectives of architecture, ethnomusicology, education, history, cultural and literary studies, and film studies, as well as whiteness studies. It examines the production of ethnicity in the context of American political culture as well as that of popular culture, including visual representations (documentary, film, TV series) and “low brow” crime fiction. It includes analysis of literature. It involves comparative work on religious architecture, transoceanic circulation of racialized categories, translocal interconnections in the formation of pan-Mediterranean identities, and the making of the immigrant past in documentaries from Italian and Greek filmmakers. This volume is the first of its kind in initiating a multidisciplinary transcultural and comparative study across European Americans.

The Time Machine by H. G. Wells is a science fiction classic, which lends itself well to visualization. This version, illustrated by Yoann Laurent-Rouault, an illustrator master who graduated from the Beaux-Arts, and published in the international literary collection Memoria Books, is a reference on the time travel theme. Wells transports us in the year 802 701, in a society made up of the “Elois”, who live peacefully in a kind of big Garden of Eden, eating fruits and sleeping high up, while underground lives another species, also descending from men, the “Morlocks”, who do not stand the light anymore, living in the dark for too long now. At night, they return to the surface, going back up by the wells, in order to kidnap some Elois that they eat ; these last became livestock unknowingly. In The Time Machine, made into a movie several times, the last of them in 2002 by Simon Wells, the great-grandson of H. G. Wells, time is both a pretext to move the class struggle and warn... and also, in a way, a full character, who fascinates, arbitrates, transcends... The illustrations come to reinforce the time travel and provide a new experience to the reader.

Anne Carson’s works re-think genre in some of the most unusual and nuanced ways that few writers ever attempt, from her lyric essays, enigmatic poems, and novels in verse to further forays into video and comics and collaborative performance. Carson’s pathbreaking translations of Ancient Greek poetry and drama, as well as her scholarship on everything from Sappho to Celan, only continue to demonstrate the unique vision she has for what’s possible for a work of literature to become. Anne Carson: Ecstatic Lyre is the first book of essays dedicated to the breadth of Anne Carson’s works, individually, spanning from Eros the Bittersweet through Red Doc. With contributions from Kazim Ali, Dan Beachy-Quick, Julie Carr, Harmony Holiday, Cole Swensen, Eleni Sikelianos, and many others (including translators, poets, essayists, scholars, novelists, critics, and collaborators themselves), we learn from Carson’s greatest admirers and closest readers about the books that moved and inspired them.