The charismatic god-king Sukarno has brought Indonesia to the edge of chaos - to an abortive revolution that will leave half a million dead. For the Western correspondents here, this gathering apocalypse is their story and their drug, while the sufferings of the Indonesian people are scarcely real: a shadow play.Working at the eye of the storm are television correspondent Guy Hamilton and his eccentric dwarf cameraman Billy Kwan. In Kwan's secret fantasy life, both Sukarno and Hamilton are heroes. But his heroes betray him, and Billy is driven to desperate action. As the Indonesian shadow play erupts into terrible reality, a complex personal tragedy of love, obsession and betrayal comes to its climax.

Here’s a new turn for the controversial cartoonist and commentator Ted Rall. Not only is this autobiographical but he has paired up with the acclaimed artist of Bluesman and The Castaways for fully painted art. It’s the eighties and Ted is in college in New York City and slipping. His pranks, lack of focus and restlessness get him kicked out of school. Unable to find a job, rejected by his parents, he’s on the verge of suicide. Instead he finds comfort in the arms of many women he meets casually and puts up a front for. Hey, better than being homeless and begging, but then... is it? It may sound like an ideal grift but the toll is much higher than one may imagine. Between acidly funny and disturbingly real, Rall, a cartoonist whose work has alienated half the world, pours out his guts on a hard turning point in his life. Callejo adopts a new fully painted color style for this work, showing his versatility.

Call it the year of dreaming dangerously: 2011 caught the world off guard with a series of shattering events. While protesters in New York, Cairo, London, and Athens took to the streets in pursuit of emancipation, obscure destructive fantasies inspired the world’s racist populists in places as far apart as Hungary and Arizona, achieving a horrific consummation in the actions of mass murderer Anders Breivik. The subterranean work of dissatisfaction continues. Rage is building, and a new wave of revolts and disturbances will follow. Why? Because the events of 2011 augur a new political reality. These are limited, distorted—sometimes even perverted—fragments of a utopian future lying dormant in the present

A SPECTATOR BOOK OF THE YEAR – 'a dark remembrance of 1953, when nuclear annihilation was only the press of a button away'. January 1953. Eight years on from the most destructive conflict in human history, the Cold War enters its deadliest phase. An Iron Curtain has descended across Europe, and hostilities have turned hot on the Korean peninsula as the United States and Soviet Union clash in an intractable and bloody proxy war. Former wartime allies have grown far apart. An ageing Winston Churchill, back in Downing Street, yearns for peace with the Kremlin – but new American President Dwight Eisenhower cautions the West not to drop its guard. Joseph Stalin, implacable as ever, conducts vicious campaigns against imaginary internal enemies. Meanwhile, the pace of the nuclear arms race has become frenetic. The Soviet Union has finally tested its own atom bomb, as has Britain. But in the middle of the Pacific Ocean, the United States has detonated its first thermonuclear device, dwarfing the destruction unleashed on Hiroshima and Nagasaki. For the first time, the Doomsday Clock is set at two minutes to midnight, with the risk of a man-made global apocalypse increasingly likely. As the Cold War powers square up, every city has become a potential battleground and every citizen a target. 1953 is set to be a year of living dangerously.

Highly prized biography of one of the Netherlands' most famous and controversial filmmakers.

Living Dangerously: In Sweet Delusions And Datelines From Shrieking Hell is a history-driven story casting a wide net over the Vietnam War, called the most important event of the second half of the twentieth century. It is a story with flashbacks and live action, from the battlefield to the bedroom, politics and the military, to a his-her war of sweet, bitter, and brave love.

Brought up in South Africa, he never knew his father, who had died in the Italian Campaign the year before he was born. Ranulph followed his father's path into the Royal Scots Greys. After that came the SAS, from which he was dismissed for blowing up an American film set at the idyllic Cotswold village of Castle Combs, then two vicious years as a volunteer fighting communist insurgents in Oman. Then began the series of expeditions for which Fiennes is best known and which caused The Guinness Book of Records to hail him in 1984 as 'the world's greatest living explorer.' Up the White Nile in a hovercraft, parachuting onto Europe's highest glacier, forcing his way up 4,000 miles of terrifying rivers in northern Canada and Alaska, overland to the North Pole and to the ends of the earth, across the world's axis-the Transglobe Expedition-which took ten years from conception to completion. He writes here too about his attempt to reach the North Pole without dogs or motorised equipment, beating the world record by 300 miles, his determination to find the lost city of Urbar in the Arabian desert and, finally, his extraordinary journey across the Antarctic Continent via the South Pole. Living Dangerously is a remarkable testament from a remarkable man.

“[A] fanciful, endearing account of his experiences tackling classic works of fiction. . . . There is plenty of hilarity in [this] intimate literary memoir.” —Publishers Weekly Nearing his fortieth birthday, author and critic Andy Miller realized he’s not nearly as well read as he’d like to be. A devout book lover who somehow fell out of the habit of reading, he began to ponder the power of books to change an individual life—including his own—and to the define the sort of person he would like to be. Beginning with a copy of Bulgakov’s Master and Margarita, he embarks on a literary odyssey of mindful reading and wry introspection. From Middlemarch to Anna Karenina to A Confederacy of Dunces, these are books Miller felt he should read; books he’d always wanted to read; books he’d previously started but hadn’t finished; and books he’d lied about having read to impress people. Combining memoir and literary criticism, The Year of Reading Dangerously is Miller’s heartfelt, humorous examination of what it means to be a reader. Passionately believing that books deserve to be read, enjoyed, and debated in the real world, Miller documents his reading experiences and how they resonated in his daily life and ultimately his very sense of self. The result is a witty and insightful journey of discovery and soul-searching that celebrates the abiding miracle of the power of reading. “An affecting tale of the rediscovery of great books . . . [by] a friendly, funny Brit.” —Boston Globe “Funny and engaging.” —Kirkus Reviews “Amiable, circumstantial, amusing, charming. . . . [Miller’s] style owes something . . . to Joe Brainard and David Foster Wallace.” —The Times (London)

【A story by USA Today bestselling author becomes a comic!】Lilley is invited to a ball by CEO Alessandro on the worst day of her life. She had been despairing over her broken life, but attending the ball with this overwhelmingly gorgeous millionaire and wearing stunning clothes of the highest quality, she feels like she’s gone from being a pitiful little mouse to Cinderella. She has a beautiful night and gives him her virginity, but how long can she keep her true identity from him?

“Chad Ford reminds us that humanity lies within all of us, and although conflict is everywhere in today's world, we have the tools we need to overcome obstacles and to thrive. This is a fantastic, timely book that I highly recommend." —Steve Kerr, Head Coach, Golden State Warriors Knowing how to transform conflict is critical in both our personal and professional lives. Yet, by and large, we are terrible at it. The reason, says longtime mediator Chad Ford, is fear. When conflict comes, our instincts are to run or fight. To transform conflict, Ford says we need to turn toward the people we are in conflict with, put down our physical and emotional weapons, and really love them with the kind of love that leads us to treat others as fellow human beings, not as objects in our way. We have to open ourselves up with no guarantee that anyone on the other side will do the same. While this can feel even more dangerous than conflict itself, it allows us to see the humanity of others so clearly that their needs and desires matter to us as much as our own. Ford shows dangerous love in action through examples ranging from his work in the Middle East to a deeply moving story about reconciling with his father. He explains why we disconnect from people at the very time we need to be most connected and the predictable patterns of justification and escalation that ensue. Most importantly, he gives us a path to practice dangerous love in the conflicts that matter most to us.