Originally published by the Sierra Club in 1995, this handbook covers genres, techniques, and publication issues for aspiring writers, scholars, and students who want to share their experiences in nature and the outdoors.

The New York Times–bestselling author of H is for Hawk explores the human relationship to the natural world in this “dazzling” essay collection (Wall Street Journal). In Vesper Flights, Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing the massive migration of songbirds from the top of the Empire State Building, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk’s poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds’ nests, and the unexpected guidance and comfort we find when watching wildlife.

Essays that trace the making of a reluctant nature writer.

In this comprehensive study of the genre, Don Scheese traces its evolution from the pastoralism evident in the natural history observations of Aristotle and the poetry of Virgil to current American writers. He documents the emergence of the modern form of nature writing as a reaction to industrialization. Scheese's personal observations of natural settings sharpen the reader's understanding of the dynamics between author and locale. His study is further informed by ample use of illustrations and close readings core writers such as Thoreau, John Muir, and Mary Austin showing how each writer's work exemplifies the pastoral tradition and celebrate a spirit of place in the United States.

In the "wild nearby," we can still discover places rich in natural mysteries. Tom Springer finds them in secret urban fishing holes, motherly old trees and even the curious link between stars, trees and souls.

Offering guidance on writing poetry, nonfiction, and fiction, Environmental and Nature Writing is a complete introduction to the art and craft of writing about the environment in a wide range of genres. With discussion questions and writing prompts throughout, Environmental and Nature Writing: A Writers' Guide and Anthology covers such topics as: · The history of writing about the environment · Image, description and metaphor · Environmental journalism, poetry, and fiction · Researching, revising and publishing · Styles of nature writing, from discovery to memoir to polemic The book also includes an anthology, offering inspiring examples of nature writing in all of the genres covered by the book, including work by: John Daniel, Camille T. Dungy, David Gessner, Jennifer Lunden, Erik Reece, David Treuer, Bonnie Jo Campbell, Alyson Hagy, Bonnie Nadzam, Lydia Peelle, Benjamin Percy, Gabrielle Calvocoressi, Nikky Finney, Juan Felipe Herrera, Major Jackson, Aimee Nezhukumatathil, G.E. Patterson, Natasha Trethewey, and many more.

W. W. Norton is pleased to announce that The Norton Book of Nature Writing is now available in a paperback college edition.

Align Your Creative Energy with Nature’s “Everything we know about creating,” writes Tina Welling, “we know intuitively from the natural world.” In Writing Wild, Welling details a three-step “Spirit Walk” process for inviting nature to enliven and inspire our creativity.

Enjoy a whole year of the very finest nature writing, with one carefully selected piece to savour every day. This beautifully illustrated daily anthology brings you the very best of nature writing from around the world and through the centuries, from Pliny the Elder’s Natural History to modern authors such as Helen Macdonald and Robert Macfarlane. Encompassing fact and fiction, essays and field guides, letters and diaries, it’s a rich banquet of prose, the perfect companion to help your mind escape into the world of nature every day. It contains descriptions of nature in all its guises: Virginia Woolf on snails, Kenneth Grahame on the charms of a riverbank, Willa Cather on the rolling American prairies, and, via L. M. Montgomery, Anne of Green Gables on Octobers. David Attenborough pops up to talk about our responsibility to the natural environment, Edith Holden provides evocative descriptions from The Country Diary of an Edwardian Lady, and Henry David Thoreau, of course, sends dispatches from Walden Pond. We meet Rudyard Kipling’s jungle animals and Jack London’s wild dogs, and Mark Twain explains why a camel is not jumpable. Keep this wonderful celebration of nature by your bedside and it will become the perfect start or close to each day of the year.

Together, their work signals a new direction in the field and offers refreshingly original insights into a broad spectrum of texts.