Write Choices: Elements of Nonfiction Storytelling helps writers cultivate their nonfiction storytelling skills by exploring the decisions all writers confront when crafting factual narratives. Sue Hertz focuses on examining the common choices all true storytellers encounter, whether they are writing memoirs, literary journalism, personal essays, or travel essays. And since today's writers are no longer confined to paper, Write Choices also includes digital storytelling options, and advice on how writers can employ technology to enhance their narratives. Key Features Challenging Choices boxes in each chapter highlight how writers have decided to proceed at a particularly difficult juncture in their writing process. Web Choices sections in each chapter detail the decisions involved in creating additional multimedia to complement prose narratives. Try Tim writing exercises throughout the text provide opportunities for readers to apply and explore writing strategies presented in each chapter. Content gleaned from interviews with over 60 nonfiction storytellers exposes readers to established writers and editors representing all styles of nonfiction writing. Book jacket.

Ten years after his father's disappearance, 14-year-old Benji Marino plans to escape from town. With time against him, leaving Wishville might be his only chance for freedom - but it may also cost him his life. Recommended to fans of THE GIVER, this colorful and chilling debut dives into a sea of forbidden curiosity.

Spelling and Writing Words: Theoretical and Methodological Advances provides a set of contributions about how individuals write words. Understanding word production is of major importance as it allows understanding how words -the basic elements of written language- are stored in the writers’ brain and how do writers select the spelling of a word. “br/> The theoretical chapters address hot topics in the field such as the role of phonology in writing, bilingualism, language disorders, orthographic acquisition, and the influence of handwriting on reading. The methodological chapters address individual differences, how to measure handwriting performance in different handwriting styles, and neuroscientific approaches. The concluding chapters explore the future of written word production research.

A reference work on important writers from the seventeenth century to the first part of the twentieth century, including 84 original critical essays on writers ranging from Charles Perrault to Laura Ingalls Wilder.

"It appears to be the only individual emitting a call at this frequency and hence, has been described as the world's loneliest whale."—Wikipedia So here's how it all starts: James, a high school freshman, is worried that the young humpback whale he tracks online has separated from its pod. So naturally he emails Darren, the twentysomething would-be filmmaker who volunteered in James's special education program back in middle school. Of course, Darren is useless on the subject of whales, but he's got nothing but time, given that the only girl he could ever love dumped him. And fetching lattes for his boss has him close to walking out on his movie dream and boomeranging right back to his childhood bedroom. So why not reply to a random email from Whale Boy? Predictably, this thread of emails leads to a lot of bizarre stuff, including a yeti suit, drug smuggling, widows, a major documentary filmmaking opportunity, first love, a graveyard, damaged echolocation, estranged siblings, restraining orders, choke holds, emergency dentistry...and then maybe ends with something like understanding. See, it turns out that the thing that binds people together most is their fear that nothing binds them together at all.