An empty screen, eerie serenade – who can resist woven tales sung by chiseled tongues? Woven Tales encapasulates selected poems from the Unspeakable Truths Series (Damnation Begins, 2007, and Baptism By Blood, 2009) and the Versified Series (Versified Darkness, 2008 and Versified Delusions, 2012).

Tales I Have Woven is a collection of short stories that spin around the colorful fabric of life. The common threads of love, search for meaning, human choices, family values, tradition, change, environment, destiny and lifes purpose are intricately contrived into a tapestry that blends into one. In The Stone House, Mr. So lived his life following the family values of honor and responsibility. He took care of his fathers textile company and of his aging mother. Polistico was the respected tenor in a little village until the day of a big wedding in the story of Polistico. In Chrysalis the quiet town of Anao woke up hearing a bellowing voice of a strange creature. It was a historical town that whispered and was heard. And in Amapola, the fields of poppies in the valley made people leave and move. It was the restless need to chase and venture towards something that followed them. As the lives of these characters unfold, Elenita unveils her keen observation in the dynamic power of human sentiments, of love, compassion, purpose, and communal spirit. Tales I Have Woven is a propitious literary debut.

SIX STORIES. ONE EPIC JOURNEY When the world as you know it is rent into shreds, you either survive or you die. When your friends, your neighbors, members of your own family starve to death in front of your young eyes, only a steel drive to live will rescue you. If your government turns on you, killing everyone in your community, only foresight and the guts to listen to it will help you. When widespread poverty and lack of hope destroy the fabric of reality, only fortune can save you. When you survive any or all of these traumatic events, you live to create the next generation. Cam and Tessa are the next generation. Raised by Holocaust survivors and refugees in New York City in the 1970's, Tessa battles not only her own demons but those her family faced. She takes nothing for granted and relies only on herself as she navigates a dangerous and dark period of time in the city. Cam needs to escape the midwestern upbringing that began with his mother's journey from somewhere in Eastern Europe to an orphanage in Iowa and with his great grandfather's early life in Ireland; and ends with his father's spiraling and destructive behavior. Directionless and lost, Cam takes a risk to find his way. At a chance meeting, they discover that they are kindred spirits; and against the push from both sides, they clasp hands and decide to face whatever may come together. Woven dives deeply into events you learned about in history class and makes them personal. Written as a series of novellas, this book weaves the lives of four very different families into one story, showing that out of overwhelming adversity can come strength, hope, and a future no one predicted.

The grassroots publishing sensation that began with "Leaning Into the Wind" continues in this second volume of women's writing from the heart of the American West.

The Quechua people of southern Peru are both agriculturalists and herders who maintain large herds of alpacas and llamas. But they are also weavers, and it is through weaving that their cultural traditions are passed down over the generations. Owing to the region's isolation, the textile symbols, forms of clothing, and technical processes remain strongly linked to the people's environment and their ancestors. Heckman's photographs convey the warmth and vitality of the Quechua people and illustrate how the land is intricately woven into their lives and their beliefs. Quechua weavers in the mountainous regions near Cuzco, Peru, produce certain textile forms and designs not found elsewhere in the Andes. Their textiles are a legacy of their Andean ancestors. Andrea Heckman has devoted more than twenty years to documenting and analyzing the ways Andean beliefs persist over time in visual symbols embedded in textiles and portrayed in rituals. Her primary focus is the area around the sacred peak of Ausangate, in southern Peru, some eighty-five miles southeast of the former Inca capital of Cuzco. The core of this book is an ethnographic account of the textiles and their place in daily life that considers how the form and content of Quechua patterns and designs pass stories down and preserve traditions as well as how the ritual use of textiles sustain a sense of community and a connection to the past. Heckman concludes by assessing the influences of the global economy on indigenous Quechua, who maintain their own worldview within the larger fabric of twentieth-century cultural values and hence have survived everything from Latin American militarism to a tidal wave of post-modern change.

“I have used this textbook for four courses on children’s literature with enrollments of over ninety students. It is without doubt the most well organized selection of literary fairy tales and critical commentaries currently available. Students love it.” —Lita Barrie, California State University, Los Angeles This Norton Critical Edition includes: · Seven different tale types: “Little Red Riding Hood,” “Beauty and the Beast,” “Snow White,” “Sleeping Beauty,” “Cinderella,” “Bluebeard,” and “Tricksters.” These groupings include multicultural versions, literary rescriptings, and introductions and annotations by Maria Tatar. · Tales by Hans Christian Andersen and Oscar Wilde. · More than fifteen critical essays exploring the various aspects of fairy tales. New to the Second Edition are interpretations by Ernst Bloch, Walter Benjamin, Max Lüthi, Lewis Hyde, Jessica Tiffin, and Hans-Jörg Uther. · A revised and updated Selected Bibliography.

What are we supposed to do with that lovely, infuriating, instigating, mischievous blank page? Who are we, when we're being uncommonly honest? Where do we stand, in the landscape of truth? How do we discover and profess the story of our life when lives are such strange and messy things? Frankly, why bother? In Tell the Truth. Make It Matter., a one-of-a-kind memoir workbook, Beth Kephart offers an insider's look at the making of true tales--and an illustrated workbook to guide the wild ride. Combining smartly selected samples with abundantly fresh ideas, dozens of original exercises with cautions, questions with answers, Kephart inspires, encourages, and persistently believes in those with a story to tell. Write this, the workbook says. Read this. Consider this. Discover who you are. Have some honest fun with words. Truth could not come from a more authoritative source--Beth Kephart, who, as an award-winning writer of 22 books, an award-winning teacher at the University of Pennsylvania, a winner of the 2013 Books for a Better Life Award (motivational category) for Handling the Truth: On the Writing of Memoir, a nationally renowned speaker, and a partner in Juncture Writing Workshops, has mastered the art of leading readers and writers toward the stories of themselves. Truth should find a home among high school teachers, college professors, workshop leaders, autodidacts, secret writers and public ones. It is the perfect (graduation, birthday, holiday, friendship) gift--to others, and to oneself.

The Blue Gonk Café decided to hold a storytelling day... some of the best writers from Thirteen Press went to the sessions... the result being an anthology of almost 170 pieces of flash fiction, ranging from SF through gentle humour to outright horror. Pick up and put down or start at the beginning and read through all the storytelling sessions, either way the collection is a delight for the senses, far ranging stories covering all aspects of Life. Come on in and be part of the storytelling sessions. You won't regret it!