OH NO!!! You found The Worst Book in the Whole Entire World! Well, since you're already here I may as well tell you about it... Poor Nameless tries to explain to the reader why this book is simply the WORST book in the whole entire world. Will he succeed in his noble quest? Is he the reason this book is the worst?? Will it have a happy ending or the worst ending ever??? The Worst Book in the Whole Entire World is a humorous and witty tale for young and seasoned readers. Whatever you do though, don't read it out loud! You may catch wind of these words: toot, stinky, booger, and booty. You've been warned, but you'll still want to see what happens next!

The meeting of the worst person in the world and the ugliest person in the world has some unexpected results.

This book addresses the worst problems currently facing humanity and those that may pose future threats. The problems are explained and approached through a scientific lens, and categorized based on data involving global mortality, vulnerability, and threat level. The book presents indices of problem severity to compare relative intensity of current and potential crises. The approach avoids emotional argument using mainly empirical evidence to support the classification of relative problem severity. The author discusses multiple global problems and ranks them. He also explores specific solutions to each problem, links problems to human behavior from a social science perspective, considers international cooperation, and finally pathways to solutions. The book discusses confirmation bias and why this necessitates a scientific approach to tackle problems. The moral assumption that each person has the same rights to life and minimal suffering, and that the natural world has a right to exist, forms the basis of ranking problems based on death, suffering, and harm to the natural world. A focus is given to potential disasters such as asteroid collisions and super-volcanic eruptions, which are then presented in chapters that address specific contemporary global issues including disease, hunger, nuclear weapons and climate change. Furthermore the author then ranks the problems based on an index of problem severity, considering what other people think the worst problems are. The relative economic costs to solve each of these problems, individual behavior in the face of these problems, how people could work together internationally to combat them, and a general pathway toward solutions form the basis of the final chapters. This work will appeal to a wide range of readers, students considering how they can help the world, and scientists and policy makers interested in global problem solving./div

'HILARIOUS! Proper laughs!' Pamela Butchart 'Deliciously silly, with hilarious catchphrases, Joanna Nadin's The Worst Class in the World, illustrated with grubby glee by Rikin Parekh, is a great cheer-up book.' Guardian A brand new, laugh-out-loud young fiction series from bestselling author Joanna Nadin. Perfect for fans of Horrid Henry and the Trouble with Daisy series. According to head teacher Mrs Bottomley-Blunt, 4B is the WORST CLASS IN THE WORLD. She says school is not about footling or fiddle-faddling or FUN. It is about LEARNING and it is high time 4B tried harder to EXCEL at it. But Stanley and Manjit didn't LITERALLY mean to flood the toilets when they should have been monitoring the playground. And they definitely didn't LITERALLY mean to bring a penguin home from the zoo on their school trip. These things just happened even though they had a FOOLPROOF plan to get away with them.

From the world’s favourite author, David Walliams – ten cautionary tales and a delightfully dreadful cast of characters; all in glorious FULL COLOUR!

This is a unicorn tale like no other... because this is The WORST Unicorn Book in the Whole Entire World! Nameless the Rock has now found himself stuck in a book with a unicorn..or is the unicorn stuck in a book with Nameless?!? What could be so be so bad about a unicorn book? Are there really too many unicorn books in the world Is this unicorn a magical and majestic creature or just a horse...with a horn...on its head The Worst Unicorn Book in the Whole Entire World is a humorous and witty tale for young and seasoned readers. Come see what is in store for Nameless in this new adventure in this quirky, silly and a little ridiculous easy reader for children. The Entire World Books series is geared towards ages 3-9 and is great for beginner and reluctant readers. Boys, girls, primary school students, adults, and parents can enjoy this new quirky and silly children's book series. DISCLAIMER: this book is not meant to be educational or considered a literary classical masterpiece by any means. This story is the worst AND these illustrations are the worst. That's the idea! However, if you and your child have a clever and unique sense of humor then this very well may be the book for you. Think 'The Book with No Pictures' humor, but with...pictures...

The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."

The extraordinary tale of early colonial Australia as seen through the eyes of Mary Pitt and her family, who voluntarily migrated from their home in Dorset in 1801 to live in a penal colony.

In 1970, galvanized in part by the musical experiments of John Cage, Gavin Bryars, and Cornelius Cardew, students at Portsmouth College of Art formed their own symphony orchestra. Christened the Portsmouth Sinfonia, the primary requirement for membership specified that all players, regardless of skill, experience, or musicianship, be unfamiliar with their chosen instruments. This restriction, coupled with the decision to play "only the familiar bits" of classical music, challenged the Sinfonia's audience to reconsider the familiar, as the ensemble haplessly butchered the classics at venues ranging from avant-garde music festivals to the Royal Albert Hall. By the end of the decade, after three LPs of their anarchic renditions of classical and rock music and a revolving cast of over one hundred musicians-including Michael Nyman and Brian Eno-the Sinfonia would cease performing, never officially retiring.The World's Worst: A Guide to the Portsmouth Sinfonia, the first book devoted to the ensemble, examines the founding tenets, organizing principles, and collective memories of the Sinfonia, whose reputation as "the world's worst orchestra" underplays its unique accomplishment as a populist avant-garde project. In the simple constraint that defined the ensemble, the trappings of European concert hall traditions commingled with an experimental approach to music, producing a sense of joyful collectivism that was shared with the Sinfonia's audiences. The unorthodox journey of the Portsmouth Sinfonia unfolds here through interviews with the orchestra's original members and publicist/manager, magazine publications, photographs, and unseen archival material, alongside an essay by Christopher M. Reeves.