Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.

DIVAn exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900./div

Purchase the hardcover version at www.stlhockeybook.com. Gateway City Puckchasers: The History of Hockey in St. Louis is the first book ever published that details the great hockey tradition in St. Louis, which dates back more than one hundred years. Beginning with the Ice Palace and the World’s Fair Hockey Club and extending to the 2013-14 St. Louis Blues, who had one of the best records in the National Hockey League, every important moment is described. In addition to focusing on all of the teams such as the Flyers, Eagles, Braves, Vipers, River Otters, Chill and Blues, several of the all-time great players and ambassadors of St. Louis hockey receive special focus. While there have been many great moments in Gateway City hockey, some are so indelible that stories alone are not nearly enough. Entire box scores of several games, including the first hockey game played in St. Louis in 1899, are included that details all of the important information.Gateway City Puckchasers also features many rarely seen photographs and drawings which only enhance the stories, as well as color graphics showing the various jerseys the professional teams wore through the years. This is a one-of-a-kind book and is a must have for any St. Louis hockey fan.

"This entrancing book looks at [the clash of class and caste within the black community] . . . . An important reexamination of African American history." —Choice The 1893 World's Columbian Exposition in Chicago showed the world that America had come of age. Dreaming that they could participate fully as citizens, African Americans flocked to the fair by the thousands. "All the World Is Here!" examines why they came and the ways in which they took part in the Exposition. Their expectations varied. Well-educated, highly assimilated African Americans sought not just representation but also membership at the highest level of decision making and planning. They wanted to participate fully in all intellectual and cultural events. Instead, they were given only token roles and used as window dressing. Their stories of pathos and joy, disappointment and hope, are part of the lost history of "White City." Frederick Douglass, who embodied the dream that inclusion within the American mainstream was possible, would never forget America's World's Fair snub.

While performing a scene from "A Midsummer Night's Dream," Una and Dan accidentally summon Puck who enables them to witness tales of English history.