Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.

An essential book on a broad range of World religions (Christianity, Judaism, Islam, Hinduism, Buddhism, Gnosticism, etc) Modern art forms (Romanticism, Cubism, Surrealism, Abstract Expressionism, YBAs, Postmodernism etc) and artists. This analysis gets to the heart of what constitutes religious art in a modern age. The book includes the work of art theorists (Benjamin, Greenberg, Debord, Bakhtin, Bataille, Sontag, Derrida) and over 120 key artists.

Blaspheming artists get all the press. Some exploit the shock potential of religious imagery - but many also reflect deeply on spiritual matters and are, in fact, some of the most profound and sensitive commentators on religion today. Here, Aaron Rosen shows how religious themes and images permeate the work of contemporary artists from across the globe. Contrary to the expectations of twentieth-century rationalists, religion has not faded away in the 21st century, but roared back onto the scene with renewed vitality. This survey shows how religious themes and images continue to permeate the work of contemporary artists from across the globe. Some exploit the shock potential of religious imagery, but many also reflect deeply on spiritual matters. The introduction outlines the debates and controversies that the art-religion connection has precipitated throughout history. Each of the book's chapters opens by introducing a theme - ideas about creation, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, environmental art and sacred space - followed by a selection of works of art that develop that theme. The book encompasses a wide range of media and genres, from sculpture to street art, and considers faith in its broadest sense - from Islam and Christianity to Aboriginal mythology and meditation. Artists discussed include Ai Weiwei, Francis Alÿs, Vanessa Beecroft, Maurizio Cattelan, Cristo and Jeanne-Claude, Olafur Eliasson, Tracey Emin, Antony Gormley, Mona Hatoum, David LaChapelle, Richard Long, Annette Messager, Mariko Mori, Grayson Perry, Richard Serra, Hiroshi Sugimoto, Bill Viola, Mark Wallinger and more.

Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martínez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture.

In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.

Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.

The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. Drawn from the 2015 biennial CIVA conference, these reflections from theologians, pastors, and practicing artists imagine the possibility of a renewed and mutually fruitful relationship between contemporary art and the church.

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.

What does art have to do with faith? For many Christians, paintings, films, music, and other forms of art are simply used for wall decoration, entertaining distraction, or worshipful devotion. But what if the arts played a more prominent role in the Christian life? In Discovering God through the Arts, discover how the arts can be tools for faith-building, life-changing spiritual formation for all Christians. Terry Glaspey, author of 75 Masterpieces Every Christian Should Know, examines: How the arts assist us in prayer and contemplation How the arts help us rediscover a sense of wonder How the arts help us deal with emotions How the arts aid theological reflection and so much more. Let your faith be enriched, and discover how beauty and creativity can draw you nearer to the ultimate Creator.

This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.