Remarkable treasury includes nearly all of early Dutch composer's difficult-to-find organ and keyboard works, reproduced from a clearly-printed, reliable 1943 edition. Includes chorale variations; toccatas and fantasias; variations on secular, dance tunes. Also 3 incomplete and/or modified works, and an authentic fantasia by John Bull, based on a now-lost Sweelinck fugue. New Publisher's Note. Contents with incipits.

This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.

Originally published: New York: G. Schirmer, 1889.

A smaller version of the harpsichord, the virginal enjoyed wide popularity during the 16th and 17th centuries. Based upon a 1591 manuscript, this collection features 42 pieces in modern notation.

English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.

Piano transcriptions of the syncopated, turn-of-the-century melodies created by such masters as Scott Joplin, Percy Wenrich, and Charles Hunter

The renowned Flor Peeters is known as an organist and composer from his native Belgium to all of Europe and both Americas. Little Organ Book, consisting of hymn tunes and original compositions, has won special favor among teachers and students because of the clear presentation of elementary rules for organ playing.

Reflecting Lani's dedication to providing church musicians with quality and practical music, this rousing collection of duets provides exciting arrangements for the most celebratory days on the church calendar. These stirring works exhibit his mastery of keyboard color and texture. Two copies are required for performance.

Near-complete collection of great English composer's keyboard compositions, including the 8 suites, airs, trumpet tunes (for harpsichord solo), grounds, preludes, dances, etc. Edited by William Barclay Squire.

The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern, legato technique needed for organ music composed after 1750, as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.