Working On a Dream is a powerful and engaging study of this songwriter and performer's art. Springsteen has consistently summoned his creative power and artistic vision to indict political developments and demand the cultivation of a more compassionate and progressive society.

Bruce Springsteen often prefers to let his music do the talking. His onstage stories and shaggy dog tales have long entertained his fans, but his songs and his guitar provide the most direct line to their hearts. Considering his prominence on the rock 'n' roll landscape, Springsteen has spent remarkably little of his 40-year recording career speaking to the press. But when he does decide to sit down and talk, the conversations tend to be momentous. Q&As with Bruce Springsteen reveal an artist with great insight and self-awareness, a student of music, an avid searcher, an astute observer of humanity from the boardwalk to America at large. Much has been written about the Boss, but few can be said to know the man as well as he knows himself, and the best of Springsteen's own words are collected here in Talk About a Dream. Gathering more than 30 different interviews spanning from 1973 to 2013, this volume captures his remarkable personality-one that takes interviews as seriously as making music. These eye-opening conversations chart Springsteen's development as an artist, a thinker, and a public figure, shedding light on everything from the meaning of lyrics to his evolution from rebel rocker to global icon.

Outlaw Pete is a modern legend of a criminal who starts out in diapers and confronts the roughest edges of adulthood. It’s one of the most ambitious and original story songs Springsteen has written. When Bruce Springsteen was a little boy, he learned the story of Brave Cowboy Bill, about a pure-hearted little cowboy. It was the first of Bruce’s Western loves, which now range from John Ford movies to Mexican music to Native American art. Each of these inspirations, plus what he’s learned as a man and a rock ’n’ roller about how to combine whimsy and wisdom, were stations on the way to Outlaw Pete, a modern legend of a criminal who starts out in diapers and confronts the roughest edges of adulthood. It’s one of the most ambitious and original story songs Springsteen has written—rhapsodic and harsh, a meditation on destiny, filled with absurdities but not for one second of its eight minutes exactly a joke. It’s an elaborate musical drama, weaving into a single tapestry several styles of rock and an orchestration reminiscent of a Morricone soundtrack. Outlaw Pete is an adult book, illustrated by Frank Caruso, who drew and painted its pages. Caruso does more than illustrate the song. His approach, immaculately detailed, simple when it needs to be, parallels Springsteen’s blend of absurdity and meditation. The questions about destiny remain unanswered, as they must be, but they’re also brought into a different kind of focus. Details that pass by almost unnoticed in the lyrics become central. Reading and listening have rarely so superbly complemented each other. The result becomes the most intense kind of artistic collaboration, a vision shared. But I’m not trying to start anything, so buy it, don’t steal it, OK? —Dave Marsh

The complete Dream Songs--hypnotic, seductive, masterful--as thrilling to read now as they ever were John Berryman's The Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of oems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed. And while Henry is breaking down and cracking up and patching himself together again, Berryman is doing the same thing to the English language, crafting electric verses that defy grammar but resound with an intuitive truth: "if he had a hundred years," Henry despairs in "Dream Song 29," "& more, & weeping, sleepless, in all them time / Henry could not make good." This volume collects both 77 Dream Songs, which won Berryman the Pulitzer Prize in 1965, and their continuation, His Toy, His Dream, His Rest, which was awarded the National Book Award and the Bollingen Prize in 1969. The Dream Songs are witty and wild, an account of madness shot through with searing insight, winking word play, and moments of pure, soaring elation. This is a brilliantly sustained and profoundly moving performance that has not yet-and may never be-equaled.

A history of the acclaimed album, explores its themes of youth, escape, and potential, considers how it cemented Springsteen and the E Street Band's place in American art, and describes the obstacles that challenged its creation.

All people dream regularly, regardless of their circumstances, whether they remember their dreams upon awakening or not. From the beginning of human history, dreams have been a source of creative inspiration and spiritual renewal, emotional and psychological insight, and scientific and cultural innovation.

Working with dreams in therapy can help clients establish a focus and reach core issues quickly, and can play an important clinical role in both brief and long-term therapeutic relationships. This accessible volume integrates the latest research on sleep and dreaming with a cognitive-experiential psychotherapeutic perspective, providing a comprehensive guide to dream interpretation. In clear, jargon-free prose, elucidated by extensive case material, the author presents a three-stage model of dream interpretation based on the premises that dreams reflect waking life, that their meaning is best understood in a collaborative effort between client and therapist, and that both cognitions and emotions are important in this process. An Appendix contains a reproducible, self-guided manual on dream interpretation featuring step-by-step instructions and worksheets. This Appendix is an ideal resource for therapists to use with clients.

Guterman delves into dramatic moments from every phase of Springsteen's career, looking deep into the music, the man, and culture at large to deliver a nuanced portrait of The Boss, which both new fans and longtime followers will find compelling.

Originally published in 1979, this is a dream book with an outstanding difference: it takes the interpretation of dreams out of the realm of the professionals and gives it to the ultimate expert – the dreamer. Working with Dreams stresses the uniqueness of every dream and dreamer. With anecdotes and examples from their own dream groups, the authors show how to deal with the intimacy and honesty of a dream; how to explore its meanings without distorting them; how to let a dream tell us about ourselves and add to our understanding. Dr Ullman and Mrs Zimmerman start with the question of what is in a dream – what is real and what is symbolic? – and then go on to explain what happens during sleep and the way a dream develops. They cover remembering and recording dreams and dealing with the imagery of dreams. They illustrate the many predicaments that dreams depict, the self-deceptions we practice in relation to our dreams, and then show how dream groups – whether a family or a group of strangers – can work together to uncover the meaning of dreams. And they enrich their book by discussing everything from the history of dreams to the possibilities of dreams across space and time. The result is a storehouse of information about the world of dreams.

Buildings, bridges, and books don't exist without the workers who are often invisible in the final product, as this joyous and profound picture book reveals from acclaimed author of The Christmas Boot Lisa Wheeler and New York Times bestselling illustrator of Love Loren Long All across this great big world, jobs are getting done by many hands in many lands. It takes much more than ONE. Gorgeously written and illustrated, this is an eye-opening exploration of the many types of work that go into building our world--from the making of a bridge to a wind farm, an amusement park, and even the very picture book that you are reading. An architect may dream up the plans for a house, but someone has to actually work the saws and pound the nails. This book is a thank-you to the skilled women and men who work tirelessly to see our dreams brought to life.