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It is a high valley edged by serrated peaks, a remote expanse the size of Connecticut lying, as if forgotten, between two mountain ranges. Here, North AmericaÕs tallest sand dunes blow against glacier-gouged summits, the Rio Grande begins its long journey from snowflake to saltwater, and vast reaches of desert scrub hide verdant pocket wetlands. ColoradoÕs San Luis Valley is not a place for the timid. Sizzling hot in summer, frigid cold in winter, this huge landscape is humbling in its openness, a place defined by the rhythms of natureÑand by the thrust and parry of male courting female in the ritual dance of sandhill cranes. These majestic birds arrive by the thousands twice a year to feed, rest, and socialize in the valleyÕs wetlandsÑinvisible except from the airÑand their cries temper the constant wind. Susan Tweit lives in the high desert of southern Colorado not far from the valleyÕs dunes and wetlands. With the precision of a scientist and the passion of a poet, she guides readers through this land of sand dunes and sandhill cranes, describing its natural features and tracing its human history from buffalo hunters and conquistadors to Hispanic farming communities and UFO observatories. And in stunning images, photographer Glenn Oakley brings his intimate feel for light and landscape to portraying not only the subtle beauty of this high-desert sanctuary but also the grandeur of the cranes in flight. As an intimate look at Great Sand Dunes National Park and Preserve and the San Luis Valley, this book reveals a desert place as seductive and sobering as existence itself.

Traces the development of American attitudes toward the desert using case studies from many writers over the years.

Since its first appearance in 1901, John C. Van Dyke's The Desert has been considered one of the classics of American nature writing. Before its publication, Americans thought of deserts as scorpion-infested wastelands—with names like Devil's Domain and the Lands That God Forgot. All this changed as The Desert drew attention to the extraordinary beauty that existed in the American West: rolling sand dunes, golden vistas, vibrant sunsets, and remarkable plant and animal life. Van Dyke's book captured the nation's imagination at a time when attitudes about the land were changing. It provided a vocabulary that continues to be used as appreciation of deserts increases and ever greater pressures lead to new calls to protect these fragile environments. With a critical introduction by Peter Wild, this edition offers new insights—and reveals some surprising truths—about this legendary author and his best known work. Van Dyke was not, it seems, the "plaster saint of the desert." He was not entirely honest with his readers about the journeys that inspired the book, and his natural history includes serious errors. But in this more informed reading, Wild notes, Van Dyke "emerges as all the more fascinating a writer and his famous book becomes far more intriguing than most readers have imagined through the decades." As the centennial of its publication approaches and the complex story behind its long success is finally told, this new edition of The Desert reveals an equally complex and dramatic narrative: our changing relationship with the American landscape. "Van Dyke came at just the right time... No sooner had Americans conquered the wilderness, cut down the forests, and slaughtered the buffalo than the romantic nation began sentimentalizing the past, longing for what it had just destroyed."—from the Introduction

An introduction, through numbers, to some of Arizona's animals, geography, history, and more.