Part of a seven-volume facsimile set, this volume comprises firsthand accounts of France in the 1790s. It includes Helen Maria Williams' letters which narrate the fall of Robespierre in 1794 and her 1798 book on Switzerland which comments sceptically on the necessary coexistence of liberty with peace.

Part of a seven-volume facsimile set, this volume comprises firsthand accounts of France in the 1790s. It includes Helen Maria Williams' letters which narrate the fall of Robespierre in 1794 and her 1798 book on Switzerland which comments sceptically on the necessary coexistence of liberty with peace.

Part of a seven-volume facsimile set, this volume comprises firsthand accounts of France in the 1790s. It includes Helen Maria Williams' letters which narrate the fall of Robespierre in 1794 and her 1798 book on Switzerland which comments sceptically on the necessary coexistence of liberty with peace.

This eight-volume set in two parts gives voice to some intrepid women travellers touring post-Napoleonic France. The volumes are facsimile editions and are introduced and edited by experts in their field.

Chawton House Library: Women's Travel Writings are multi-volume editions with full texts reproduced in facsimile with new scholarly apparatus. The texts have been carefully selected to illustrate various themes in women's history.

A seven-volume facsimile set which comprises accounts of France in the 1790s. The texts are drawn from the Chawton House Library collection.

Part of a seven-volume facsimile set, this volume comprises firsthand accounts of France in the 1790s. It includes Helen Maria Williams' letters which narrate the fall of Robespierre in 1794 and her 1798 book on Switzerland which comments sceptically on the necessary coexistence of liberty with peace.

This eight-volume set in two parts gives voice to some intrepid women travellers touring post-Napoleonic France. The volumes are facsimile editions and are introduced and edited by experts in their field.

This eight-volume set in two parts gives voice to some intrepid women travellers touring post-Napoleonic France. The volumes are facsimile editions and are introduced and edited by experts in their field.

Part II of this edition reproduces The Tour of Africa, first published in 1821 by Catherine Hutton. Although framed as a first-person narrative, the three-volume work is in fact a compilation of existing travel accounts. Hutton’s Tour raises challenging questions about intertextuality in nineteenth-century women’s travel writing.