Novels of the eighteenth century usually offer wedded bliss as a reward to their heroines. How did these novels affect—and how were they affected by—the women who were reading them? By drawing upon thousands of unpublished documents from the era, written by more than 250 women, Brophy creates a picture of the real lives of eighteenth-century women and then examines the work of seven novelists in relation to this portrait. Excerpts from letters, diaries, and journals, written by women ranging from servants to nobility, reveal the stages of feminine life in the 1700s: dutiful daughter, courted maiden, obedient wife, and pitiful widow or spinster. Their lives are assessed against those portrayed in the works of seven novelists—five women (Sarah Fielding, Charlotte Lennox, Sarah Scott, Clara Reeve and Fanny Burney) and two men (Henry Fielding and Samuel Richardson). Fiction both reflects and creates the values of its time. In the eighteenth century, marriage was regarded as every woman's vocation and the novel often reinforced this conviction. “Only leave me myself,” the heroine's plea in Richardson's Clarissa, laments the dependent position of women in the age. However, the novel also influenced the self-perception of eighteenth-century women in a positive way, Brophy asserts, by admiring their intelligence, by condemning sexual transgressions in and out of marriage, and, most important, by placing women at the center of their own stories, as heroines in their own right. The abundant primary materials and straightforward writing in Women's Lives and the Eigtheenth-Century English Novel make this a book of interest to scholars of social and cultural history and to students of the novel.

This book charts the novel's vibrant engagement with clothes, examining how fiction revises and reshapes material objects within its pages.

In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.

This book explores the representation of women in english literature from the Restoration to the fall of Walpole.

Eighteenth-century women told their life stories through making. With its compelling stories of women's material experiences and practices, Material Lives offers a new perspective on eighteenth-century production and consumption. Genteel women's making has traditionally been seen as decorative, trivial and superficial. Yet their material archives, forged through fabric samples, watercolours, dressed prints and dolls' garments, reveal how women used the material culture of making to record and navigate their lives. Material Lives positions women as 'makers' in a consumer society. Through fragments of fabric and paper, Dyer explores an innovative way of accessing the lives of otherwise obscured women. For researchers and students of material culture, dress history, consumption, gender and women's history, it offers a rich resource to illuminate the power of needles, paintbrushes and scissors.

The eighteenth century looms large in the Scottish imagination. It is a century that saw the doubling of the population, rapid urbanisation, industrial growth, the political Union of 1707, the Jacobite Rebellions and the Enlightenment - events that were intrinsic to the creation of the modern nation and to putting Scotland on the international map. The impact of the era on modern Scotland can be seen in the numerous buildings named after the luminaries of the period - Adam Smith, David Hume, William Robertson - the endorsement of Robert Burns as the national poet/hero, the preservation of the Culloden battlefield as a tourist attraction, and the physical geographies of its major towns. Yet, while it is a century that remains central to modern constructions of national identity, it is a period associated with men. Until recently, the history of women in eighteenth-century Scotland, with perhaps the honourable exception of Flora McDonald, remained unwritten. Over the last decade however, research on women and gender in Scotland has flourished and we have an increasingly full picture of women's lives at all social levels across the century. As a result, this is an appropriate moment to reflect on what we know about Scottish women during the eighteenth century, to ask how their history affects the traditional narratives of the period, and to reflect on the implications for a national history of Scotland and Scottish identity. Divided into three sections, covering women's intimate, intellectual and public lives, this interdisciplinary volume offers articles on women's work, criminal activity, clothing, family, education, writing, travel and more. Applying tools from history, art anthropology, cultural studies, and English literature, it draws on a wide-range of sources, from the written to the visual, to highlight the diversity of women's experiences and to challenge current male-centric historiographies.

A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature

In the early eighteenth century, the household accountant was traditionally female. Socio-linguistic acts of feminized accounting are examined alongside property, originality, and the development of the early novel.

In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.

"While most of the letter writers are unknown, four achieved prominence - the author Charlotte Lennox, the Reverend Thomas Winstanley, the navigator Charles Clerke, and the bluestocking Susannah Dobson. This book presents new perspectives on Lennox's and Winstanley's domestic lives, Clerke's ambiguous encounters with indigenous peoples, and Dobson's mysterious sexuality." "This book will appeal to eighteenth-century scholars as well as to scholars in women's and cultural studies. It will also be of interest to postcolonial, queer, and other literary theorists."--BOOK JACKET.