Hundreds of beautiful hats by important American and European milliners, all illustrated in over 550 color photos. This carefully researched book profiles the creators and lists the most desirable designer and salon labels. It offers special sections with tips on dating, evaluation, and storing and decoration, as well as a useful value guide.

This illustrated work is both a history and celebration of the headgear of the past 100 years. It covers both sexes and includes the work of the great designers and also the mass produced hats which were worn daily by ordinary men and women.'

Sam Greevy is the toast of 1920s women's apparel, until the maverick fashion designer Sam Roms springs his radical creations on the world. The Sweatshirt, The Track Suit, Skater Pants: the clothes he comes up with are as from another dimension, and maybe they are. As Greevy tries to adapt to rapidly changing fashions, a parallel drama unfolds in Albany, circa 1998: a teenage stoner keeps losing articles of clothing, and a man keeps bursting out of his closet and taking them.

Based upon the author s large personal collection of beautiful fashion postcards from Edwardian times, this book takes the reader on a journey through that era covering the hat fashions and social changes of the day. Delve further into the carnage that took place around the world, in which unscrupulous and money grabbing individuals from the Northumbrian coast in England to the Everglades in America, would callously slaughter whole colonies of birds (leaving their young to die) purely to provide the millinery trade with ornate feathers to decorate fashionable hats during that era. The book also takes the reader into the world of millinery sweatshops of poverty stricken New York and describes the conditions and deprivations under which the poorly paid workers, many of them immigrants, worked. You can even learn about the background, history and amazing life of one of the world s greatest fashion designers, Coco Chanel, as she set out on her lifetime of fashion in Edwardian Paris. With superb fashion colou plates of the day, together with images of amazingly creative and colorful hat pins from both the UK and America, the author shares the fruits of his 40 years of postcard collecting and the highs and lows of his search for the 'Hats' postcards, as worn by his Edwardian 'girlfriends' from over 100 year ago."

453 illustrations provide authentic record of over 1,300 years of changing hairstyles and headwear in England: everything from wimples and crespines worn in Anglo-Saxon times to early-Victorian bonnets and pillboxes.

It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal

To celebrate the acquisition of the Tom Phillips archive, the Bodleian Library has asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits.Women in Hats explores the remarkable range in the world of millinery from outrageous Edwardian creations to the inventive austerities of the Second World War.This book contains 200 images chosen with the eye of a leading artist from a visually rich vein of social history. Their covers will also feature a thematically linked painting, especially created for each title, from Tom Phillips' signature work, A Humument.

Includes Paul Poiret, Jeanne Paquin, Jeanne Margaine-Lacroix, Maison Lucile, Coco Chanel, Jacques Doucet, Jean Patou, Callot Soeurs, Jeanne Lanvin, Madeleine Vionnet, Elsa Schiaparelli, Adrian, Christian Dior, Madame Gr{grave}es, Charles James, Crist{acute}obal Balenciaga, Hubert de Givenchy, Pierre Balmain, Pierre Cardin, Emilio Pucci, Yves Saint Laurent, Halston, Ralph Lauren, Kenzo, Christian Lacroix, Thierry Mugler, Yohji Yamamoto, Gianni Versace, Calvin Klein, Martin Margiela, and others.