This collection of folk and fairy tales has the theme of a girl or women who is the moving force in each story.

Strong women who prevail and triumph using their intelligence, courage, or resourcefulness are celebrated in this gathering of stories for all ages. It features legends, folklore, and fairy tales from such far-flung places as the Punjab, Africa, China, Japan, the Middle East, and Europe and from places close at hand-Hawaii, New England, and the Ozarks. Some of the tales are reprinted from their original telling, others are completely retold. All are excellent for read-alouds, story time, or reading programs. Also of interest to students of literature, storytelling, or women's studies.

Responding to thirty years of feminist fairy-tale scholarship, this book breaks new ground by rethinking important questions, advocating innovative approaches, and introducing woman-centered texts and traditions that have been ignored for too long.

The famous fairy tales of the Brothers Grimm - stories like Snow White , Red Riding Hood , and Rumplestiltskin - are know to millions of people around the world and are deeply embedded in the collective psyche. In this charming account, writer and scholar Valerie Paradiz reveals the true story of how the fairy tales came to be. Jacob and Wilhelm Grimm, collectors and editors of more than 200 folk stories, were major German intellects of the nineteenth century, contemporaries of Goethe and Schiller. But as Paradiz reveals here, the romantic image of the two brothers traveling the countryside, transcribing tales told to them by peasants, is a far cry from the truth. In fact, more than half the fairy tales the Grimm brothers collected were actually contributed by their educated female friends from the bourgeois and aristocratic classes. While German folkloric scholars-all of them male-fancied themselves the keepers of the cultural flame, it was a handful of women who ensured that millions would know the stories of Sleeping Beauty and Cinderella by heart. Set against the backdrop of the chaotic Napoleonic wars and the years of high German romanticism, Clever Maids chronicles one of the most fascinating literary collaborations in European history and brilliantly captures the intellectual spirit of the men and women of the age. Even more, it illuminates the ways in which the Grimm tales, with their mythic portrayals of courage, sacrifice, and betrayal, still speak so powerfully to us today.

Enter a world in which magic exists, hope wins and every woman's heart is alive with courage! This global feast of ancient tales features valiant women overcoming every kind of obstacle and danger to fulfil their destinies. Travel through Africa, Asia, Europe, the Middle East, North America and the Pacific. Shudder, cheer and laugh out loud as the heroines deal with trolls, faeries, dragons and ghosts; admire their knowledge, wit and cunning; marvel at shapeshifting and other manifestations of the supernatural. A rich collection of fairy tales, beautifully illustrated throughout with Joe McClaren woodcuts, this book is stitched together like a series of Scheherazade stories. It is story-telling at its best, pitch perfect fairy tales of fearless women for readers everywhere.

In this engaging commentary, the distinguished analyst and author Marie-Louise von Franz shows how the Feminine reveals itself in fairy tales of German, Russian, Scandinavian, and Eskimo origin, including familiar stories such as "Sleeping Beauty," "Snow White and Rose Red," and "Rumpelstiltskin." Some tales, she points out, offer insights into the psychology of women, while others reflect the problems and characteristics of the anima, the inner femininity of men. Dr. von Franz discusses the archetypes and symbolic themes that appear in fairy tales as well as dreams and fantasies, draws practical advice from the tales, and demonstrates its application in case studies from her analytical practice.

Burning dinners, stitching "scandalous" quilts, talking "hard" in the male dominated world of rap music---Feminist Messages interprets such acts as instances of coding, or covert expressions of subversive or disturbing ideas. While coding may be either deliberated or unconscious, it is a common phenomenon in women's stories, art, and daily routines. Because it is essentially ambiguous, coding protects women from potentially dangerous responses from those who might be troubled by their messages.

Beginning on the shores of West Africa in the sixteenth century and ending in the U.S. Lower South on the eve of the Civil War, Alexis Wells-Oghoghomeh traces a bold history of the interior lives of bondwomen as they carved out an existence for themselves and their families amid the horrors of American slavery. With particular attention to maternity, sex, and other gendered aspects of women's lives, she documents how bondwomen crafted female-centered cultures that shaped the religious consciousness and practices of entire enslaved communities. Indeed, gender as well as race co-constituted the Black religious subject, she argues—requiring a shift away from understandings of "slave religion" as a gender-amorphous category. Women responded on many levels—ethically, ritually, and communally—to southern slavery. Drawing on a wide range of sources, Wells-Oghoghomeh shows how they remembered, reconfigured, and innovated beliefs and practices circulating between Africa and the Americas. In this way, she redresses the exclusion of enslaved women from the American religious narrative. Challenging conventional institutional histories, this book opens a rare window onto the spiritual strivings of one of the most remarkable and elusive groups in the American experience.

It is found among the old, old histories of the Tibetans that a female demon living among the mountains in Northern India mated with a monkey from the forests of Tibet, and from this union sprang the Tibetan race of people. The greater part of their literature is of a sacred nature, telling of their creation, of the formation of the world, of Buddha and his miraculous birth and death, of his reincarnations and the revisions of his teachings. A kind of almanac, a little astronomy, plans for casting a horoscope, and many books filled with religious teachings and superstitions, including the worship of devils and demons, are about all that can be found. The 49 little stories in this book are told as the people sit around their boiling tea made over a three stone camp-fire. They are handed down from father to son, from mother to daughter, and though often filled with their superstitious beliefs, through them all run a vein of humor and the teachings of a moral truth which is quite unexpected. These tales were gathered by Dr. A. L. Shelton on his trips among the Tibetans, around their camp-fires at night, and in their black tents high up in the mountains. Every country has its folk-lore tales that have always been a joy and pleasure to the children, not only of their own land, but of other lands as well. May these stories add a little to this pleasure and enjoyment everywhere, in whatsoever tongue they may be translated or in whatever land they may be read. Flora Beal Shelton 1925

One hundred great folk tales and fairy tales from all over the world about strong, smart, brave heroines. Dismayed by the predominance of male protagonists in her daughters' books, Kathleen Ragan set out to collect the stories of our forgotten heroines. Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines. Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.