Everybody says that the owner of Sal's Diner is a former Mafioso, but nine-year-old Joanna, whose mom has worked for him as long as she can remember, has a hard time believing he's a Mafia retiree. But one day, when two fat, toothless men who look like the Godfather's brothers show up at the diner, she wonders if maybe the rumor is true. And when Sal is arrested a few days later, Joanna's mother not only runs the diner while he's in jail, she also leads the charge to save him. Can the women who frequent his diner--the League of Women Who Live in Coffee Shops--save Sal from doing hard time in prison? Set against an urban backdrop of seedy motels and dilapidated houses next to industrial buildings and railroad tracks, Stella Pope Duarte's award-winning stories follow characters who make up the city's underbelly. Some strut through the lethal streets, flamboyant and hard to miss--flashy divas, transvestites, and prostitutes, like Valentine, "one of the girls who decorated Van Buren Street like ornaments dangling precariously on a Christmas tree." Others remain hidden, invisible to those who don't seek them out--bag ladies, illegals, and addicts.

Irresistible stories of love and fidelity, mystery and unexpected lives from some of the bestselling authors writing today. Published in conjunction with Woman & Home and Breast Cancer Care, this collection of terrific short stories includes many of the top names in fiction writing today: Fanny Blake, Fern Britton, Elizabeth Buchan, Tracy Chevalier, Jenny Colgan, R J Ellory, Julia Gregson, Tessa Hadley, Maeve Haran, Veronica Henry, Victoria Hislop, Eowyn Ivey, Cathy Kelly, Erin Kelly, Deborah Lawrenson, Kathy Lette, Lesley Lokko, Jill Mansell, Val McDermid, Kate Mosse, Jojo Moyes, Adele Parks, Nicky Pellegrino, Ian Rankin, newcomer Cara Ross, Penny Vincenzi and Katherine Webb.

Bethany: This coffee shop is going to kill me. Sure, it's my dad's dream. If he hadn't died eight months ago, I wouldn't be here, a college drop out, trying not to drown in debt. Nor would I be staring into the muddy eyes of a viking-sized man that's telling me everything I'm doing wrong-as if he knows so much about business in a small mountain town. Except he does. And when the biggest, most unexpected surprise of all falls in my lap, I'll have no choice but to ask for his help. Time for some power lipstick. Maverick This girl is drowning. She might have eyes like glacier pools and hair so black it's glossy, but that doesn't mean she knows how to run a coffee shop. She's drowning in more than debt, interest, and credit card payments. She'll never make it. But I kind of want her to. Because underneath that bright lipstick and those sun dresses is a woman that I have an uncomfortable feeling is about to rock. my. world. This is a clean, standalone (first in series) contemporary romance with sizzle and spice-but no sex scenes. Guaranteed bantering and happily ever after.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Traditional Storytelling Today explores the diversity of contemporary storytelling traditions and provides a forum for in-depth discussion of interesting facets of comtemporary storytelling. Never before has such a wealth of information about storytelling traditions been gathered together. Storytelling is alive and well throughout the world as the approximately 100 articles by more than 90 authors make clear. Most of the essays average 2,000 words and discuss a typical storytelling event, give a brief sample text, and provide theory from the folklorist. A comprehensive index is provided. Bibliographies afford the reader easy access to additional resources.

A must-have for anyone who loves diners and coffee shops. Taylor travels more than 26,000 miles throughout the United States collecting stories of lifer waitresses. Their compelling stories are complemented by Taylor's striking color photographs of them at work.

Heralded as a prairie writer and best known for As For Me and My House and for his stories of the bleak dust bowl Prairies of the Great Depression, Sinclair Ross has also written of urban life and, briefly, of army life, as the stories in this collection demonstrate. The Race and Other Stories includes previously uncollected short stories and a chapter from Whir of Gold, here title "The Race," which stands on its own as a short story. Furthermore, "Spike," published in French in Liberté in 1969, appears here for the first time in English. Ross's taut, economical, rhythmic prose reflects the bleak, spare landscape of the prairie. The concerns of his novels are equally evident in his stories: loneliness and alienation, the sense of entrapment, the imaginative and artistic struggle. This collection of stories will be of interest to those who wish to better understand one of Canada's most respected writers and the diversity that can be found in his writings.

A young boy applies lipstick on his lips as his mother looks on and grapples with her son’s sexuality. A wife negotiates with the ‘other woman’ and a love child after her diplomat husband’s violent death. A middle-aged woman ‘disappears’ while answering her inner calling. The Second Wife & Other Stories deals with love, war, caste and class divides. The stories in this collection are contemporary yet timeless. They ask probing questions on gender issues, explore queer relationships, and boldly re-tell the epics. The woman and her story remain the focal point as the author delves deep into women’s lives and raises provocative questions.

”I feel a woman is most attractive when she surrenders to her man. She is incomplete without a man,” averred Kamala Das shortly before her death in May, 2009. One of the most controversial and celebrated Indian authors, she combined in her writings rare honesty and sensitivity, provocation and poignancy. The Kept Woman and Other Stories explores the man-woman relationship in all its dimensions. Deprived, depraved, mysterious, mystical and exalted, each character, culled from experience and observation, is an incisive study of love, lust and longing.