Based on extensive fieldwork, Women of Fes shows how Moroccan women create their own forms of identity through work, family, and society. The book also examines how women's lives are positioned vis-à-vis globalization, human rights, and the construction of national identity.

In Morocco today, the idea of female laborers is generally frowned upon. Yet despite this, many women are beginning to find work in factories. Laetitia Cairoli spent a year in the ancient city of Fes; Girls of the Factory tells the story of what life is like for working women. Forced to find a factory job herself so that she could speak more intimately with working women, she was able to learn firsthand why they work, what working means to them, and how important earning a wage is to their sense of self. Cairoli conveys a general sense of the working life of women in Morocco by describing daily life inside a Moroccan sewing factory. She also reveals the additional work they face inside their homes. More than an ethnography, this volume is also for those who want to better understand what life is like for a new generation of young women just entering the workforce.

This book examines the work of three key women’s organizations working towards women’s rights and a peaceful solution to the Cyprus Problem. Based on a 13-year longitudinal qualitative study that develops a transnational feminist lens to look at the role of Hands Across the Divide (HAD), the Gender Advisory Team (GAT), and the Mediterranean Institute of Gender Studies (MIGS) organizations in women's activism on Cyprus, the research zooms in on three main questions: 1) How have women’s groups organized for peace? 2) What have been their key issues and organizing strategies? 3) What have been their organizing successes and challenges?

Morocco: Ancient cities, adobe fortresses of centuries past, fertile plains of wheat and olives, carpets of wildflowers, endless deserts, wild mountains, and isolated rural villages. And of course, the fabled open-air markets framed with stacks of woven rugs and other handicrafts, exotic scents wafting through the aisles, the hum of Arabic, Berber, French. Within this diverse land and confluence of cultures, many rich and ancient craft traditions carry on—women spin and weave, make buttons, embroider designs passed down through generations, and sew stunning native costumes. Women Artisans of Morocco tells the stories of twenty-five women who practice these textile traditions with an inspiring energy, pride, and fortitude. For the first time, we have a book that focuses on the artisans of Morocco themselves, those who produce these beautiful textiles that contribute substantially to their family's income while maintaining households and raising children. You will step into the lives of these Moroccan women artisans and gain an appreciation for their artistic skills and ingenuity but also for their strong roles in this supposedly male-dominated society, their fierce independence and determination as they work to improve their economic livelihoods. You will be welcomed into their homes in rural Berber villages, in bustling cities, and in a remarkable desert oasis. You will begin to learn truly what it is like to live as a woman in Morocco and to be part of a rapidly changing society. Most of the women presented here are rug weavers whose ancient skills and designs vary from region to region. You will also meet Fes embroidery artists, women who needle-weave buttons that have decorated native costumes for centuries, and a contemporary seamstress. Joe Coca's award-winning photography, guided by his curious and reverent sensibility, captures the beauty of the women, their work, and Morocco.

This text is an original investigation in the complex relationship between women, gender, and language in a Muslim, multilingual, and multicultural setting. Moroccan women's use of monolingualism (oral literature) and multilingualism (code-switching) reflects their agency and gender-role subversion in a heavily patriarchal society.

Encountering Morocco introduces readers to life in this North African country through vivid accounts of fieldwork as personal experience and intellectual journey. We meet the contributors at diverse stages of their careers–from the unmarried researcher arriving for her first stint in the field to the seasoned fieldworker returning with spouse and children. They offer frank descriptions of what it means to take up residence in a place where one is regarded as an outsider, learn the language and local customs, and struggle to develop rapport. Moving reflections on friendship, kinship, and belief within the cross-cultural encounter reveal why study of Moroccan society has played such a seminal role in the development of cultural anthropology.

This book examines the position of women in the contemporary Middle East and North Africa (MENA) region. Although it is culturally diverse, this region shares many commonalities with relation to women that are strong, deep, and pervasive: a space-based patriarchy, a culturally strong sense of religion, a smooth co-existence of tradition and modernity, a transitional stage in development, and multilingualism/multiculturalism. Experts from within the region and from outside provide both theoretical angles and case studies, drawing on fieldwork from Egypt, Oman, Palestine, Israel, Turkey, Iran, Tunisia, Algeria, Morocco, and Spain. Addressing the historical, socio-cultural, political, economic, and legal issues in the region, the chapters cover five major aspects of women’s agency: political agency civil society activism legal reform cultural and social agencies religious and symbolic agencies. Bringing to light often marginalized topics and issues, the book underlines the importance of respecting specificities when judging societies and hints at possible ways of promoting the MENA region. As such, it is a valuable addition to existing literature in the field of political science, sociology, and women’s studies.

Drawing on research from the Women, Family, Crime and Justice research network, this collection sheds new light on the experiences of women and families who encounter the UK criminal justice system. Contributions demonstrate how these groups are often ignored, oppressed and victimised, and offer insights and practical recommendations for change.

The Medina -- the Old City -- of Fez is the best-preserved, medieval walled city in the world. Inside this vibrant Moroccan community, internet cafes and mobile phones coexist with a maze of donkey-trod alleyways, thousand-year-old sewer systems, and Arab-style houses, gorgeous with intricate, if often shabby, mosaic work. While vacationing in Morocco, Suzanna Clarke and her husband, Sandy, are inspired to buy a dilapidated, centuries-old riad in Fez with the aim of restoring it to its original splendor, using only traditional craftsmen and handmade materials. So begins a remarkable adventure that is bewildering, at times hilarious, and ultimately immensely rewarding. A House in Fez chronicles their meticulous restoration, but it is also a journey into Moroccan customs and lore and a window into the lives of its people as friendships blossom. When the riad is finally returned to its former glory, Suzanna finds she has not just restored an old house, but also her soul.

This title explains how Moroccan women passed this cultural art down to the next generation and how embroidered pattern were used to decorate interior spaces as well as certain traditional accessories in the female wardorbe such as shawls, belts, handkerchiefs and headscarves.