This interdisciplinary study fuses analysis of feminist literature and manifestos, radical political theory, critical vanguard studies, women's performance art, and popular culture to argue for the animal liberation movement as successor to the liberationist visions of the early twentieth-century avant-gardes, most especially the Surrealists. These vanguard groups are judiciously critiqued for their refusal to confront their own misogyny, a quandary that continues to plague animal activists, thereby disallowing for cohesion and full recognition of women's value within a culturally marginalized cause. This volume is of interest to anyone who is concerned about the continued--indeed, escalating--violence against nonhumans. More broadly, it will interest those seeking new pathways to challenge the dominant power constructions through which oppression of humans, nonhumans, and the environment thrives. Women, Destruction, and the Avant-Garde ultimately poses the animal liberation movement as having serious political and cultural implications for radical social change, destruction of hierarchy and for a world without shackles and cages, much as the Surrealists envisioned.

"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--

When The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory by Carol J. Adams was published more than twenty years ago, it caused a immediate stir among writers and thinkers, feminists and animal rights activists alike. Never before had the relationship between patriarchy and meat eating been drawn so clearly, the idea that there lies a strong connection between the consumption of women and animals so plainly asserted. But, as the 21 personal stories in this anthology show, the impact of this provocative text on women's lives continues to this day, and it is as diverse as it is revelatory. One writer attempts to reconcile her feminist-vegan beliefs with her Muslim upbringing; a second makes the connection between animal abuse and her own self-destructive tendencies. A new mother discusses the sexual politics of breastfeeding, while another pens a letter to her young son about all she wishes for him in the future. Many others recall how the book inspired them to start careers in the music business, animal advocacy, and food. No matter whether they first read it in college or later in life, whether they are in their late teens or early forties, these writers all credit The Sexual Politics of Meat in some way with the awakening of their identities as feminists, activists, and women. Even if you haven't read the original work, you're sure to be moved and inspired by these tales of growing up and, perhaps more important, waking up to the truths around us.

This important book charts new territory by showcasing some of the newest developments in the rapidly-growing field of Critical Animal Studies. Critical Animal Studies presents a radical ethical and normative challenge to existing systems of power in the context of neoliberal capitalism and to the existential structure of speciesism. The essays in this book link activist and academic approaches to dismantle the exploitation and oppression of nonhuman animals. Featuring an international team of contributors, the book reflects the transdisciplinary character of Critical Animal Studies, with chapters by activists and academics from disciplines across the social sciences, including historical archaeology, political science, psychology, geography, law, social work and philosophy. The book provides advanced-level students with an ideal introduction to a wide range of perspectives on Critical Animal Studies, amongst other things proposing new ways of considering animal advocacy, decolonization and liberation.

A classic resource on feminist theory, Feminist Thought offers a clear, comprehensive, and incisive introduction to the major traditions of feminist theory, from liberal feminism, radical feminism, and Marxist and socialist feminism to care-focused feminism, psychoanalytic feminism, and ecofeminism. The fifth edition has been thoroughly revised, and now includes a new chapter on Third Wave and Third Space Feminism. Also added to this edition are significantly expanded discussions on women of color feminisms, psychoanalytic and care feminisms, as well as new examinations of queer theory, LGBTQ and trans feminism. Learning tools like end-of-chapter discussion questions and the bibliography make Feminist Thought an essential resource for students and thinkers who want to understand the theoretical origins and complexities of contemporary feminist debates.

An inspiring instructional handbook for transforming idealism into social change

This important two-volume set unapologetically documents how capitalism results in the oppression of animals ranging from fish and chickens to dogs, elephants, and kangaroos as well as in environmental destruction, vital resource depletion, and climate change. Most traditional narratives portray humanity's use of other animals as natural and necessary for human social development and present the idea that capitalism is generally a positive force in the world. But is this worldview accurate, or just a convenient, easy-to-accept way to ignore what is really happening—a systematic oppression of animals that simultaneously results in environmental destruction and places insurmountable obstacles in the path to a sustainable and peaceful future? David Nibert's Animal Oppression and Capitalism is a timely two-volume set that calls into question the capitalist system at a point in human history when inequality and the imbalance in the distribution of wealth are growing domestically and internationally. Expert contributors show why the oppression of animals—particularly the use of other animals as food—is increasingly being linked to unfavorable climate change and the depletion of fresh water and other vital resources. Readers will also learn about the tragic connections between the production of animal products and global hunger and expanded regional violence and warfare, and they will understand how many common human health problems—including heart attacks, strokes, and various forms of cancer—develop as a result of consuming animal products.

In 2006 the Animal Enterprise Terrorism Act (AETA) was passed with the intention to equip law enforcement agencies with the tools to apprehend, prosecute, and convict individuals who commit "animal enterprise terror." But, as many have come to realize, this act does not concretely define what is meant by that phrase, leading to the interpretation that anyone interfering with a company's ability to make a profit from the exploitation of animals can be considered a terrorist. In this unprecedented and timely collection, some of the most influential voices in the world of law and animal rights examine the legalities of the AETA, highlight its repressive nature and the collusion between private interests and political legislation, and provide theoretical frameworks for understanding a variety of related issues. In a series of interviews, the book also gives animal advocates who have been convicted or directly affected by the AETA, including members of the AETA 4 and SHAC 7, an opportunity to speak for themselves. Ultimately, these writers show that the AETA is less about fighting terrorism and more about safeguarding corporate profit, and that it should be analyzed and resisted by everyone who believes in a better world. Featuring: Piers Beirne, Sarahjane Blum, Heidi Boghosian, Walter Bond, Joseph Buddenberg, Sarat Colling, Kimberly E. McCoy, Jason Del Gandio, Scott DeMuth, Carol L. Glasser, Jennifer D. Grubbs, Josh Harper, Stephanie Jenkins, Jay Johnson, Eric Jonas, Michael Loadenthal, Dara Lovitz, Lillian M. McCartin, Anthony J. Nocella II, David Naguib Pellow, Will Potter, Dylan Powell, Ryan Shapiro, Wesley Shirley, John Sorenson, Vasile Stanescu, Brad J. Thomson, and Aaron Zellhoefer

This book argues that qualitative methods, ethnography included, have tended to focus on the human at the cost of understanding humans and animals in relation, and that ethnography should evolve to account for the relationships between humans and other species. Intellectual recognition of this has arrived within the field of human-animal studies and in the philosophical development of posthumanism but there are few practical guidelines for research. Taking this problem as a starting point, the authors draw on a wide array of examples from visual methods, ethnodrama, poetry and movement studies to consider the political, philosophical and practical consequences of posthuman methods. They outline the possibilities for creative new forms of ethnography that eschew simplistic binaries between humans and animals. Ethnography after Humanism suggests how researchers could conduct different forms of fieldwork and writing to include animals more fruitfully and will be of interest to students and scholars across a range of disciplines, including human-animal studies, sociology, criminology, animal geography, anthropology, social theory and natural resources.

This book provides an insight into the everyday lives and experiences of people who live with dogs as companions; and glimpses aspects of the lives of the dogs who share their homes. It is framed sociologically and as such, considers the various forms of power relations which shape the lives of those kept as pets and their human owners. In recounting stories of companion humans and dogs, the co-constituted quality of life is clear. However, while dogs – as agential beings with needs, desires and a point of view – are able to shape outcomes and change aspects of their lived experience, the world they inhabit is profoundly geared to human inhabitants; and the most privileged ones at that. The book revisits the notion of pet keeping as the interplay between domination and affection arguing that these do not exist as a continuum, but a mesh of complex relations played out in the use of homespace, in the kitchen, the bedroom, the in the public world of park and the street. Those living with dog companions, as well as the dogs themselves, find their lives are muddied, both literally and figuratively; boundaries are tested and recast and the complications of inter-species cohabitation negotiated by all parties. Through an innovative theoretical contribution, Cudworth conceptualizes human relations with companion dogs in terms of complex social relations that involve both systemic forms of domination as well as nonhuman agency in shaping social relations and social forms.