It will therefore, I think be admitted that the present volumes, in which I have endeavoured to give a full and unprejudiced history of the Women Bonapartes, call for no apology; and I may even venture to believe that, whatever their shortcomings, they will be welcomed by the English and American public as an attempt to fill a place in our Napoleonic literature which has been long vacant.

It will therefore, I think be admitted that the present volumes, in which I have endeavoured to give a full and unprejudiced history of the Women Bonapartes, call for no apology; and I may even venture to believe that, whatever their shortcomings, they will be welcomed by the English and American public as an attempt to fill a place in our Napoleonic literature which has been long vacant.

Poe and Women presents essays by scholars who investigate the various ways in which women--Poe's female contemporaries, critics, writers, and artists, as well as women characters in Poe adaptations--have shaped Edgar Allan Poe's reputation and revised his depictions of gender.

From the award-winning historian and author of Revolutionary Mothers (“Incisive, thoughtful, spiced with vivid anecdotes. Don’t miss it.”—Thomas Fleming) and Civil War Wives (“Utterly fresh . . . Sensitive, poignant, thoroughly fascinating.”—Jay Winik), here is the remarkable life of Elizabeth Patterson Bonaparte, renowned as the most beautiful woman of nineteenth-century Baltimore, whose marriage in 1803 to Jérôme Bonaparte, the youngest brother of Napoleon Bonaparte, became inextricably bound to the diplomatic and political histories of the United States, France, and England. In Wondrous Beauty, Carol Berkin tells the story of this audacious, outsized life. We see how the news of the union infuriated Napoleon and resulted in his banning the then ­pregnant Betsy Bonaparte from disembarking in any European port, offering his brother the threat of remaining married to that “American girl” and forfeiting all wealth and power—or renouncing her, marrying a woman of Napoleon’s choice, and reaping the benefits. Jérôme ended the marriage posthaste and was made king of Westphalia; Betsy fled to England, gave birth to her son and only child, Jérôme’s namesake, and was embraced by the English press, who boasted that their nation had opened its arms to the cruelly abandoned young wife. Berkin writes that this naïve, headstrong American girl returned to Baltimore a wiser, independent woman, refusing to seek social redemption or a return to obscurity through a quiet marriage to a member of Baltimore’s merchant class. Instead she was courted by many, indifferent to all, and initiated a dangerous game of politics—a battle for a pension from Napoleon—which she won: her pension from the French government arrived each month until Napoleon’s exile. Using Betsy Bonaparte’s extensive letters, the author makes clear that the “belle of Baltimore” disdained America’s obsession with moneymaking, its growing ethos of democracy, and its rigid gender roles that confined women to the parlor and the nursery; that she sought instead a European society where women created salons devoted to intellectual life—where she was embraced by many who took into their confidence, such as Madame de Staël, Madame Récamier, the aging Marquise de Villette (goddaughter of Voltaire), among others—and where aristocracy, based on birth and breeding rather than commerce, dominated society. Wondrous Beauty is a riveting portrait of a woman torn between two worlds, unable to find peace in either—one a provincial, convention-bound new America; the other a sophisticated, extravagant Old World Europe that embraced freedoms, a Europe ultimately swallowed up by decadence and idleness. A stunning revelation of an extraordinary age.

A biography of a woman whose seductive beauty and tragic marriage repeatedly pulls us back for another look. Alexandra Deutsch literally “unpacks” Elizabeth Patterson Bonaparte’s personal belongings in this intuitively sophisticated material culture biography of the woman whose seductive beauty and tragic marriage repeatedly pulls us back for another look and, ideally, a deeper understanding of the person behind the celebrity. In addition to letters and portraits, Deutsch found bits of the story in previously overlooked objects in the vast Bonaparte family collections. Long overlooked textile scraps, for example, tell rich stories of forgiveness gifts from Jerome to Elizabeth. A lone red account book contains a record of her finances, yet turned 180 degrees reads like a journal, providing “some of the most powerful evidence of Elizabeth's internal struggles” during the French trial over her son’s legitimacy. The volume is likely one of the five in which she recorded a “skeleton” of a memoir. Deutsch pays equal attention to the lives of Elizabeth’s son Jerome Napoleon Bonaparte, “Bo,” and grandsons Jerome Jr. and Charles, deftly exploring how the members of these next generations defined and perpetuated their royal heritage through material possessions. This work truly expands Elizabeth Patterson Bonaparte’s story beyond the “mésalliance” with Napoleon’s younger brother and reveals the complex life of a romantic and rebellious young woman whose deep hurt drove her to the courts of Europe and who ultimately found comfort and satisfaction in her hard-won financial independence. In this well-balanced and exceptionally sensitive work, Elizabeth Patterson Bonaparte finally breathes.