Kari Torjesen Malcolm offers readers a satisfying alternative to both traditional and feminist models of what a woman should be.

Winner of the Mormon History Association Best International Book Award The Church of Jesus Christ of Latter-day Saints continues to contend with longstanding tensions surrounding gender and race. Yet women of color in the United States and across the Global South adopt and adapt the faith to their contexts, many sharing the high level of satisfaction expressed by Latter-day Saints in general. Caroline Kline explores the ways Latter-day Saint women of color in Mexico, Botswana, and the United States navigate gender norms, but also how their moral priorities and actions challenge Western feminist assumptions. Kline analyzes these traditional religious women through non-oppressive connectedness, a worldview that blends elements of female empowerment and liberation with a broader focus on fostering positive and productive relationships in different realms. Even as members of a patriarchal institution, the women feel a sense of liberation that empowers them to work against oppression and against alienation from both God and other human beings. Vivid and groundbreaking, Mormon Women at the Crossroads merges interviews with theory to offer a rare discussion of Latter-day Saint women from a global perspective.

Women at the Crossroads: A Woman's Perspective on the Weekly Torah Portion comprises 53 essays pertaining to women based on each of the weekly Torah Portions throughout the year. Rebbetzin Chana Bracha Siegelbaum discusses in-depth the characters and dilemmas of the women in the Torah that are relevant to the issues which women encounter today. The author explores the underlying values of laws and rituals that pertain to women by examining the inherent nature of women as presented in the Torah. Based on the intricacies of the Torah text, she shows the beauty and depth of the role of women as portrayed in the Torah and teaches the importance of women and their immense influence on society as prime movers of history. The book is divided into five chapters, corresponding to the five books of the Torah. Each chapter is divided into sections according to each Torah portion. In addition, it includes a comprehensive and useful compilation of biographies of the commentaries quoted in the book. Expounding the Torah text through methodical research of Midrash, Talmud and traditional commentators, such as Rashi and the Ramban, placed side-by-side with Chassidic masters like the Me'or v'Shemesh and modern commentators including Rabbi Aryeh Kaplan, Rebbetzin Chana Bracha Siegelbaum weaves together the strands that make up the tapestry of life for the contemporary woman.Rather than paying homage to the external, competitive, masculine world, the author demonstrates how Jewish women of today may look inwards to the women in the Torah for guidance in choosing their priorities in life.

Based on extensive research conducted by the Center for Creative Leadership (CCL) with participants in The Women's Leadership Program, the book provides a basis for understanding the many choices, tradeoffs, and decisions that face women daily. Showcasing many personal stories, it spotlights five key themes that are essential to guiding executive women's development today - the need to act authentically, make connections, control one's destiny, achieve wholeness, and gain self-clarity."--BOOK JACKET.

Every society throughout history has defined what counts as work and what doesn’t. And more often than not, those lines of demarcation are inextricable from considerations of gender. What Is Work? offers a multi-disciplinary approach to understanding labor within the highly gendered realm of household economies. Drawing from scholarship on gender history, economic sociology, family history, civil law, and feminist economics, these essays explore the changing and often contested boundaries between what was and is considered work in different Euro-American contexts over several centuries, with an eye to the ambiguities and biases that have shaped mainstream conceptions of work across all social sectors.

"Should sound a national alert to society that even our most privileged girls still pursue normal femininity at great risk to personal and civic health." THE BOSTON SUNDAY GLOBE Lyn Mike Brown and Carol Gilligan ask "What, on the way to womanhood, does a girl give up?" One hundred girls gave voice to what is rarely spoken and often ignored: that the passage out of girlhood is a journey into silence and disconnection, a troubled crossing when a girl loses a firm sense of self and becomes tentative and unsure. These changes mark the endge of adolescence as a watershed in women's psychological development and the stories the girls tell are by turns heartrending and courageous. Listening to these girls provides us with the means of reaching out to them at this critical time, and of better understanding what we as women and men may have left behind at our own crossroads. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR

With the exception of a few iconic moments such as Rosa Parks’s 1955 refusal to move to the back of a Montgomery bus, we hear little about what black women activists did prior to 1960. Perhaps this gap is due to the severe repression that radicals of any color in America faced as early as the 1930s, and into the Red Scare of the 1950s. To be radical, and black and a woman was to be forced to the margins and consequently, these women’s stories have been deeply buried and all but forgotten by the general public and historians alike. In this exciting work of historical recovery, Dayo F. Gore unearths and examines a dynamic, extended network of black radical women during the early Cold War, including established Communist Party activists such as Claudia Jones, artists and writers such as Beulah Richardson, and lesser known organizers such as Vicki Garvin and Thelma Dale. These women were part of a black left that laid much of the groundwork for both the Civil Rights Movement of the 1960s and later strains of black radicalism. Radicalism at the Crossroads offers a sustained and in-depth analysis of the political thought and activism of black women radicals during the Cold War period and adds a new dimension to our understanding of this tumultuous time in United States history.

In this innovative exploration of the interaction between economic processes and social relations, Lourdes Benería and Martha Roldán examine the effect of homework on gender and family dynamics. Their fieldwork in Mexico City during 1981-82 has enabled them to provide important new empirical data on industrial piecework performed by women as well as intimate glimpses of these women's lives which place that piecework in context. Tracing the stages of production from home to jobber, workshop, and manufacturer (often a multinational corporation), the authors demonstrate the way in which the work and lives of these women are connected through subcontracting to the national and often international system of production.

Women in their professional careers always look forward. What's next? What lies ahead? Where will the path lead? Dynamic, professional women encounter many crossroads that are intermingled with career and personal choices; faced with different roads to follow, sometimes not knowing where that path will lead. In this age of freedom, the possibilities are remarkable. Relationships with the work-world are dynamic and will change. Discover the freedom to choose new paths, to leave some things behind and welcome what's ahead. The book is filled with stories, ideas and learnings. All are spoken from the heart. Some are entertaining, dramatic, humble, happy, or sad, yet all are perceptive. The insights are just as unique as the 650+ professional women from around the globe who contributed them. Explore how professional women embrace the age of freedom whether they are in the eye of the storm, tackling a new career, reinventing themselves working on their own terms, or expecting the unexpected. This book is unlike any other. It is not about retirement, career change, or winding down. It's about the intersections professional women encounter and the choices available. Most importantly, it's about being true to oneself.